Bull Durham
INT. MAXWELL'S BAR -- LATER -- NIGHT
A raucous celebration of the victory. Booze flows.
And we begin hearing the familiar sounds of Piaf ...
CUT TO:
INT. ANNIE'S HOUSE -- LATER -- NIGHT
ANNIE COMES OUT OF THE BATHROOM -- Dressed in a long, flowing
nightgown, elegant and old fashioned. She looks fabulous,
PRESENTING HERSELF to Nuke.
ANNIE
I'm yours.
NUKE
Y'know, Annie, I been thinking if
it works for one game, maybe it'll
work for a whole buncha games.
ANNIE
Breathing through your pingala
always works, honey--
NUKE
Not that. I mean the re-channeling
of my sexual energy.
(beat)
Maybe we shouldn't make love for
awhile.
ANNIE
Now don't go overboard, I look
incredibly hot, right?
She strikes a pose. She does look hot.
NUKE
You know what it feels like to
throw a three hitter?
(nervously, with
resolve)
We better not fuck.
ANNIE
Nuke?!
NUKE
Just till I lose.
ANNIE
Get over here.
NUKE
No.
ANNIE
Ebby Calvin "Nuke" LaLoosh--
She starts toward him--and Nuke flees. Out the door, into
the night. Annie slumps in disbelief.
DISSOLVE TO:
INT. ANNIE'S BEDROOM -- NIGHT
ANNIE SITS IN BED ALONE -- Lights a cigaret. A puzzled
expression--things have got out of control.
ANNIE (VOICE OVER CONT'D)
Nuke was so encouraged that he
took a vow to not have sex until
they lost...
Annie reaches over, opens a drawer in her nightstand, and
pulls out her baseball glove. She cradles it fondly in her
lap, puts it on, pounds it gently...
ANNIE (VOICE OVER CONT'D)
Y'see a ballplayer on a streak
considers himself touched with
magic and he'll do anything to
keep from breaking the spell ...
CUT TO:
INT. DURHAM BULL LOCKER ROOM -- DAY
NUKE NEATLY UNFOLDS THE RED PANTIES in his locker.
ANNIE (VOICE OVER CONT'D)
In fact the whole team started
making religious connections and
everybody got hot.
JOSE BLESSES THE BATS with a chicken bone cross.
JIMMY READS THE BIBLE and prays alone in the corner.
CUT TO:
EXT. DURHAM BASEBALL FIELD -- DAY
PLAYERS TAKING GROUND BALLS and batting practice.
ANNIE (VOICE OVER CONT'D)
I figured Nuke would win a couple,
then lose, and things would get
back to normal ...
PLAYERS PLAYING "FLIP" PEPPER like kids.
ANNIE (VOICE OVER CONT'D)
But it didn't happen like that...
and for one extraordinary June
and July, the Durham Bulls, for
whatever perverse reason, began
playing baseball with joy and
verve and poetry--
NUKE WARMING UP in the bullpen, listening to Crash.
ANNIE (VOICE OVER CONT'D)
The two sides of my own brain
were all jumbled up and cross-
wired... while one side was being
neglected, the other was in
paradise watching our Bulls play
like Big Leaguers...
MICKEY RIPS A TRIPLE UP THE ALLEY -- Slides into third.
DEKE AND TOMMY TURN A SPECTACULAR DOUBLE PLAY
ANNIE (VOICE OVER)
We swept a four game series with
Kingston, back to back
doubleheaders with Winston-Salem,
and kicked the holy shit out of
Greensboro in a three game
series...
SEVERAL PLAYERS SIGNING AUTOGRAPHS at a local mall. A line
of kids to meet them. A banner--MEET YOUR BULLS!
ANNIE (VOICE OVER)
They were in demand all over town--
and Crash, who kept hitting
dingers, was approaching the minor
league record... though I told
nobody.
CRASH BLASTS ANOTHER HOME RUN -- Another win.
JULY 4 PROMOTION -- LARRY, DEKE, TOMMY, AND JOSE dressed as
the "Spirit of 176 Drum and Fife Corps" at home plate,
surrounded by a Boy Scout Troop.
ANNIE (VOICE OVER)
After sweeping a July 4
doubleheader, the Durham Bulls
were tied for first.
THE WIVES, THE GROUPIES, AND MILLIE WAIT for the players
outside the clubhouse following a game.
ANNIE SITS ALONE IN HER BOX SEAT as the stadium empties.
ANNIE (VOICE OVER)
But beautiful as the winning streak
was, I was getting damn lonely.
(beat)
Something had to be done. I needed
a man...
CUT TO:
EXT. THE TEAM BUS ON THE ROAD BACK --DAY
The sounds of Diana Ross and the Supremes.
INT. THE BUS -- DAY
LARRY, DEKE, TOMMY AND MICKEY as the Supremes, singing "Stop
in the Name of Love" at the front of the bus.
NUKE
I love winning, Crash, you hear
me? I love It. Teach me
everything.
CRASH
It's time you started working on
your interviews.
NUKE
What do I gotta do?
CRASH
Learn your cliches. Study them.
Know them. They're your friends.
Crash hands Nuke a small pad and pen.
CRASH
Write this down.
(beat)
"We gotta play 'em one day at a
time."
NUKE
Boring.
CRASH
Of course. That's the point.
(beat)
"I'm just happy to be here and
hope I can help the ballclub."
NUKE
Jesus.
