Pulp Fiction
VINCENT
I ain't hungry.
JULES
Well, if you like hamburgers give 'em a try sometime. Me, I can't usually eat 'em 'cause my girlfriend's a vegetarian. Which more or less makes me a vegetarian, but I sure love the taste of a good burger.
(to Brett)
You know what they call a Quarter Pounder with Cheese in France?
BRETT
No.
JULES
Tell 'em, Vincent.
VINCENT
Royale with Cheese.
JULES
Royale with Cheese, you know why they call it that?
BRETT
Because of the metric system?
JULES
Check out the big brain on Brett. You'a smart motherfucker, that's right. The metric system.
(he points to a fast food drink cup)
What's in this?
BRETT
Sprite.
JULES
Sprite, good, mind if I have some of your tasty beverage to wash this down with?
BRETT
Sure.
Jules grabs the cup and takes a sip.
JULES
Uuuuummmm, hit's the spot!
(to Roger)
You, Flock of Seagulls, you know what we're here for?
Roger nods his head: "Yes."
JULES
Then why don't you tell my boy here Vince, where you got the shit hid.
MARVIN
It's under the be –
JULES
– I don't remember askin' you a goddamn thing.
(to Roger)
You were sayin'?
ROGER
It's under the bed.
Vincent moves to the bed, reaches underneath it, pulling out a black snap briefcase.
VINCENT
Got it.
Vincent flips the two locks, opening the case. We can't see what's inside, but a small glow emits from the case. Vincent just stares at it, transfixed.
JULES
We happy?
No answer from the transfixed Vincent.
JULES
Vincent!
Vincent looks up at Jules.
JULES
We happy?
Closing the case.
VINCENT
We're happy.
BRETT
(to Jules)
Look, what's your name? I got his name's Vincent, but what's yours?
JULES
My name's Pitt, and you ain't talkin' your ass outta this shit.
BRETT
I just want you to know how sorry we are about how fucked up things got between us and Mr. Wallace. When we entered into this thing, we only had the best intentions –
As Brett talks, Jules takes out his gun and SHOOTS Roger three times in the chest, BLOWING him out of his chair.
Vince smiles to himself. Jules has got style.
Brett has just shit his pants. He's not crying or whimpering, but he's so full of fear, it's as if his body is imploding.
JULES
(to Brett)
Oh, I'm sorry. Did that break your concentration? I didn't mean to do that. Please, continue. I believe you were saying something about "best intentions."
Brett can't say a word.
JULES
Whatsamatter? Oh, you were through anyway. Well, let me retort. Would you describe for me what Marsellus Wallace looks like?
Brett still can't speak.
Jules SNAPS, SAVAGELY TIPPING the card table over, removing the only barrier between himself and Brett. Brett now sits in a lone chair before Jules like a political prisoner in front of an interrogator.
JULES
What country you from!
BRETT
(petrified)
What?
JULES
"What" ain't no country I know! Do they speak English in "What?"
BRETT
(near heart attack)
What?
JULES
English-motherfucker-can-you-speak-it?
BRETT
Yes.
JULES
Then you understand what I'm sayin'?
BRETT
Yes.
JULES
Now describe what Marsellus Wallace looks like!
BRETT
(out of fear)
What?
Jules takes his .45 and PRESSES the barrel HARD in Brett's cheek.
JULES
Say "What" again! C'mon, say "What" again! I dare ya, I double dare ya motherfucker, say "What" one more goddamn time!
Brett is regressing on the spot.
JULES
Now describe to me what Marsellus Wallace looks like!
Brett does his best.
BRETT
Well he's... he's... black –
JULES
– go on!
BRETT
... and he's... he's... bald –
JULES
– does he look like a bitch?!
BRETT
(without thinking)
What?
Jules' eyes go to Vincent, Vincent smirks, Jules rolls his eyes and SHOOT Brett in the shoulder.
Brett SCREAMS, breaking into a SHAKING/TREMBLING SPASM in the chair.
JULES
Does-he-look-like-a-bitch?!
BRETT
(in agony)
No.
JULES
Then why did you try to fuck 'im like a bitch?!
BRETT
(in spasm)
I didn't.
Now in a lower voice.
JULES
Yes ya did Brett. Ya tried ta fuck 'im. You ever read the Bible, Brett?
BRETT
(in spasm)
Yes.
JULES
There's a passage I got memorized, seems appropriate for this situation: Ezekiel 25:17. "The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he who, in the name of charity and good will, shepherds the weak through the valley of darkness, for he is truly his brother's keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know my name is the Lord when I lay my vengeance upon you."
The two men EMPTY their guns at the same time on the sitting Brett.
AGAINST BLACK, TITLE CARD:
"VINCENT VEGA AND MARSELLUS WALLACE'S WIFE"
FADE IN:
MEDIUM SHOT – BUTCH COOLIDGE
We FADE UP on BUTCH COOLIDGE, a white, 26-year-old prizefighter. Butch sits at a table wearing a red and blue high school athletic jacket. Talking to him OFF SCREEN is everybody's boss MARSELLUS WALLACE. The black man sounds like a cross between a gangster and a king.
MARSELLUS (O.S.)
I think you're gonna find – when all this shit is over and done – I think you're gonna find yourself one smilin' motherfucker. Thing is Butch, right now you got ability. But painful as it may be, ability don't last. Now that's a hard motherfuckin' fact of life, but it's a fact of life your ass is gonna hafta git realistic about. This business is filled to the brim with unrealistic motherfuckers who thought their ass aged like wine. Besides, even if you went all the way, what would you be? Feather-weight champion of the world. Who gives a shit? I doubt you can even get a credit card based on that.
A hand lays an envelope full of money on the table in front of Butch. Butch picks it up.
MARSELLUS (O.S.)
Now the night of the fight, you may fell a slight sting, that's pride fuckin' wit ya. Fuck pride! Pride only hurts, it never helps. Fight through that shit. 'Cause a year from now, when you're kickin' it in the Caribbean you're gonna say, "Marsellus Wallace was right."
BUTCH
I got no problem with that.
MARSELLUS (O.S.)
In the fifth, your ass goes down.
Butch nods his head: "Yes."
MARSELLUS (O.S.)
Say it!
BUTCH
In the fifth, my ass goes down.
CUT TO:
INT. CAR (MOVING) – DAY
Vincent Vega looks really cool behind the wheel of a 1964 cherry-red Chevy Malibu convertible. From the car radio, ROCKABILLY MUSIC PLAYS. The b.g. is a COLORFUL PROCESS SHOT.
EXT. SALLY LeROY'S – DAY
Sally LeRoy's is a large topless bat by LAX that Marsellus owns.
Vincent's classic Malibu WHIPS into the near empty parking lot and parks next to a white Honda Civic.
Vince knocks on the door. The front entrance is unlocked, revealing the Dapper Dan fellow on the inside:ENGLISH DAVE. Dave isn't really English, he's a young black man from Baldwin Park, who has run a few clubs for Marsellus, including Sally LeRoy's.
ENGLISH DAVE
Vincent Vega, our man in Amsterdam, git your ass on in here.
Vincent, carrying the black briefcase from the scene between Vincent and Jules, steps inside. English Dave SLAMS the door in our faces.
INT. SALLY LeROY'S – DAY
The spacious club is empty this time of day. English Dave crosses to the bar, and Vince follows.
VINCENT
Where's the big man?
ENGLISH DAVE
He's over there, finishing up some business.


文章评论
共有 位人人英语网友发表了评论 查看完整内容