Friday the 13th, Part 6: Jason Lives

THE MACHETE SHE LEFT ON THE FLOOR IS GONE. BLOODY STAINS ON

THE FLOOR MARK WHERE IT HAD LAIN.

PAULA

hears a NOISE and turns to look.

ANGLE ON OPEN DOOR

It moves a bit. Was it the wind or is someone behind it?

MOVING SHOT - ON PAULA

Not sure if it's a joke or her imagination, Paula slowly

heads towards it. Tension mounts. Just as she reaches it,

she slowly extends her hand to grab the knob. SUDDENLY, THE

WIND BLOWS IT TOWARD HER. She backs up. It slams shut. No

one, of course, is there. She giggles at herself and reopens

the door. JASON IS RIGHT THERE IN THE DOORWAY.

TIGHT ON PAULA'S GASPING FACE

TIGHT ON JASON'S MACHETE AS IT ADVANCES

EXT. CAMP FOREST GREEN

A few yards from the cabin, we watch as Jason quickly lunges

at Paula and SLAMS the door, MUFFLING her SCREAM.

CUT TO:

INT. SHERIFF'S OFFICE - NIGHT

Deputy Colone is hunched over his desk, doing what he hates

most...filling out reports. He glances up at Tommy, then

over at Megan. Satisfied, he returns to his shitwork.

ANGLE ON MEGAN

Seated across the room, she appears to be idly sketching

something on a large pad.

TOMMY

sits on his jail cot, head in hands, hopeless.

MEGAN

looks up at the deputy, then over at Tommy.

CLOSE ON TOMMY

He glances up at her.

OVER MEGAN'S SHOULDER - ON TOMMY

She holds up the sketch pad for him to read. As she does,

his eyes widen, amazed at what she's written. He mouths "Are

you sure?" as she lowers the pad.

TIGHT ON MEGAN

She nods a strong affirmative.

WIDE ON SCENE

Tommy gets up off his cot and stretches nonchalantly. He

eyes the deputy, then Megan. She flips a page over, and

starts to really sketch.

TOMMY

So what are ya drawin'?

MEGAN

What's it to ya?

THE DEPUTY

looks up, irritated by the noise.

DEPUTY

Hey, pipe down, Jarvis.

TOMMY

grabs the cell bars.

TOMMY

I was just curious about what she

was drawin'.

MEGAN

holds it up for Tommy to see.

MEGAN

(sarcastic)

There...Ya happy?

TOMMY

No.

MEGAN

Why?

TOMMY

'Cause it stinks.

Megan throws the sketch pad at him. It bounces off the bars.

ANGLE ON TOMMY

He reaches down, grabs it, and pulls it into his cell.

MEGAN

stands up defiantly.

MEGAN

Okay, give it back.

TOMMY

(slyly)

Come and get it.

ANGLE ON DEPUTY

This is really getting him pissed. He gets up.

DEPUTY

Bastard...Megan, I'll get in.

MEGAN

is already in front of the wall. She reaches through the

bars for the pad.

MEGAN

Give it to me, punk.

TIGHT ON TOMMY AND MEGAN

Suddenly he grabs her arm, pulls her to the bars, and starts

kissing her passionately. The more she struggles, the

tighter he envelopes her.

MOVING SHOT - ON DEPUTY

He races across the room. Awkwardly, he grapples to separate

them.

INSERT - DEPUTY'S REVOLVER

As they battle, Megan's hand secretly reaches down and pulls

the gun from the deputy's holster.

ANGLE ON GROUP

Megan allows herself to be torn from Tommy's embrace. The

angry deputy reaches at Tommy, who backs away into the cell.

DEPUTY

You stinkin' maggot, I oughta...!

MEGAN (O.S.)

(demanding)

Let him out of there.

PRESS IN - ON DEPUTY

As he turns to face Megan, a red laser dot appears on the tip

of his nose.

DEPUTY P.O.V.

Megan points the laser-scoped revolver right at us. She

definitely means business.

TIGHT ON DEPUTY

He chuckles in disbelief.

