PHILADELPHIA
He switches off the overhead light. He slants the window
blinds, filling the room with shadow
Bob Seidman comes into the office, typically cheerful.
SEIDMAN
C'mon, Andy, you didn't lose
anything...
Seidman is struck by the mess in the office, and Andrew's
disheveled appearance.
SEIDMAN (CONT.)
Jesus.
ANDREW
I don't know what to do, Bob.
SEIDMAN
You'll never find it in the dark.
Seidman FLIPS ON the overhead light. Andrew flinches.
Seidman approaches. Andrew gives up trying to hide the
purple blotches, facing his mentor straight on.
SEIDMAN (CONT.)
What in God's name... ?
ANDREW
Bob...
SEIDMAN
What's wrong with your face?
ANDREW
What's wrong with my face? You
want to know what's wrong with
my face? I've got a skin
condition. Next question, Bob?
No more questions? Fine. Now
can you help me find the complaint?
SEIDMAN
Allright. Calm down.
ANDREW
Sorry...
Seidman sits in front of Andy's computer.
SEIDMAN
What was the file name?
ANDREW
K-R-O-one.
SEIDMAN
Maybe you mistyped the name when
you were saving it. We'll try
combinations of those letters...
Seidman goes to work. Andrew leans over his shoulder.
ANDREW
You're right, I probably just
misfiled...
KENTON (O.S.)
Andy?
Walter Kenton is standing at Andrew's door. His demeanor is
casual. So casual it seems a little forced.
KENTON (CONT.)
Some sort of problem?
Andrew has kept his face averted. But now he TURNS DIRECTLY
TOWARD CAMERA, showing his face to Kenton.
ANDREW
Yeah, Walter. Yeah. Some sort of
major problem.
HOLD ON THIS CLOSE UP OF ANDREW...
SOUND OF A BABY CRYING CROSSES THE CUT TO:
A NEWBORN BEING LIFTED INTO A DOCTOR'S HANDS (INT./DAY) ...
DOCTOR
There she is, okay. You can relax
now, Lisa.
LISA MILLER has just given birth to a baby girl. She
collapses on her pillow, gasping for breath, moaning in
pain, quietly crying a little.
TITLE: "One month later."
The NURSES and the (FEMALE) DOCTOR move professionally
around the bed, doing their jobs.
At Lisa's side, Joe fumbles with a camera while darting
amazed looks back and forth between Lisa and the baby.
JOE
Oh my god... a girl... oh my
god... Lisa... oh my god...
He's frantic.
JOE (CONT.)
You load the film... ? No, on
this side... or this side?
Don't move the baby!
LISA
Give me the camera, Joe.
Lisa pops the film into the camera, hands it back.
JOE
Thanks, hon. Oh my god...
With wildly trembling hands, Joe begins SNAPPING PHOTOS.
JOE (CONT.)
Oh my god... oh my god, look at
her... oh my god...
CUT TO:
JOE, WALKING THE HOSPITAL CORRIDOR, STILL WEARING SURGEON'S
greens, SPEAKING INTO HIS PORTABLE PHONE (INT./DAY) ...
JOE
Go to Famous Fourth Street and
buy a pound of Nova. No! She
likes Scotch salmon better. Ah
heck, get a pound of both! Get
a dozen onion rolls. Get some
bagels. Get a dozen. Get a
bottle of champagne. Dom
Peringon... A hundred bucks a
bottle?! Better get a good
California...
Passing a PATIENT IN TRACTION, ROLLING BY ON A GURNEY, Joe
drops a business card into the PATIENT'S broken hand.
JOE (CONT.)
(to the PATIENT)
Give me a call.
(into the phone)
Get everything over here as soon
as you can, she's starved. No,
not the baby! Lisa! ... Iris,
listen: any calls I should know
about? ... Uh huh... Uh huh...
Beckett? Who's Andrew Beckett?
Turning a corner, Joe comes face to face with HIS RELATIVES,
who charge at him joyfully:
JOE'S MOTHER/AUNTS/UNCLES, ETC.
Congratulations! How is Lisa?!
When can we see the baby?!
CUT TO:
QUIET... JOE, LISA AND THEIR BABY CUDDLED TOGETHER IN
Lisa's hospital bed, surrounded by debris from a party,
paper plates, empty champagne bottle (INT./NIGHT) ...
The relatives have gone. It's late at night.
Lisa holds the baby. Joe holds them both.
CUT TO:
AN INTERSECTION IN THE HEART OF OLD, DOWNTOWN PHILLY: A
movie palace (now a six-plex) across the street from the
Peter Pan Coffee Shop, PHILADELPHIA WORKERS going about the
business of the day (EXT./DAY) ...
TITLE: "One week later."
Above the Peter Pan Coffee Shop is a string of large
windows, each of which is painted with a question:
HEART ATTACK? ACCIDENT? MEDICAL MALPRACTICE? DOG BITE?
In bigger letters, across several windows:
D I A L 1 8 0 0 A - L A W Y E R
We hear JOE MILLER'S VOICE-OVER:
JOE (OS)
How big was this hole you fell
into?
CONTINUOUS CUT TO:
A HALLWAY BULLETIN BOARD ANNOUNCING THE VARIOUS DEPARTMENTS of
"Macready and Shilts Legal Services" (INT./DAY), including
"Auto/DUI/Collisions with Deer... Product liability... Medical
malpractice... Pet bites..."
