POINT BREAK
Enthused by the concept, Grommet turns to Nathaniel.
GROMMET
Head-butt!!!
They do. Their foreheads CRACK together. They stumble
backwards in giddy euphoria. Nathaniel laughs like Pee
Wee Herman.
BODHI
Something happened. You got nuked
in the last quarter.
UTAH
Yeah, my knee got folded about 90
degrees the wrong way.
BODHI
And that's why you never went pro?
UTAH
Two years of surgery. I missed my
window. Limped through law school
instead.
BODHI
Mmm. A lawyer, huh?
(like it's a disease)
Too bad. But at least you're
surfing now. So your life's not
over yet, right?
UTAH
Not yet.
CUT TO:
INT. FEDERAL BUILDING - 16TH FLOOR - DAY
Utah, in shorts and T-shirt, carries his flame-job
surfboard past surveillance cameras and portraits of Bush,
Hoover and Webster. Special Agent Cole walks by. Eyes
the board. Speaks deadpan.
COLE
Like totally rad stick, dude.
INT. BULLPEN
Utah tries to act casual as he carries the board to his
desk on the other side of the room. He has to walk past
the entire gauntlet to get there.
SEVERAL AGENTS
Gnarly, man... hang ten...
cowabunga... surf patrol... rip it
up!
Harp comes straight for him like a homing missile.
HARP
How was the beach?
UTAH
Fine.
HARP
Surf conditions okay?
UTAH
A little mushy.
HARP
A little mushy! You think the
taxpayers would like it, Utah, if
they knew they were paying a federal
agent to surf and pick up girls?
UTAH
Babes.
HARP
What?
UTAH
The correct term is babes, sir. Uh,
this type of undercover operation is
entirely dependent on picking up the
idiom of the speech. Otherwise
penetration is not possible, sir.
Of the social infrastructure, I
mean.
Harp inhales through his nose. A bad sign.
HARP
Where is Pappas?
Utah points across the room. Harp turns.
PAPPAS, sitting behind his desk in his "Surf This" T-shirt
and pink shorts, lifts the purple Vuarnets like Tom Cruise
in Risky Business.
Looks directly at Harp. Smiles innocently.
INT. HARP'S OFFICE
Harp paces. Type-A suppressed rage.
Utah and Pappas endure Harp's wrath.
HARP
Special Agent Utah, this is not some
job flippin' burgers at the drive-in.
Yes, the surfboard bothers me. Yes,
your approach to this case bothers
me. And yes, you bother me. You
two have produced squat in the last
two weeks, during which time the Ex-
Presidents have robbed two more
banks!! Do you have anything even
remotely interesting to tell me?
UTAH
Caught my first tube this morning.
Pappas signals, unseen by Harp, for Utah to shut the fuck
up.
INT. CORRIDOR TO COMPUTER ROOM
Johnny and Angelo walking.
PAPPAS
What, you couldn't have just left
the thing in your car?
UTAH
It sticks out, so I can't lock it.
Look, Angelo, you think I joined the
FBI to learn to surf? This was your
lame-o idea in the first place. You
gotta back me up on this.
PAPPAS
Johnny, all I can say is we better
come up with something real soon.
Johnny cocks an eyebrow and opens the door to the computer
room ceremonially, like a doorman at the Ritz-Carlton.
Miss Deer looks up as they enter.
INT. COMPUTER ROOM
TIGHT ON CRT as a lab report scrolls up the screen. Gas
chromatography and spectroanalysis. Columns of elements
and compounds, listed as percentage-of-sample.
MISS DEER (V.O.)
Encino Savings & Loan guard grabbed
LBJ's ponytail. We recovered one
hair.
WIDER, showing Utah and Pappas over her shoulder at the
terminal.
PAPPAS
Yeah, yeah, I remember, last year.
Guy got his jaw broken for it.
MISS DEER
One four centimeter strand. Color
brown. Oily. Slight wave.
PAPPAS
Hell, what're we waiting for, let's
go pick the guy up.
UTAH
Angelo, pay attention. There's
gonna be a test afterward. Lab is
showing traces of toxins. PCBs.
Heavy elements... selenium, titanium
and arsenic.
PAPPAS
Guy's the Toxic Avenger.
Utah is excited as he fits the pieces together for his
partner.
UTAH
The beaches are always being closed
because of waste spills, right? And
surfers are territorial. They stick
mostly to certain breaks. If we can
get some hair samples, and get a
match to a certain beach, we'd know
which break the Ex-Presidents surf.
You buyin' this?