CRASH
Write, write--"I just wanta give
It my best shot and, Good Lord
willing, things'll work out."
NUKE STARTS WRITING them down.
NUKE
"...Good Lord willing, things'll
work out."
CRASH
Yep. So how's Annie?
Nuke looks up from his cliches, startled.
NUKE
She's getting steamed 'cause I'm
still re-channeling my sexual
energy--maybe I should cave in
and sleep with her once just to
calm her down. What'ya think?
CRASH
You outta your mind? If you give
in now you might start losing.
(beat)
Never fuck with a winning streak.
Nuke nods seriously, listening to the master.
CUT TO:
EXT. THE STADIUM PARKING LOT -- DAY
THE BUS PULLS IN -- Wives and girlfriends are waiting.
The players get off, greet their women.
ANNIE GREETS NUKE -- They head for her Volvo..
JIMMY STARTS ACROSS THE LOT on foot, dragging his luggage,
when Millie pulls up in her car.
MILLIE
Hi, Jimmy. Want a ride?
JIMMY
(nervously)
Have you accepted Jesus Christ as
your personal savior?
MILLIE
No.
JIMMY
Can I give you my testimony?
MILLIE
You can do anything you want.
(a tiny grin)
Hop in.
JIMMY NERVOUSLY GETS IN WITH MILLIE They roar away.
CUT TO:
INT. ANNIE'S KITCHEN -- DAY
NUKE SITS AT THE TABLE -- He's just finished eating.
Annie circles him. A pot of soup on the stove.
ANNIE
I'm so proud of you and all the
guys. Want some more soup?
NUKE
No, no, it was great.
ANNIE
How 'bout a back rub?
NUKE
No, that's okay. All I need's a
little nap.
ANNIE
I'll tuck you in.
NUKE
(nervously)
You can't seduce me.
ANNIE
I'm not gonna try to seduce you,
sweetie...
ANNIE STRETCHES OUT HER LEG and lays it an the table.
NUKE
What's that?
She pulls back her skirt slightly, exposing her garter snaps
attached to her stockings.
ANNIE
That's my leg.
NUKE
I know what it is.
ANNIE
I figure we could work on some
fundamentals even if we don't
make love.
She strokes her leg. Nuke stares fearfully.
NUKE
Fundamentals?
ANNIE
Sure.
(beat)
Unsnap my stockings.
Nuke squirms, then reaches for her garter snaps. And stops.
NUKE
Crash once called a woman's, uh--
pussy--y'know how the hair kinda
makes a "V" shape?--
ANNIE
Yes I do...
NUKE
Well--he calls it the Bermuda
Triangle. He said a man can get
lost in there and never be heard
from again.
ANNIE
What a nasty thing to say.
NUKE
He didn't mean it nasty. He said
that gettin' lost and disappearing
from the face of the earth was
sometimes a good thing to do--
especially like that.
ANNIE
Oh...
(beat)
Crash is a very smart man. Now
c'mon, honey, give it a try.
NUKE REACHES FOR THE GARTER SNAPS with two hands. He fumbles,
groping awkwardly. Annie stops him gently.
ANNIE
Watch...one hand--
WITH A SINGLE HAND ANNIE FLICKS each snap. Flick, flick,
flick. Magic. The snaps open effortlessly.
NUKE
oh.
ANNIE RE-SNAPS THEM QUICKLY, offering her leg to Nuke.
ANNIE
Now you try.
NUKE TRIES AGAIN -- One handed. Awkwardly again, but--
ANNIE
(sighing sexually)
Mmmmmmm...oh yes...
BUT NUKE LEAPS TO HIS FEET -- Reacting vigorously, nervously,
desperately. The soup crashes on the floor.
NUKE
No! You're playing with my mind!
ANNIE
I'm trying to play with your body!
NUKE
I knew it--you're seducing me!
ANNIE
Of course I'm seducing you for
Godsakes, and I'm doing a damn
poor job of it--
(beat)
Aren't I pretty?
NUKE
I think you're real cute.
ANNIE
Cute?! I hate cute! Baby ducks
are cute! I wanta be exotic and
mysterious!
NUKE
You're exotic and mysterious and
cute--that's why I better leave.
Nuke starts to leave.
ANNIE
Nuke! You got things all wrong!
There's no relation between sex
and baseball. Ask Crash.
NUKE
I did.
ANNIE
What'd he say?
NUKE
He said if I gave in to you I'd
start losing again.
ANNIE
He did?
NUKE
I'll be back when we lose.
NUKE HURRIES OUT THE DOOR -- Annie just stares.
CUT TO:
EXT. THE DOWNTOWNER MOTEL -- DURHAM -- DAY
A run of the mill cheap modern motel.
INT. CRASH'S ROOM AT THE MOTEL -- DAY
CRASH WORKS ON HIS SWING in front of a mirror.
A knock at the door.
CRASH
Come in.
ANNIE ENTERS the room. Crash stays with his stance.
ANNIE
Crash...I want you.
CRASH
Nuke won't go to bed with you,
eh?
ANNIE
He' s confused--
CRASH
Aren't we all?
ANNIE
Don't you think I'm pretty?
Crash puts down the bat, and looks directly at her. As he
does he picks up two spring loaded hand exercisers and begins
pumping them an he talks.
CRASH
You're gorgeous, God damn it!
From the moment I first saw you I
knew I had to have you. I had to
have you!
ANNIE
I want to be had.


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