The bulletin board stands at the entrance to a warehouse of
lawyers' cubicles formed by office dividers and plastic ferns...
PHONES JANGLING... INJURED CLIENTS LIMPING ABOUT...
JOE (OS) (CONT.)
And this hole was right in the
middle of the street?
CONTINUOUS CUT TO:
JOE IS IN HIS OFFICE, A BOX OF CIGARS ON THE DESK WITH PINK
bands announcing "It's a girl!" (INT./DAY). On the walls are
photos of INJURED CLIENTS (the same photos we saw in the
background of Joe's TV commercial)...
A FEMALE CLIENT (MRS. FINLEY) faces Joe, her arm in a sling.
MRS. FINLEY
Right.
JOE
Why didn't you cross at the
crosswalk?
MRS. FINLEY
Why should I?
CONTINUOUS CUT TO:
ANDREW IS SEEN FROM BEHIND, SITTING ON A SOFA IN THE WAITING
area. Very little hair shows beneath a Phillies ballcap...
A MAN WEARING A NECKBRACE, sitting next to Andrew, RISES,
MOVING to a seat opposite Andrew. From this new position the
MAN WITH THE NECKBRACE STARES at Andrew.
MAN WITH NECKBRACE'S POV:
The PURPLE BLOTCHES on Andrew's face are beginning,to recede,
not as angry looking as before, thanks to chemo therapy.
Andrew is dressed casually, in jeans and a softball jacket
(from the Wyant Wheeler team) with "Andy" embroidered over the
heart.
Joe's assistant, IRIS, approaches.
IRIS
Mr. Beckett?
Andrew rises, following Iris past office dividers, HARRIED
SECRETARIES and overflowing file cabinets.
Iris cannot look at Andrew as she walks beside him.
(Outside Joe's door is a sign: "Beware Mad Dog" with "Mad"
written by hand.)
IRIS (CONT.)
In here.
ANDREW
Thank you.
CONTINUOUS CUT TO:
ANDREW STEPS INTO JOE'S OFFICE (INT./DAY). ANDREW GLANCES
at the photos while Joe wraps up...
JOE
(to the FEMALE CLIENT)
Explain this to me like I'm a
six year old, okay? The entire
street is clear except for one
small area under construction,
with a huge hole that is clearly
marked and blocked off, and you
decide you must cross the street
at this spot. You fall into the
hole and you want to sue the
city for negligence? ...
MRS. FINLEY
Yeah. Do I have a case?
JOE
Of course you have a case! Now,
I want you to go with my
assistant, Iris, and fill out
some forms. She'll tell you
about our fee arrangement.
(as they're leaving)
Mrs. Finley? Any back pain
since the accident? Dizziness?
Nightmares?
MRS. FINLEY
Now that you mention it...
JOE
Tell Iris all about it.
(leading her out)
Take good care of Mrs. Finley,
Iris.
(to Andrew)
Beckett, come in.
Joe offers his hand, getting a look at Andrew's face.
JOE (CONT.)
Jesus Christ, what happened to you?
ANDREW
I have AIDS.
Joe WITHDRAWS his hand, before it touches Andrew's.
JOE
Whoa-oh!
(beat)
Sorry, I...
ANDREW
It's okay. Can I sit down?
JOE
Uh, yeah.
Andrew hesitates. Joe doesn't sound sure.
JOE (CONT.)
Go ahead.
Andrew sits, Joe returns to his desk. (Joe finds himself
acutely aware of where Andrew places his hands.)
ANDREW
(the cigars)
New baby?
JOE
One week old.
ANDREW
Congratulations.
JOE
Little baby girl.
ANDREW
Kids are great.
JOE
Thanks, Beckett. I'm real
excited about it.
(glances at his watch)
What can I do for you?
ANDREW
I was fired by Wyant Wheeler. I
plan to bring a wrongful
termination suit against Charles
Wheeler and his partners.
JOE
You want to sue Wyant Wheeler
Hellerman Tetlow and Brown?
ANDREW
Correct. I'm seeking
representation.
JOE
Continue.
ANDREW
I misplaced an important
complaint. That's their story.
Want to hear mine?
JOE
How many lawyers did you go to,
before you called me?
ANDREW
Nine.
JOE
Continue.
ANDREW
I was diagnosed with AIDS eight
months ago. During a bout of
pneumonia. I recovered quickly
and was back at work in ten
days. Since I was doing so well
on the AZT, we decided against
telling anyone about it.
JOE
We?
ANDREW
My lover and I.
JOE
Your... lover?
ANDREW
Miguel Alvarez. We've lived
together for nine years.
JOE
Continue.
ANDREW
I dove back into work,
everything was fine. Until the
lesions started...
SUDDENLY PICTURE CUTS TO:
TIGHT ON ANDREW WAUKING THROUGH THE LOBBY OF THE WHEELER
Building (INT./DAY). He's wearing MAKEUP, which sort of
covers the blotches. (NOTE: PICTURE and ANDREW'S VOICE OVER
do NOT match up. This is no ordinary flashback) ...
ANDREW (VO) (CONT.)
First on my leg. Then my
forearm, my back. Then... my
face. For a short period, I
avoided the office during the
day, waiting for the chemo
therapy to clear up the
lesions...


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