PITCH BLACK
EXT. THE GAUNTLET - NIGHT
SLEW OF SHOTS: Fry and Imam on the move, dragging the shield
fast. Audrey speed-crawling beneath. Pilgrim #1 tripping along
behind the shield. And Riddick behind them all, face already
tortured, pulling 200 pounds of stubborn-mule cargo -- yet
somehow keeping pace. The torch flames, stretched by the wind,
flank them in fire.
EXT. CANYON RIM - THE GAUNTLET - NIGHT
As predators launch from the rim.
EXT. THE GAUNTLET - NIGHT
First come the hatchlings, streaming right into their faces --
then veering away at the last second, repulsed by light. Next
come FERAL SOUNDS overhead.
RIDDICK
Don't look.
Thin blue liquid spatters them.
RIDDICK
Do not look up.
More spattering. Fry looks up -- and stumbles when she beholds...
A ceiling of predators. At the cusp of light, they dive and
weave and dart, slashing each other in a rabid desire to SOUND
OUT the humans below. It's like looking into a bucket of angry
eels.
RIDDICK
Keep going, keep going, keep going,
keep going!
His voice whips them like the Devil's coxswain. Chastened, Fry
keeps her eyes down and speed up.
More blue blood showers down -- followed by entrails dropping
out of the sky. Could this be Hell itself?
IMAM
(a muttered mantra)
"So dark the clouds around my way
I cannot see,
But through the darkness I believe
God leadeth me.
I gladly place my hand in His when
all is dim,
And, closing my weary eyes, lean
hard on him...."
Now WHOLE CORPSES ARE CRASHING DOWN around them, victims
of in-fighting. Fry and Imam start slaloming through the ghastly
mess.
Pilgrim #1 passes too close to a corpse: A blade slices his leg,
drawing blood. He keeps his mouth shut.
EXT. CHOKE-POINT - THE GAUNTLET - NIGHT
The passage narrows into a choke-point. Fry sees it first.
FRY
Riddick? RIDDICK?
Ahead, a clot of dead predators blocks the canyon.
AUDREY
What? What is it?
RIDDICK
It's a fucking staircase! Go over it!
GO OVER IT!
Steeling themselves, they start climbing.
But Audrey, on all fours, has to discover the corpses with her
hands. Then, taking exception at being walked on...
One "corpse" snaps at her. Audrey recoils sideways...
And tumbles down the mound of corpses. She's exposed.
PREDATORS' POV: Rapid-fire images of Audrey. Flashes from 10
different predators.
FRY
Audrey!
Audrey shakes out of it and scrambles for the shield just as...
A predator kamikazes onto the shield, its bone-blades piercing
the metal...
And nearly skewering Audrey beneath.
Caught in torchlight, steaming, the PREDATOR HOWLS as it tries
to rip free of the shield.
Beneath, Audrey hangs on and takes a thrashing.
The predator tears clear, spins, pounces blindly at...
Riddick, standing at light's edge. Stunningly, he catches the
beast under its scythe blades, blunting the attack. The predator
CLICKS MADLY at him.
PREDATOR'S POV: Of Riddick's face.
The predator rears back its head, ready to bisect Riddick with
its skull-blade.
Switchblade fast, Riddick drops a hand...
...yanks his shiv...
...and sweeps it over the belly of the beast. HOWLING, the
predator falls, disemboweled.
REACTION SHOTS of Fry and Imam. Stunned.
RIDDICK
Didn't know who he was fuckin' with.
They regroup. Imam's head swivels back and forth: They're one
person short.
IMAM
Suleiman!
RIDDICK
Get the girl back under. Keep going.
IMAM
SULEIMAN!
RIDDICK
KEEP GOING OR I WILL!
Suddenly Pilgrim #1 reappears, thrust back into the light by
unseen forces. He's still alive -- but shouldn't be. He makes
a feeble attempt to grab onto Imam, to anyone, but he's gone
again before they can even react, jerked out of the light. Out
of existence.
EXT. THE GAUNTLET - NIGHT
They flail on. And now, finally...finally....
