Army of Darkness
Army of Darkness
Screenplay by Sam Raimi
Ivan Raimi
Produced by Robert Tapert
Directed by Sam Raimi
Cast List:
Bruce Campbell Ash / Evil Ash
Embeth Davidtz Sheila / Evil Sheila
Marcus Gilbert Arthur
Ian Abercrombie Wiseman
Richard Grove Duke Henry
Michael Earl Reid Gold Tooth
Timothy Patrick Quill Blacksmith
Bridget Fonda Linda
Patricia Tallman Posessed Witch
Ted Raimi Cowardly Warrior
FADE IN:
GRAINY BLACK AND WHITE – CLOSEUP – A MAN'S DESPERATE FACE
This is Ash, mid twenties, square jaw firmly set and a pair of haunted eyes which dart about quickly in fear. Ash speaks to the CAMERA with urgency:
ASH
Why would you say that I am insane? I wouldn't say that I've lost my mind simply because I've heard the voices and seen the godless things moving in the woods. If anything, I think more clearly now than ever before. I know now that there is such a thing as a living Evil. A dark and shapeless thing that lives not in the spaces we know, but between them. In the Dark. In the night. And it wants the exact same thing as you and I: A chance at warm life on this Earth. It doesn't care that is already had that chance... once. Now listen closely because there isn't much time. Listen and believe, because it's all true.
DISSOLVE TO:
EXT. A LOG CABIN – NIGHT
Nestled in a dark forest. Through the window, we see the tiny figure of Ash picking up a book from a desk.
ASH (V.O.)
I first saw the damn thing at that blasted cabin. The Necronomicon. An ancient Sumarrian text, bound in human flesh and inked in human blood. It contained bizarre burial rites, prophesies... and instruction for demon resurrection. It was never meant for the world of the living.
DISSOLVE TO:
INT. CABIN – NIGHT
Ash flips through the pages from the BOOK OF THE DEAD.
ASH (V.O.)
The book awoke something dark in the woods.
SUPERIMPOSE:
BOOK OF THE DEAD – CAMERA PANNING STRANGE SCRIPT
Inscribed on the pages. Illustrations of demonic faces with white eyes.
EXT. WOODS – NIGHT
We take the point of view of a wind-like demon, swooping low through the woods toward the cabin. CAMERA rips through the cabin door and comes upon a SCREAMING ASH.
ASH (V.O.)
It got into my hand and it went bad.
CLOSE ONASH'S POSSESSED HAND
Twisting into a claw, before the flashing thunder clouds.
ASH (V.O.)
So I lopped it off at the wrist.
INT. CABIN – NIGHT
Ash severs his hand from his wrist with the chainsaw.
BLOOD RED CLOUDS
Sweep past the moon.
ASH (V.O.)
In order to rid myself of the foul thing, I read from a passage in the book that was supposed to open a hole. A hole in Time that would send the Evil back. And it worked.
A BANDAGED, ONE HANDED ASH
Recites the incantation from the Necronomicon.
EXT. CABIN – NIGHT
The Time vortex is created. Trees and a 1973 Delta 88 Oldsmobile are sucked up into the funnel cloud.
ASH (V.O.)
... I just didn't plan on coming along.
EXT. CABIN – NIGHT
Ash, now armed with shotgun and chainsaw, is swallowed by the funnel-cloud of the Time vortex.
INT. TIME VORTEX
Ash is rocketing through a funnel of swirling clouds. He is swept away from us, hand over foot, through the dark void of Time.
ANIMATION – A TENDRIL OF SMOKE
Swirls through blackness as a chorus of women's voices build to eerie crescendo, from a musical note to a SCREAM. The smoke swirls, pulls in upon itself, like a thing alive, and forms the words:
"BRUCE CAMPBELL"
vs."
The smoke is wisked away, then reforms as...
"THE ARMY OF DARKNESS"
The title billows past CAMERA REVEALING...
INT. TIME VORTEX
A GRANDFATHER CLOCK, its hands winding backwards at an insane rate, spins angrily past, revealing other debris that has been swept up into this funnel cloud. Tumbling weightless through this void we find...
