Friday the 13th, Part 6: Jason Lives

THE TWO POLICE CARS

spring into action and give chase.

INT. POLICE CAR

Pappas, the very good-looking one of the two officers seen

earlier, calls it in!

OFFICER PAPPAS

(into mike)

Unit 45, Officer Pappas to Sheriff

Garris. Do you copy?

INT. SHERIFF'S CAR

The distressed sheriff answers the call.

SHERIFF

(into mike)

Yeah, I'm here. What?

OFFICER PAPPAS' VOICE

(over radio)

Got a different vehicle that just

turned tail seeing us. Saw

somebody duck down.

SHERIFF

Got a description or plates?

OFFICER PAPPAS' VOICE

The whole enchilada. It's an '82

orange Camaro, license...

CUT TO:

EXT. FOREST ROAD

Megan's car back quickly into a turnoff, then PEELS OUT full

steam ahead!

INT. POLICE CAR

Officer Pappas is just finishing the vehicle's description

when the sheriff explodes:

SHERIFF'S VOICE

(over radio)

Son of a shittin' bitch! That's

my daughter's car!!

OFFICER PAPPAS

(nervous)

How should we proceed, sir?

INT. SHERIFF'S CAR

SHERIFF

(beside himself emotionally)

With extreme car, for God's sake.

If that kid is with her, there's

every good chance he'll do

something crazy.

INT. MEGAN'S CAR

CLOSE ON TOMMY'S FACE STILL ON HER LAP

TOMMY

(to Megan)

Please don't do anything crazy.

ANGLE ON MEGAN

She drives like a hellcat trying to lose the pursuing cops.

MEGAN

I know what I'm doing. I got your

supplies for ya, didn't I?... Now

if I can get to Cunningham Road,

I can lose them...

(Tommy starts to sit up)

...Just stay where you are.

BACK TO TOMMY

He puts his head back down and stares at the view.

TOMMY

(deadpan)

Whatever you say.

EXT. FOREST ROAD

OVERHEAD SHOT - ON ROAD

Megan's car ROARS by, immediately followed by the two police

cars.

CAMARO'S P.O.V.

Headlights illuminate the windy path we TRAVEL. Enormous

trees stand dangerously close to the curved road.

INT. MEGAN'S CAR

TIGHT ON MEGAN

Our strong-willed heroine is determined to reach her

destination.

EXT. FOREST ROAD

The Camaro fires past us. One cop car, then the other,

follow suit. All three vehicles' tires SQUEAL on the

hazardous curves.

INT. MEGAN'S CAR

ANGLE ON TOMMY

Megan's wild driving causes his head to roll around in her

lap. He tries to be discreet about where it keeps landing.

MEGAN (O.S.)

That's what I want.

Tommy registers surprise.

CLOSE ON MEGAN

What she sees ahead has her beaming with confidence.

MEGAN'S P.O.V. - OUT WINDSHIELD

Two signposts are seen. One reads "Cunningham Road," the

other "Camp Forest Green" with an arrow pointing right.

BACK TO MEGAN

MEGAN

This is gonna be a hairy turn.

Grab ahold of something.

ANGLE ON TOMMY

He looks up at her with a look of "you gotta be kidding."

MEGAN'S P.O.V. - OUT WINDSHIELD

Her car SCREAMS around the turn onto Cunningham Road.

SHOCKINGLY, HER FATHER AND HIS CAR ARE WAITING IN THE DARK

FOR THEM. The deputy and his car are right behind the

sheriff. Both have their rifles aimed and ready.

EXT. FOREST ROAD

Megan's car barely has enough room to brake. The Camaro

fishtails to a stop. The sheriff remains stock-still, not

flinching at all.

PRESS IN - ON SHERIFF

With a deadly cool, her orders his daughter:

SHERIFF

Megan, step out of the car!

ANGLE ON MEGAN - THROUGH WINDSHIELD

She stares in horror at her father. She's never seen him

point a gun at her. But then again she's never pulled a

stunt like this. Megan then looks down at her feet.

INT. MEGAN'S CAR

ANGLE DOWN - ON TOMMY

He is sprawled across the floorboard, his face between

Megan's feet. He stares at her in utter dread.

MEGAN

It's all over.

TOMMY

(shaking his head)

It's just beginning.

CUT TO:

EXT. CAMP FOREST GREEN - NIGHT

SUBJECTIVE MOVING CAMERA

We HEAD across the campgrounds toward the counselors' cabin.

Climbing the steps, we slowly open the door.

INT. COUNSELOR'S CABIN

Paula is sound asleep. The SOUND of the DOOR OPENING causes

her to stir.

SUBJECTIVE MOVING CAMERA

We CONTINUE through the door into the cabin. Looking around,

we spot the sleeping counselor. We HEAD for her.

PRESS IN - ON PAULA

Tension builds as we stare at the restless girl. Sensing

someone over her, Paula opens her eyes. She gasps!

PAULA'S P.O.V.

A bloody machete is held out before us.

WIDER

Little Nancy stands over Paula, holding the machete.

NANCY

I can't sleep, Paula. I'm scared.

I saw someone at the window and...

Paula sits up quickly and grabs the disgusting machete.

PAULA

(interrupting)

Where'd you get this?

NANCY

(pointing)

I found it outside.

Paula doesn't know what to think. Looking around the cabin

and not seeing anyone, she draws some rapid conclusions.

PAULA

(trying to sound comforting)

You know what? Sissy and Cort are

playing jokes. You know, trying

to scare each other.

NANCY

(innocently)

Why?

PAULA

Well, grown-ups think it's funny

to be scared.

NANCY

(confused)

Are they grown-ups?

PAULA

That's debatable.

NANCY

(more confused)

Huh?

Paula shakes her head, puts the machete down on the floor,

and stands up.

PAULA

Never mind...

(looks at watch)

...Is it that lake already?

She grabs the phone and starts to dial.

PAULA

I can't believe no one called

back. I better...

NANCY

Who ya calling?