PAPPAS
No. But let's do it, anyway. It's
gonna bug the shit out of Harp.
CUT TO:
EXT. LATIGO - DAY
Department of Health sign reads, "Beach Temporarily
Closed." Beyond it crashes a wasted northwest swell.
Two frustrated teenage SURFERS huddle underneath a towel.
Marijuana smoke seeps upward.
A sandaled FOOT enters frame and taps their leg. Angry
heads poke up from beneath the towel, nostrils and mouths
billowing smoke.
The two wear T-shirts which read "Passion for Slashin" and
"Psycho Stick".
PAPPAS smiles, standing there in his beach wear, trying to
blend in. He doesn't.
PAPPAS
When you two are done makin' out, I
need to talk to you.
"PSYCHO-STICK" T-SHIRT
Hey, I ain't no butt-bouncer, dude.
We're from the valley. Mall babes
'n shit.
The kids proudly high-five.
PAPPAS
I just want to know if you surf here
a lot.
"PASSION FOR SLASHIN'" T-SHIRT
Shit yeah, like totally everyday
when it's jammin'. What is this,
fucking narco entrapment or what,
dude?
Pappas flashes his FBI star. He whips out a pair of
scissors.
Brandishes them like some over-the-hill "Jason".
PAPPAS
Not exactly, dudes.
EXT. COUNTY LINE - DAY
Row of SURFMOBILES parked along a cliff, facing the ocean,
doors open, stereos blasting, SURFERS hanging, sitting on
hoods.
Utah moves along the cars, looking surfed-out.
He's tanned, relaxed. Hair starting to bleach out. One
of the tribe.
UTAH
Whoa, brah, easy now... Don't move!
(Utah bends close,
reaching for Surf-
Rat's ear)
Got some huge sucker crawling into
your--
(he plucks at a tuft
of hair)
Got it! Uuuughhh.
SURF-RAT
Leave some fuckin' hair, man!
Utah squashes, then inspects the mysterious creepy-crawler
hidden in his palm. He wipes his hand on his towel, which
he keeps balled up in his other hand.
SURF-RAT
What was it?
UTAH
Saved your butt, bro. Close one.
Utah shivers in disgust, then coyly turns and walks away.
The surf-rat desperately pats his ear for traces.
CUT TO:
INT. FORENSICS LAB - NIGHT
A long series of ENVELOPES are displayed on a desk. Each
has the name of a Southern California beach and is
attached to a forensic printout.
HALSEY inspects each envelope.
HALSEY
Naw, this isn't it.
UTAH holds up an envelope with a skinny woven ponytail
sticking out.
PAPPAS shrugs.
PAPPAS
He moved.
Halsey picks up an envelope marked "Latigo Beach".
HALSEY
PCBs, selenium, titanium, arsenic.
The percentages look right. Here's
a match.
UTAH
Latigo Beach.
Pappas grabs the envelope, studies it, crooks his head.
PAPPAS
Surf's up, ace.
CUT TO:
EXT. LATIGO BEACH - DAY
EXTREME LONG LENS scans the beach from a height. A gray,
miserable day. Beach crowd thin except for diehards.
The image drifts across faces, BODIES. Surfers walking
with boards.
Talking, sitting with pubescent girls.
The image settles on Johnny, astride his board, bobbing
beyond the break.
ON PAPPAS, scanning with powerful binoculars from his car.
CLOSE ON UTAH, out among the flock of hardcore surfers.
Ostensibly waiting for a wave, his eyes search the others
around him, clicking methodically from face to face.
Finally he swings his board around and awkwardly catches a
ride.
The modest wave carries him toward the beach as he
balances, tense and style-less.
He passes someone we've seen before. The RAZORHEAD from
the first day. In concentration, Johnny doesn't see the
guy.
But Razorhead definitely sees him.
JOHNNY reaches the beach and jogs up the sand. He picks
up a towel and talks into it as he dries his hair. A
glimpse of the walkie-talkie hidden beneath.
UTAH
Big zippo so far. How about you?
PAPPAS (RADIO)
Patience hotshot. Patience. It'll
be subtle, if it's here at all.
PAPPAS WATCHES as Johnny crosses toward the outside shower
next to the public restroom.
LONG LENS view of Utah passing OUT OF SIGHT behind the
building.
AT THE SHOWER Johnny sets down his gear and opens his
wetsuit to the warm, salt-free jet of water. TRACKING
SLOWLY IN on him as he lets it pour over his face.
A HAND ENTERS FRAME, shutting off the water suddenly.
