FREDDYS DEAD – THE FINAL NIGHTMARE
He smiles.
DIFFERENT ANGLE
And now Karen is herself again. They're still very close.
JACOB (cont'd)
Much better.
They look like they're about to kiss... but Karen suddenly
sees something that grabs her attention.
KAREN
Look!
Jacob turns as Karen runs over to ANOTHER DOOR. It's not the
one to the bedroom. It just hangs there in space between two
trees.
KAREN (cont'd)
I wonder where it goes?
She reaches for the knob and opens it.
JACOB
Karen, no!
But she's already stepped through. Jacob runs up to the
doorway and it SLAMS in his face. Jacob tries to open the
door. It doesn't budge. He keeps twisting the knob to no
effect.
JACOB (cont'd)
Karen!
Jacob starts to pound on the door as we:
CUT TO:
INT. KAREN'S HOME - KITCHEN
Sixties style decore, appliances that look about twenty-five
years old -- not the Foster Home kitchen at all. Karen is
standing in the middle of the room, completely disoriented.
She walks across to a counter top where she finds a framed
picture.
It's a picture of HER, Karen, age thirteen. Karen sets the
picture down and quickly walks back to the door she came in.
INT. KAREN'S HOME - LOWER HALLWAY
Karen steps out of her old kitchen expecting, hoping to be
back in the forest again. Nope. She blinks. Then she
starts to walk down the corridor.
More pictures on the wall this time. One of a WOMAN and
another of a MAN (Karen's MOM and DAD).
Karen's sure of it now. She's home. The center of her worst
nightmares. She creeps along to the main stairs. And that's
when the NOISES begin. A thumping from upstairs. A CRASH,
like something hit the floor above. More thumping,
repeatedly and then human MOANING, the sound of pain.
Somebody is getting beaten.
KAREN
Oh no...
Something is twisting deep inside the girl. Her face goes
shallow as she slowly shuffles around to the foot of the
stairs...and starts to climb them.
ON THE STAIRS
Karen goes up, step by painful step, as the sounds of the
BEATING increase in their intensity. Every hit seems to
touch Karen as she flinches. She's afraid to go on - but
can't seem to stop.
INT. KAREN'S HOME - UPSTAIRS HALLWAY
Karen slowly heads for a door at the end, nervously reaches
out for the knob.
INT. KAREN'S PARENT'S BEDROOM
Karen opens the door. What she thought she was going to see
was bad enough - but this is worse:
Freddy Krueger is in the middle of the room. In front of him
is a giant human-sized version of an inflatable punching
doll, the kind little kids hit that keep bouncing back. But
the doll doesn't have the image of a clown on it.
It's a flattened wrapped-around version of KAREN'S MOTHER, a
pitiful beat-up look on her plastic face.
Freddy SMACKS the doll - it falls to the floor - and just
bounces back up. And now the face on it has a NEW BRUISE.
THWACK! He hits it again, CACKLING with glee. Swoop,
bounce. More bruises develop. Krueger looks at Karen.
FREDDY
Welcome to Romper Room!
BAP! BOOOOING! The face on the punching doll changes again,
it's even sadder now. And it's looking at Karen.
KAREN
Why are you doing this?
FREDDY
Don't you remember?
ZING! Krueger whips up his finger knives. SWOOP! he RIPS
them through the plastic doll. SISSSSSssss. The doll starts
to deflate. SKREEEEeeeee. The escaping air sounding like a
human SCREAM. Freddy turns to Karen.
And a HAND reaches out from behind her and pulls her out of
the room.
INT. KAREN'S HOME - UPSTAIRS HALLWAY
Jacob pulls Karen away from the door and slams it shut. He
grabs her hand.
JACOB
Come on!
They turn to run down the hallway, and it's CHANGED. There
are now NO DOORS and NO STAIRWAY. The only way out is the
bedroom door they just closed. They stop and Jacob turns to
Karen.
JACOB (cont'd)
Wake up!
KAREN
What?
JACOB
You heard me. I said wake up!
KAREN
How? This is my old house. How did I
get here?
He begins to shake her. She is confused and disoriented. A
CRASH is heard at the bedroom door. FREDDY'S COMING.
