Alien
ASH
That's unfair. Actually, you weren't mentioned in the order.
LAMBERT
Those bastards.
ASH
See it from their point of view. They didn't know what the Alien is.
RIPLEY
How do we kill it.
ASH
I don't think you can. Not in this ship, given its life support systems. But I might be able to.
RIPLEY
How.
ASH
I don't know quite yet. I'm not exactly at my best at the moment. If you would reconnect...
RIPLEY
No way.
ASH
Don't be so hasty. You'll never kill it without my help.
RIPLEY
We've had enough of your help.
ASH
You've barely got any oxygen left. If you don't go into hypersleep, you'll die with or without the Alien.
RIPLEY
Nice try, Ash.
ASH
I will do whatever I can to help you. I swear it.
PARKER
Pull the plug.
LAMBERT
I agree.
ASH
You idiots. You still don't realize what you're dealing with. The Alien is a prefect organism. Superbly structured, cunning, quintessentially violent. With your limited capabilities you have no chance against it.
LAMBERT
You admire it.
ASH
How can one not admire perfection. I will kill it because I am programmed to protect human life as you know.
RIPLEY
Even if you have contempt for it.
ASH
Even then.
Bitter and angry.
RIPLEY
Sorry Ash. I don't buy it.
ASH
You egocentric morons. You'll be ripped to shreds, destroyed and...
Ripley makes a movement.
Ash softens...
ASH
I can only with you well...
Ripley pulls the plug.
PARKER
He was probably right. We do need him.
RIPLEY
He was conning us.
LAMBERT
He was programmed to protect human life.
RIPLEY
He wasn't protecting our human lives and that's all I care about. Anyway it's done.
Ripley exits to the bridge.
INT. BRIDGE
Ripley in the Computer Annex.
Lambert and Parker enter.
RIPLEY
He's right about one thing. We've got less than twelve hours oxygen left.
PARKER
It's all over.
Gloom.
LAMBERT
I don't know about the rest of you, but I think I prefer a painless peaceful death to any of the alternatives on offer.
RIPLEY
We're not there yet.
Lambert holds up a small card of spansules. Suicide pills.
LAMBERT
We're not. Huh.
RIPLEY
I think we should blow up the ship.
LAMBERT
I'll stick with chemicals if you don't mind.
RIPLEY
We leave in the shuttle and then blow up the ship.
INT. AIR LOCK – NARCISSUS
Ripley, Lambert and Parker loading oxygen tanks onto the Narcissus.
RIPLEY
That's all the oxygen?
PARKER
That's it.
RIPLEY
Now. Let's get the food, shut off the engines and get out... Jones. Where's Jones.
PARKER
Who knows.
LAMBERT
Last I saw him was in the mess.
RIPLEY
Go look. We don't want to leave him.
LAMBERT
I don't want to go by myself.
PARKER
Always hated that damn cat.
RIPLEY
I'll go. You load up the food.
They move out.
INT. BRIDGE
Jones lying on Dallas' console.
Ripley comes in. Smiles.
RIPLEY
Jones. You're in luck.
As she reaches for him, Jones jumps off the console. Moves away.
RIPLEY
Come on, Jones.
She moves after the cat.
We hear Parker and Lambert over the communicator from the coolant locker.
LAMBERT (V.O.)
How much do you think we'll need.
Ripley still in pursuit of the cat.
CUT TO:
INT. FOOD LOCKER NUMBER 6 – "B" LEVEL
Parker and Lambert loading food.
PARKER
All you can carry.
Ripley's V.O. communicator from bridge.
RIPLEY (V.O.)
God damn it, Jones. Come here.
INT. BRIDGE
Ripley furious but still speaking gently.
RIPLEY
Here kitty... come here kitty...
Jones moves away.
INT. FOOD LOCKER NUMBER 6 – "B" DECK
Arms full, Parker moves out of the locker.
Lambert is still making her selection.
A faint light on the tracker. Unnoticed.
INT. BRIDGE
Ripley finally corners Jones. Finds his box. Tries to put him in it.
Jones resists. Ultimately futile.
INT. FOOD LOCKER CORRIDOR – OUTSIDE
Parker attempts to pick up the flamethrower. Can't manage it and the food. Drops some of the packages.
PARKER
Goddamn.
In the locker Lambert gathers food.
LAMBERT
What's the matter.
PARKER
Nothing, just hurry up.
The tracker flashes faster. Now it's noticed.
Parker picks up the flamethrower.
PARKER
Let's get out of here.
LAMBERT
Right now.
The Alien appears out of the air shaft ventilator.
Lambert turns. Screams.
Unfolding, the Alien grabs for her.
INT. BRIDGE
Ripley freezes as she hears Lambert's screams.
INT. CORRIDOR – OURSIDE
Parker looks back into the locker. Unable to use the flamethrower without hitting Lambert. He hesitates for a moment, then strides into the locker. Wielding the flamethrower like a club.
PARKER
Goddamn you.
INT. FOOR LOCKER NUMBER 6
The Alien drops Lambert.
Parker lands a blow with the flamethrower. No effect.
The Alien strikes him once. Killing him instantly.
He now moves to Lambert.
INT. BRIDGE
Ripley listening on the communicator.
Lambert's dying shrieks.
Then the voice-amp goes dead.
Silence.
RIPLEY
Parker? Lambert?
She waits for a response. But her expression shows that she expects none.
A long moment.
Expectation fulfilled.
Nightmare without end.
INT. "B" LEVEL – COMPANIONWAY
Ripley descends, cautiously, holding flamethrower.
Jones left above, squalling.
INT. CORRIDOR – "B" DECK
Ripley moving warily, carrying flamethrower. Nears entrance to food locker, looks in. Sees carnage.
INT. OILY CORRIDOR – "C" DECK
Ripley running toward engine room. Out of breath. Exhausted she stops, gulps for air.
Suddenly, ahead of her, the sound of human weeping.
She moves quietly ahead until the source of the sound is directly under her feet. She is standing on a round metal plate. Ripley starts to remove the disc.
INT. UNDERCARRIAGE MAINTENANCE ROOM NUMBER 4
The round opening illuminates a dark ladderway.
Still carrying flamethrower, Ripley starts downwards.
Pitch black.
Ripley arrives at deck level. Shines her light.
Its arc reveals the Alien's layer.
Bones, shreds of flesh. Pieces of clothing, shoes.
Bizarre extrusions on the wall.
Something moves in the darkness.
Ripley spins, turns her light toward the movement.
Hanging from the ceiling is a huge cocoon. Woven from fine, white, silk-like material.
Flamethrower ready, Ripley approaches. Sees that the cocoon is semi-transparent.
The body of Dallas inside.
Unexpectedly, his eyes open.
FOCUS ON Ripley.
His voice is a whisper.
DALLAS
Kill me.
RIPLEY
What did it do?
Dallas moves his head slightly.
Ripley turns her light.
Another cocoon dangles from the ceiling.
But of a different texture. Smaller and darker, with a harder shell. Almost exactly like the ovoids in the derelict ship.
DALLAS
That was Brett...
RIPLEY
I'll get you out of there... We'll get up the autodoc.


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