The canyon widens, opening up like some door to Heaven. The
WORST SOUNDS fall behind. We can see it in their sweat-sheened
faces: The faintest hope that maybe they've survived the Seventh
Circle of Hell. But then...
The TORCHES SPIT AND SPUTTER.
Audrey hears PATTERING on the metal shield.
Blood falls anew.
One torch dies -- yet somehow comes back to life.
Imam upturns a hand, checking the liquid for color. But this
blood has no hue.
FRY
Oh, no. No, no, no....
IMAM
Rain.
EXT. THE GAUNTLET - NIGHT
RAIN MONTAGE: Water rilling, running, flowing over rocks and
ground.
EXT. THE GAUNTLET - NIGHT
Caught in a downpour, the survivors slog to a stop. One torch
goes out -- and won't relight.
RIDDICK
So where the hell's God now, huh?
(no answer from Imam)
I'll tell you where! He's up there
PISSING ON ME!
FRY
Riddick? How close?
Riddick sheds goggles to look ahead. We don't know what he
sees -- nor what he's thinking.
FRY
Tell me the settlement is right there!
RIDDICK, PLEASE!
RIDDICK
We can't make it.
HOLD on Fry's anguished face, rendered in dying torchlight.
Somewhere behind, the AWFUL SOUNDS RETURN.
RIDDICK
Here...hide here....
He's found a crevice in the canyon wall.
RIDDICK
Inside...inside....
EXT. CREVICE - THE GAUNTLET - NIGHT
They crawl into the fissure. The second torch dies behind them.
EXT. THE GAUNTLET - NIGHT
There's just one light left now -- the one Riddick wears on his
back. By its glow, we watch him lift the shield, muscle it over
to the crevice...
EXT. CREVICE - THE GAUNTLET - NIGHT
...and slide it over the opening. A black beat.
AUDREY
(a beat)
Why's he still out there?
Fry's not sure. Is he protecting them? Or entombing them?
EXT. MUDDY RISE - THE GAUNTLET - NIGHT
Working like Sisyphus, Riddick hauls the cells up a muddy rise.
He stops at the top, peers through the rain.
RIDDICK'S POV: Of the settlement.
Riddick disappears over the rise. The four cells follow,
slithering through the mud like a serpent's tail.
EXT. CREVICE - THE GAUNTLET - NIGHT
AUDREY
He's not coming back, is he?
Fry checks Imam's face. Did Riddick say anything to you?" Imam
wags his head. A bleak beat -- before Fry realizes she can see
his face.
FRY
There's light in here.
It's a soft glow from above. Imam climbs higher to discover
small blue-white lights clinging to rocks. He plucks a few.
FRY
What are they?
CLOSE on the lights in Imam's palm. They writhe with life.
IMAM
Larva....
AUDREY
Glow worms....
FRY
(mind racing)
How many bottles we got? Empty ones?
INT. SKIFF - NIGHT
Riddick boards the dark craft.
Connects the power cells to the battery bay.
Watches the ship come to life.
EXT. CREVICE - THE GAUNTLET - NIGHT
CLOSE on a liquor bottle. It's half full of glow-worms.
AUDREY
More, more, we need more....
They climb higher. Little by little, the bottle brightens their
world.
EXT. SKIFF - NIGHT
Drenched in light, Riddick stands in the hatchway of the skiff,
looking out into dark rain. Is he struggling with a decision?
Or just savoring the safe harbor? Then very deliberately...
Riddick smashes his handlight on the hull. He steps inside and
closes the hatch behind him.
EXT. MUDDY RISE - THE GAUNTLET - NIGHT
Something claws its way up the rise. Standing, we see that it's
Fry, a bottle of glow-worms strung around her neck. Ahead she
spies...
The settlement. Silhouetted by engine-light.
EXT. SKIFF - NIGHT
As the skiffs ENGINES WARM UP.
INT. SKIFF - NIGHT
As Riddick dabbles with flight controls.
EXT. SETTLEMENT - NIGHT
As Fry, running, splashes past buildings.
EXT. CREVICE - THE GAUNTLET - NIGHT


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