And Jacob HITS Karen. Nothing major. It's a good slap,
nonetheless. She stares at him unbelievingly. He WHACKS her
again.
KAREN (cont'd)
Why are you doing this to me?
JACOB
This is a dream! You have to get out of
here. I'm not hurting you, only he can
really do that! Wake up now!
SLAP! Karen's getting angry. She doesn't know what she's
supposed to do. KA-BLAM! Freddy blasts through the door in
a shower of splinters. He sees them and grins.
FREDDY
Gettin' kinky, huh?
Jacob turns to Karen, raises his hand. KA-BLAM! Something
blasts through the wall across from them. It's POWER COP.
CRASH! The other wall explodes. BLADE appears in the
rubble.
BOOM! A piece of wall falls down at the end of the corridor.
SOUND COP steps through.
Karen looks at all this nonsense, then at Jacob.
KAREN
I think I get it now.
She closes her eyes and DISAPPEARS out of Jacob's hands. The
DREAM POLICE stand in the hallway. Freddy just puts his
hands on his hips and LAUGHS at them.
Then Krueger lays his arms flat on his sides, takes a deep
breath and begins to INFLATE. His body expands, his clothes
and skin stretch and flatten. The bottom half of him getting
fatter.
He turns into a giant FREDDY PUNCHING DOLL.
Power Cop jumps in front of the plastic horror and lets loose
a devastating swing. POW! The Freddy Doll swings back and
BOUNCES right up again.
POW POW POW POW POW! The big Dream Cop pummels away at the
Krueger toy as it slaps back and forth between the floor and
his fist until SHINK! Two knives appear in Blade's hands and
SWOOP. She swings them out.
RIP! The Freddy Doll tears, air blasting out in a grating
SHRIEK which screeches and hisses until it becomes:
Freddy's LAUGH. The red and green plastic flutters to the
ground as the evil guffaws fade away and we:
CUT TO:
INT. KAREN'S BEDROOM - NIGHT
Karen shakes Jacob awake. His eyes open. They stare at each
other for a few beats, then Karen frowns.
KAREN
You hit me.
JACOB
Are you hurt?
KAREN
Um...no.
JACOB
If he had done it, you'd be dead.
Karen is confused. She doesn't know what to make of all
this. She looks at a clock. It's late.
KAREN
You better get back to your room. We
don't want anybody to get the wrong idea.
JACOB
(smirks)
Or the right one?
Karen finally relaxes. She smiles and playfully pushes him.
KAREN
Get out of here.
Jacob reaches under a pillow and pulls something out. It's
the framed photo of Karen, age thirteen - from her dream. He
hands it to her and she looks at it in astonishment.
JACOB
That's something else my mom taught me.
He gets up and goes to the door, turning back to her.
JACOB (cont'd)
Don't sleep.
KAREN
No. Not tonight.
She holds the picture tightly- staring at it with those
faraway eyes.
INT. FOSTER HOME - UPPER HALLWAY - NIGHT
Scott comes out of the bathroom in his night clothes, the
toilet flushing in the B.G. He goes into his room, but stops
at the doorway when he hears Karen's door open.
Scott ducks behind his door as he watches Jacob leave Karen's
room and head for his own. Scott frowns. His is not
pleased.
INT. FOSTER HOME - DOWNSTAIRS HALLWAY - DAY
David Ross is sifting through some mail when a heated
conversation in the kitchen catches his interest. He stops
to listen.
IN THE KITCHEN
Karen is finally convinced, Jacob and Scott are looking like
they're ready to punch each other, and Gina looks scared.
KAREN
I'm telling you, this Freddy guy is for
real.
SCOTT
And I'm telling you a dream is a dream.
KAREN
Jacob was in there with me.
SCOTT
And where else was he with you last
night?
JACOB
What the hell is that supposed to mean?
KAREN
I have the picture in my room if you want
to see it. He brought it out from the
nightmare.
SCOTT
Or from your hope chest. I bet your bed
isn't the only thing he's been into.
KAREN
That picture was destroyed years ago.
JACOB
You better watch your mouth, pal.
SCOTT
I'm the last person you want to start
fucking with.
