Aliens
VASQUEZ
(shouting)
What?
INT. MED LAB ANNEX
Vasquez slides the door almost closed, then fires three grenades rapid-fire through the gap. She slams the door home as the grenades detonate, the explosion sounding gonglike through the metal.
Ripley sprints across the room, trying the far door. Burke has locked it as well. Hicks switches his hand-torch from CUT to WELD and starts sealing the door they just passed through.
INT. MED LAB
Burke, hyperventilating with terror, backs across the dark chamber. Gasping, almost paralyzed with fear, he crosses the chamber to the door leading to the main concourse. His fingers reach for the latch. It moves by itself. The door opens slowly.
ON BURKE
His eyes wide, transfixed by his fate. We hear the BULLWHIP CRACK of a tail-stinger striking as we:
CUT TO:
INT. MED LAB ANNEX
The door dimples with a clanging impact, separating slightly from its frame. Another crash, the squeal of tortured steel. Newt grabs Ripley by the hand and tugs her across the room.
NEWT
Come on! This way.
She leads Ripley to an air vent set low in the wall and expertly unlatches the grille, swinging it open. Newt starts inside but Ripley pulls her back.
RIPLEY
Stay behind me.
Ripley trades her rifle for Gorman's flamethrower before he can protest and enters the air shaft, which is a tight fit. Newt scrambles in behind, followed by Hicks, Gorman and Vasquez on rearguard. Glancing back fearfully Newt pushes on Ripley's butt as they crawl rapidly through the shaft.
NEWT
Come on. Crawl faster.
RIPLEY
DO you know how to get to the landing field from here?
NEWT
Sure. Go left.
Ripley turns into a larger MAIN DUCT where there is enough room to crab-walk in a low crouch. She runs, scraping her back on the ceiling. The troopers' armor clatters in the confined space. They approach an intersection. She fires the flamethrower around the corner, the looks. Clear.
NEWT
Go right.
They sprint into the narrow connecting duct, the maze becoming a blur. Ripley fires the flamethrower periodically, as they pass side ducts covered by louvered grilles or vertical shafts going to higher or lower levels.
HICKS
(into headset)
Bishop, you read me? Come in, over.
There is a long pause then Bishop's VOICE, almost unintelligible with interference, comes over the radio.
BISHOP (V.O.)
(static)
Yes, I read you. Not very well...
EXT. UP-LINK RELAY – LANDING FIELD
Bishop is huddled against the base of the telemetry mast, out of the wind which is now gusting viciously.
BISHOP
(yelling; over enunciating)
The ship is on its way. ETA about sixteen minutes. I've got my hands full flying... the weather's come up a bit.
Bishop's fingers are blurring over the terminal keys and he squints, watching the screen as the flight telemetry updates rapidly.
In the b.g. the AP station has become a raging demon, wreathed in boiling steam and electrical discharges.
INT. AIR DUCT
HICKS
All right, stand by there. We're on out way. Over.
The beam of Ripley's light wavers hypnotically in the tunnel ahead. She blinks, seeing something... not sure.
A GLINTING OBSCENE FORM MOVING TOWARD THEM, filling the tunnel at the absolute limit of the light's power.
RIPLEY
Back. Go back!
They try to crawl back, jamming together. Behind them, the way they have come, a GRATING is battered in with a FEROCIOUS CLANG and the deadly silhouette of a warrior flows into the duct. They are trapped. Vasquez uses her flamethrower, bathing the tunnel in fire. Hicks snaps out his hand-welder and cuts into the wall of the duct. Molten metal spatters him, as sparks fill the tunnel with lurid light. Vasquez' flamethrower sputters.
VASQUEZ
(icy)
Losing fuel.
Between eye-searing bursts of flame Ripley sees the glistening apparitions closing in. Hicks' torch feathers out. Empty. Bracing his back he kicks hard at the cherry-hot metal. It bends aside.
Beyond is a narrow SERVICE WAY, lined with pipes and conduit. Hicks slides through the searing hole, lifting Newt safely through as Ripley hands her out. Ripley follows and turns to help Gorman. Vasquez' flamethrower goes dry. She draws her SERVICE PISTOL. Suddenly she looks up as a WARRIOR SCREECHES DOWN FROM A VERTICAL SHAFT, right above her.
She fires with incredible rapidity... BAM! BAM! BAM! Rolls aside. It lands on her legs and she snaps her head to one side just as its TAIL STINGER buries into the metal wall beside her cheek. She fires again, emptying the pistol, kicking the thrashing shape away.
Acid cuts through her chickenplate armor, searing into her thigh. She cries out, gritting her teeth against the white-hot pain. Gorman sees Vasquez hit, unable to move. Sees the creatures coming the other way... and turns away from the escape hole. He crawls back to her, grabs her battle harness and starts dragging her towards safety. Too late. The approaching alien warriors have reached and passed the opening. Vasquez sees him, barely conscious.
VASQUEZ
(hoarse whisper)
You always were an asshole, Gorman.
She seizes his hand in a deadly drip, but we RECOGNIZE it as the "power greeting" she shared with Drake... something for the chosen few. Gorman returns the grip. He hands her two grenades and arms two himself as the creatures are upon them.
INT. SERVICE WAY
RUSHING WITH Ripley, Newt and Hicks as a full tilt run. The service way lights up with a POWERFUL BLAST behind them and they stumble with the shock wave. Newt breaks out ahead and it's all Ripley and Hicks can do to keep up.
NEWT
This way. Come on, we're almost there!
RIPLEY
Newt, wait!
