A Clockwork Orange
A Clockwork Orange
Based on the novel by Anthony Burgess
Screenplay by Stanley Kubrick
Produced by Stanley Kubrick
Directed by Stanley Kubrick
Cast List:
Malcolm McDowell Alex
Patrick Magee Mr. Alexander
Michael Bates Chief Guard
Warren Clarke Dim
John Clive Stage Actor
Carl Duering Dr. Brodsky
Paul Farrell Tramp
Clive Francis Lodger
Michael Gover Prison Governor
Miriam Karlin Catlady
James Marcus Georgie
Philip Stone Dad
Sheila Raynor Mum
FADE IN:
INT. KOROVA MILKBAR – NIGHT
Tables, chairs made of nude fibreglass figures.
Hypnotic atmosphere.
Alex, Pete, Georgie and Dim, teenagers stoned on their milk-plus, their feet resting on faces, crotches, lips of the sculptured furniture.
ALEX (V.O.)
There was me, that is Alex, and my three droogs, that is Pete, Georgie and Dim and we sat in the Korova milkbar trying to make up our rassoodocks what to do with the evening. The Korova Milk Bar sold milkplus, milk plus vellocet or synthemesc or drencrom which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence. Our pockets were full of money so there was no need on that score, but, as they say, money isn't everything.
INT. PEDESTRIAN UNDERPASS TUNNEL – NIGHT
A Tramp lying in tunnel, singing.
TRAMP
In Dublin's fair city
Where the girls are so pretty
I first set my eyes on sweet Molly Malone
As she wheeled her wheelbarrow
Through streets wide and narrow...
Shadows of the boys approaching fall across Tramp.
TRAMP
Crying cockless and mussels alive,
Alive O...
Alive, alive O... Alive, alive O...
Crying cockless and mussels alive,
Alive O...
ALEX (V.O.)
One thing I could never stand is to see a filthy, dirty old drunkie, howling away at the filthy songs of his fathers and going blerp, blerp in between as it might be a filthy old orchestra in his stinking rotten guts. I could never stand to see anyone like that, whatever his age might be, but more especially when he was real old like this one was.
The boys stop and applaud him.
TRAMP
Can you... can you spare some cutter, me brothers?
Alex rams his stick into the Tramp's stomach. The boys laugh.
TRAMP
Oh-hhh!!! Go on, do me in you bastard cowards. I don't want to live anyway, not in a stinking world like this.
ALEX
Oh – and what's so stinking about it?
TRAMP
It's a stinking world because there's no law and order any more. It's a stinking world because it lets the young get onto the old like you done. It's no world for an old man any more. What sort of a world is it at all? Men on the moon and men spinning around the earth and there's not no attention paid to earthly law and order no more.
The Tramp starts singing again.
TRAMP
Oh dear land, I fought for thee and brought you peace and victory.
Alex and gang move in and start beating up on old Tramp.
INT. DERELICT CASINO – NIGHT
Billyboy gang on stage tearing clothes off a screaming Girl.
ALEX (V.O.)
It was around by the derelict casino that we came across Billyboy and his four droogs. They were getting ready to perform a little of the old in-out, in-out on a weepy young devotchka they had there.
Alex and gang step out of the shadows.
ALEX
Ho, Ho, Ho... Well, if it isn't stinking Billygoat Billyboy in poison. How are thou, thou globby bottle of cheap stinking chip oil? Come and get one in the yarbles, if you have any yarbles, you eunuch jelly thou.
Billyboy snaps open a switchblade knife.
BILLY BOY
Let's get 'em boys.
The fight begins, chains, knives, kicking boots. Police siren.
ALEX
The Police... come on, let's go... come on.
Alex and the boys rush out of casino.
EXT. / INT. CAR – NIGHT – FAST DRIVING SHOTS
Swerving car, forcing other cars off the road, trying to hit pedestrians, etc.
ALEX (V.O.)
The Durango-95 purred away real horrorshow – a nice, warm vibraty feeling all through your guttiwuts. Soon it was trees and dark, my brothers, with real country dark. We fillied around for a while with other travelers of the night, playing hogs of the road. Then we headed west, what we were after now was the old surprise visit, that was a real kick and good for laughs and lashing of the ultra-violent.
EXT. "HOME" – NIGHT
A cottage on its own, on outskirts of a village.
Bright moonlight. Cheery light inside.
Car pulls to stop.
Alex shushes his giggling boys and gets out of the car.
INT. "HOME" – NIGHT
Mr. Alexander typing. Bell rings.
MR. ALEXANDER
Who on earth could that be?
MRS. ALEXANDER
I'll see.
Mrs. Alexander, a good-looking red head in a red jumper suit.


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