DEPUTY

Come on, Megan, don't clown around.

MEGAN

holds the gun dead-steady.

MEGAN

I ain't the one with the funny red

nose...Open the cell and exchange

places...with him...

(she cocks the trigger)

...Now.

ANGLE ON DEPUTY AND TOMMY

The boy moves up behind him and reinforces the seriousness of

the situation.

TOMMY

(enjoying this)

Better do as she says, 'cause

...wherever the red dot goes, a

bullet is sure to follow.

The deputy reluctantly removes his keys and turns toward

Tommy.

DEPUTY

(furiously)

You brainwashed her, you

sonofabitch?

MEGAN

breaks into a cocky smile, and answers for him.

MEGAN

Yeah, something like that.

CUT TO:

EXT. SHERIFF'S OFFICE - NIGHT

Tommy and Megan fly out the door and race toward the Camaro.

TOMMY

Got the keys?

MEGAN

reaches under the car and quickly withdraws a tiny box.

MEGAN

No, he took 'em...But I got my

Hide-a-Key.

TOMMY

rushes up and grabs it from her.

TOMMY

Sorry, Megan. Not this time.

MEGAN

(pissed)

Wait a minute. I just...

TOMMY

(determined)

I thank you for getting me out.

But I gotta finish what I started.

MEGAN

stares defiantly at him as she opens the driver's door and

gets in. She suddenly slides over to the passenger's seat.

MEGAN

Well, come on, hot lips, let's go.

You drive, I'll navigate.

ANGLE ON THEM IN CAR

Tommy throws up his hands, then climbs in. The car starts up

and ROARS down the street.

CUT TO:

INT. GIRL'S DORMITORY CABIN

JASON PATROLS THE CHILDREN'S CABIN. Slowly and menacingly,

he walks by the sleeping youngsters.

TRACKING ALONG BED - ON LITTLE GIRLS

Slumbering soundly, they have no awareness of the monster at

the edge of their beds.

JASON

reaches the end of the dormitory. With his back to us, he

stops, senses something, and whips around.

TIGHT ON JASON'S MASKED FACE

He glares at someone with evil intent.

PRESS IN WHILE ZOOMING OUT - ON NANCY

The terrified child's eyes peek from under the sheet. She

ain't dreaming. This monster is real.

WIDER

Jason stands and stares at Nancy at the other end of the

cabin. He then stalks her.

CUT TO:

EXT. CAMP FOREST GREEN - NIGHT

SHERIFF GARRIS' CAR PULLS ONTO THE CAMPSITE

Another patrol car, with Officer Pappas and Thornton, pulls

up behind it. The wind is getting stronger as it whips

through the trees.

CUT TO:

INT. GIRL'S DORMITORY CABIN

JASON STANDS OVER NANCY'S BED!

The child is frozen in pure terror. She can't even cry out.

NANCY'S P.O.V.

Slowly, Jason's masked face descends toward us.

MOVING SHOT - DOWN TOWARD NANCY

The child squeezes her eyes shut and begins to pray, very

quickly:

NANCY

(whimpering)

Now I lay me down to sleep, I pray

the Lord my soul to keep...

JASON'S FACE COMES CLOSER AND CLOSER

NANCY

(voice quavering)

...If I should die before I wake,

I pray the Lord my soul to take.

Now I lay me... etc.

ANGLE ON JASON AND NANCY

Jason HEARS the CAR DOOR SLAM outside. His face turns toward

the noise. He immediately heads for it.

DOLLY IN - ON NANCY AS JASON LEAVES

With her eyes still tightly shut, she continues to pray,

unaware that her monster has gone.

CUT TO:

EXT. CAMP FOREST GREEN

Sheriff Garris surveys the campgrounds suspiciously. The two

officers approach him.

OFFICER THORNTON

So what's the story here?

SHERIFF

Why don't you boys nose around.

I gotta go break the news to

Megan's friends about what's

happened. Holler if you see

anything.

OFFICER PAPPAS

Like what?

SHERIFF