The kid moves like lightning, diving and dodging around obstacles. If it wasn't clear before it's clear now that we are on her turf, and she's the ace. Running on and on, their breathing loud and echoing... the walls a directionless blur. Newt never hesitates.
They reach a junction with a narrow ANGLED CHUTE which runs upward at a steep 45 degrees.
NEWT
Here! Go up.
INT. CHUTE
Ripley looks up the angles shaft, seeing light at the top... an exterior vent hood. The sound of wind booms down from above. Like blowing across a bottle top vastly amplified.
Ripley enters, bracing her feet on perilously narrow side ribs in the shaft. She looks down. The chute descends far into the depths, lost in shadow. She starts to climb with Next behind/below her, and Hicks, just emerging from the side duct.
NEWT
Just up there –
Newt slips, a rusted rib collapsing under her foot. She slides... catches herself with one hand. Ripley reaches for her, dropping her light. The hand-light goes skittering and bumping down the chute, around a bend, and disappears.
Ripley strains, reaching, her hand groping for Newt's. They miss, inches apart.
NEWT
Riiiiipppleee –
She slips. Hicks lunges, grabbing her oversized jacket. AND SHE SLIPS OUT OF IT. With an echoing scream Newt plummets, sliding down the chute into darkness.
MOVING WITH HER, the walls racing by in a dizzy blur like a bobsled ride. THe shaft pitches left. Newt bounces, sliding halfway up the wall. The chute forks ahead. Newt tumbles into the right shaft, which drops at a steeper angle into the depths. Just disappearing down the LEFT SHAFT we SEE Ripley's light.
Ripley looks Hicks in the eye. And kicks free... sliding down the chute after Newt. Ripley slams her feet into the side-ribs, bracing herself in a controlled descent. Ripley reaches the "V." Sees the glow of the light in the left fork. She goes left.
RIPLEY
Newt!
She hears a plaintive reply, so echoey and distorted it has no direction.
NEWT (O.S.)
Mommy... where are you?
Ripley reaches the bottom of the chute where it intersects with a HORIZONTAL SERVICE TUNNEL. The light is lying there, but no Newt. The echoing wail comes again.
NEWT (O.S.)
Moooommeeee...
Ripley starts down the tunnel, answering. Newt's call comes again. Fainter? She can't tell. She spins in a growing panic, starts the other way.
RIPLEY
(to her headset)
Hicks, get down here. I need that locator.
INT. SUBBASEMENT
Newt is in a low grottolike chamber, filled with pipes and machines. It is flooded, almost up to Newt's waist.
She looks up, seeing light streaming through a grating. Ripley's voice seems to come from there.
RIPLEY (O.S.)
Newt! Star wherever you are!
Newt climbs some pipes, straining to reach the grating.
INT. SERVICE TUNNEL
Hicks joins Ripley, unsnapping the emergency-locator from his belt. They follow the signal into a lighted area where the power apparently was not cut.
HICKS
This way. We're close...
Following the signal they come to a grating set in the floor.
NEWT
Here! I'm here. I'm here.
Ripley runs to the grating. Looking down she sees Newt's tearstreaked face. Newt reaches up. Her tiny fingers wriggle up through the bars of the grate. Ripley squeezes the child's precious fingertips.
RIPLEY
Climb down, honey. We have to cut through this grate.
Newt backs away, climbing down the pipe as Hicks cuts into the bars with his hand-torch.
INT. SUBBASEMENT
Newt, standing waist deep in the water, watches sparks shower blindingly as Hicks cuts. She bites her lip, trembling. Cold and terrified. Silently a glistening shape rises in one graceful motion from the water behind her. It stands, dripping, dwarfing her tiny form. Newt turns, sensing the movement... She SCREAMS as the shadow engulfs her.
INT. SERVICE TUNNEL
Ripley panics, hearing screaming below, then splashing. She and Hicks kick desperately at the grating, smashing it down. Heedless of the cherry-hot edges Ripley lunges into the hole with her light.
RIPLEY
Newt! Newt!
The surface of the water reflects the beam placidly. Newt is gone. Bobbing in the water, eyes staring, is "Casey" the doll head. In sinks slowly, distorting, vanishing in darkness.
Hicks pulls Ripley away from the hole. She struggles furiously, trying to tear out of his grip.
RIPLEY
No! Noooo!
He drags her back. It takes all of his strength.
HICKS
(intense)
She's gone! Let's go!
He sees something moving toward them through a lattice of pipes. Ripley is irrational. Hysterical.
RIPLEY
No! No! She's alive! We have to –
HICKS
All right! She's alive. I believe it. But we gotta get moving! Now!
He drags her toward an ELEVATOR not far away at the end of the tunnel. Gets her inside, slamming her against the back wall. Hits the button to go to surface level. An alien warrior leaps into the tunnel, starts toward them. The doors are closing. Not fast enough. The creature gets one arm through, the doors closing on it. THEY OPEN AGAIN, an automatic safety feature. THE WARRIOR HISSES, LUNGING. Hicks FIRES, POINT-BLANK. It spins away, SCREECHING. Acid sluices between the closing doors, across Hicks' armored chest plate, as he shields Ripley with his body. The lift starts upward. Hicks' fingers race with the clasps as the stuff eats its way toward his skin. Galvanized out of her hysteria, Ripley claws at his armor, helping him as much as she can. He screams as the acid contacts his chest and arm. He shucks out of the combat armor like a madman, dropping the smoking pieces to the floor. Acrid fumes fill the air, searing eyes and lungs. The elevator stops. The doors part and they stumble out, Ripley supporting Hicks who is doubled over in agony.


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