TIGHT ON UTAH, his eyes opening.
REVERSE, revealing RAZORHEAD and THREE OTHERS.
They are powerfully built SURF-NAZIS.
Scalps shaved on the sides. Hair military short on top,
lengthening into pigtails in the back. Tattoos. Wrist
chains.
TONE, ARCHBOLD and WARCHILD. The one who socked Utah
before is BUNKER. They spread out flanking him.
WARCHILD
This the guy?
BUNKER
Yeah.
UTAH
(good natured)
Okay, so this is where you tell me
all about how locals rule and yuppie
insects like me shouldn't be surfing
your break and all that, right?
BUNKER
No.
TONE
Waste of time.
WARCHILD
We're just going to fuck you up.
UTAH
Oh.
As they lunge, Utah grabs his board and swings it in a
whistling roundhouse. Its edge slams Warchild in the gut
and folds him double. The bad news is... Warchild gets an
arm around it and brings a pile-driver hammer-punch down.
The board splits into two pieces.
Utah drops his end as the others close. A flurry of
punches and kicks, most of which he blocks. But he's lost
the offensive.
Bunker takes him to his knees with a vicious karate-style
side-kick.
TIGHT ON Utah's towel, talking with Pappas' voice.
PAPPAS
Johnny? You there?
ANGELO gets out of the car fast. He jogs twenty feet and
raises the binoculars. Catches a glimpse of the carnage
around the edge of the building. Breaks into a run,
massive legs pistoning.
JOHNNY HITS THE GROUND hard. He rolls and comes up fast.
The razorhead brothers are a little surprised.
ARCHBOLD
The dude can fight!
Warchild grabs Utah from behind. Gets him in a headlock.
Archbold and Tone pin his arms. Bunker starts working him
like a practice bag. At this moment, Johnny is getting
the proverbial shit beat out of him.
SUDDENLY, a new figure blurs INTO FRAME.
BODHI seizes Bunker and flings him aside. He spins with
remarkable agility and drives his heel into Warchild's
face.
Utah breaks free, staggering back on the sand. The fight
is still there in his eyes.
Bodhi is at his side -- holding the others at bay with a
raised hand and an evil look.
BODHI
Back off! Now!! Just let it go!
BUNKER
Stay outta this, Bodhi!
BODHI
He's with me. Now back off.
Seriously.Just do it!
(they relax slightly)
You alright Warchild?
WARCHILD
(holding his bleeding
nose)
Fuck you.
Everybody has backed off a bit, panting.
Utah steps toward Bunker. Like he's maybe going to shake
hands.
UTAH
What's your name?
BUNKER
Bunker.
UTAH
Well, listen, Bunker... I'm actually
kinda glad you found me.
BUNKER
Yeah? Why?
Johnny answers with a LIGHTNING ROUNDHOUSE that hits with
a CRACK! They can hear it in Pomona.
BUNKER HITS THE GROUND. Flat out. Lights out.
Tone, Archbold and Warchild lunge like dogs.
Bodhi yanks Utah out of the line of fire.
BODHI
Whoa! Whoa! Hold it, ladies. Give
it a rest.
(to Utah)
Let's go.
He literally turns Utah around.
They begin to walk, stepping over the pieces of Johnny's
board.
BODHI
(under his breath)
Do me a favor, Johnny, just keep
walking.
Tone starts to go after them. Archbold grabs his arm.
They help Bunker up. Warchild holds he bleeding nose.
Utah and Bodhi start up the stairs, turn a corner and run
HEAD-ON into a huffing PAPPAS.
The big man clocks a battered but intact Utah.
We see him shift gears in his head in 2 tenths of a
second.
PAPPAS
(out of breath)
Uh, you guys seen a kid, maybe 10,
12, running with a car stereo?
Stole the fucking CD too, you
believe it?
Utah is grateful for the cover.
UTAH
No, but there are four guys back
there you might check out.
PAPPAS
Thanks, buddy.
He shoves on.
EXT. PARKING LOT
Bodhi and Utah weave among the cars and motorcycles,
beach-types coming and going.
UTAH
Friends of yours, huh?
BODHI
The one you decked is Bunker Wiess.
The big one is his brother,
Warchild. The other two always
hang. They think they're some kinda
death squad around here.
UTAH
What's their program?
BODHI
They're punks. Nazis. Their brains
are wired wrong. They hurt surfing
because they give nothing back, and
they have no respect for the sea.
They just want to get radical. It's
mindless aggression. They'll never
get it, the spiritual side of it.


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