ASH
He SCREAMS but there is no sound. No scream. Only the steady BEATING of his heart.
ANGLE ONASH FRONT SCREEN PROJECTION
He shields his eyes from a sudden bright light. The funnel cloud electrifies.
ASH'S BODY
RIPS at the fabric of Time.
EXT. CLOUDY SKY – DAY
All is quiet. Then, an electrical disturbance in the shape of a human body flashes briefly and is gone. A moment latter, Ash appears and tumbles from the sky, falling past CAMERA.
EXT. BARREN WASTELAND – DAY
ASH falls to the dust. His double barrelled shotgun lands beside him. The '73 Oldsmobile comes CRASHING to the ground a moment later.
ASH
Looks up from the dust to behold...
TWENTY-FIVE MOUNTED HORSEMEN
In 12th century armor ride up over a hill. They halt before Ash.
WARRIOR #1
Thrusts his longsword into the air, shouting:
WARRIOR #1
Hail to him who has come from the sky to deliver us from the terror of the Deadites! Hail!
ASH
Stares in confusion at the strange medieval figures.
TWENTY-FIVE WARRIOR
Join in the chant and hail Ash, but suddenly stop as...
ARTHUR
The muscular commander of the group, gallops his horse into frame, followed by FOUR HORSEMEN who are his lieutenants. Arthur lifts his iron visor and evaluates Ash.
ARTHUR'S POV
The Delta 88 Oldsmobile. The chainsaw, strapped to Ash's back. The handless stump of Ash's right arm. The Shotgun.
A FRIGHTENEDASH
Waves a shaky hand.
ASH
Take is easy now chief. I don't know how I got here and I'm not lookin' for any trouble.
WISEMAN JOHN
An elderly man, in a long black cloak, steps forward.
WISEMAN JOHN
My Lord Arthur, I believe he is the promised one, written of in the Necronomicon.
ARTHUR
Brings his sword down across Ash's chest. Ash cries out in pain as...
ASH'S CHEST
Is cut. A thin red gash.
ARTHUR
He bleeds. As a man bleeds. The one written of in the Book would not bleed.
ARTHUR GESTURES
And CAMERA PANS to four prisoners bound in iron shackles.
ARTHUR
Likely, he is one of Henry's men. I say to the pit with him! If he is truly the promised one... he will emerge.
WARRIOR #2 AND #3
Aye! The pit's a fair test!
GOLD TOOTHED WARRIOR
To the pit with the blackard!
GOLD TOOTH
Charges his horse at Ash. But he is met with the wooden stock of Ash's shotgun as it swings into frame, cracking against his jaw.
WIDE SHOT – GOLD TOOTH – STUNTMAN
He tumbles from the horse.
ASH
Leaps atop Gold Tooth's horse and jerks the reigns.
LONG SHOT – ASH'S HORSE
Rears up, kicking it's hooves into the air.
ASH
Gallops off as Warrior #2 runs at him. Ash kicks him in the face as he gallops past. The Warrior is sent reeling.
TRUCKING SHOT – ASH
Galloping over a hill. He is almost thrown by the horse, but manages to hang on for dear life.
ASH
Where the hell they put the stirrups on this thing!!??
CLOSE SHOT – ASH'S FEET
Grasping at the side of the horse, hoping to find some purchase.
LONG SHOT – ASH – STUNTMAN
He rides past CAMERA, almost falling from the horse.
ANGLE ON ARTHUR
ARTHUR
LIEUTENANTS! Fetch me the blackard.
TWO OF ARTHUR'S ARMORED HORSEMEN
Unsheathe their broadswords and gallop after Ash. The remaining Warriors watch for sport.
HIGH SHOT – TWO HORSEMEN
They are gaining an Ash.
ASH
Glances behind him.
ASH'S POV – TRUCKING SHOT – TWO HORSEMEN IN PURSUIT
They diverge to either side of CAMERA.
ASH
Whips his horse.


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