JACOB
Go ahead and be a tough guy, Scott.
Krueger will cut you to pieces before you
can even flex a muscle.
GINA
Will you two stop it! You're scaring the
shit out of me.
KAREN
You should be scared.
Mr. Ross enters the room, none too pleased.
DAVID
Alright. What's going on here?
SCOTT
Join the fun. Jacob and Karen were just
telling us about their new excuse to
sleep together.
JACOB
Nothing happened between us last night.
SCOTT
You mean in plain old reality, right?
DAVID
Okay, everybody. Out. Jacob and I are
going to have a little talk. Now.
Scott, Gina and Karen grudgingly leave the room. David turns
to Jacob.
DAVID (cont'd)
Your days are numbered here, buster.
JACOB
I'm sorry, but...
DAVID
Hey, I don't know what kind of shit
you're shoveling to these kids, but it's
going to stop. My Good Samaritan
instincts have their limits. We've had
enough tragedy around this place. We
don't need you making things worse with
fantasies.
JACOB
You don't understand
DAVID
And I want you to stay away from Karen.
Jacob starts to get defiant.
JACOB
It's a free country.
DAVID
This isn't America, it's my house. I've
been checking up on you. You have no
record with the police or the state or
any of the runaway groups. You're the
invisible kid. And if I sense even a
little bit more trouble-making from you,
you're going to vanish from here. Got
it?
JACOB
Yes, sir.
David catches his breath. He looks like he wants to say
more, but doesn't have the energy left. He just walks out of
the room leaving a frustrated Jacob.
EXT. FOSTER HOME - NIGHT
Mr. and Mrs. Ross are getting into their car. The engine
starts and they drive away.
INT. JACOB'S ROOM - NIGHT
Jacob sits in bed, staring into space. Karen quietly enters
the room, carefully shutting the door behind her.
She sits down next to him. Jacob looks at her with weary
eyes.
JACOB
You're supposed to be off-limits to me.
KAREN
It's okay. The Ross's have gone to a
council meeting and Scott's in his room.
We should be safe for awhile.
JACOB
Wonderful.
KAREN
Jacob, what are we going to do?
JACOB
I'm going to go to bed soon.
KAREN
Now you WANT to sleep?
JACOB
I have to find the Dream Police. I think
I'm somehow their link to all this. They
only seem to appear when I'm around. You
woke me up before I had a chance to talk
to them last night.
KAREN
I'm sorry. I was scared.
JACOB
your fault. I have to ask them what
we're supposed to do to help them. And
maybe I can protect Gina while I'm in
there.
KAREN
What about Scott?
JACOB
He's on his own.
KAREN
Oh...
JACOB
I don't mean to be cold,but we've done
everything to convince him. Gina's too
scared to understand. I think Freddy
will go after her next.
KAREN
What should I do?
JACOB
You have to stay awake.
KAREN
That's not going to be easy. I'm half
asleep already.
JACOB
You have to try.
She nods her head quietly. Then
KAREN
I'd better get out of here.
JACOB
Okay. Be careful.
KAREN
YOU be careful. I'm not going anywhere.
She kisses him quickly on the cheek. He needed that. Karen
gets up and quietly leaves. Jacob yawns
INT. GINA'S BEDROOM - NIGHT
Gina sits on her bed in her night clothes. She holds a deck
of cards in one hand while she plays solitaire on her bed
sheets.
She flips a card from her deck: A black nine. She puts it on
top of a ten. Another card. Queen of diamonds. She lays it
on top of a king of clubs. Gina yawns. Takes another card.
It's the Freddy of Spades.
Gina frowns. Freddy Krueger's image stares up at her from
the card. She looks at her stacks. There's no place to put
this one. She starts flipping through the deck of cards,
trying to see if there are any more Freddys. That's when a
HAND RIPS UP through the bed and grabs her arm.
Gina SCREAMS, pulls away from the hand's grip and jumps back
up on the bed. And ANOTHER HAND shoots up from a pillow and
grabs her shoulder. Gina twists.
RIP. TEAR. GRAB. More hands appear out of the mattress,
lunging for any part of Gina's body as she SHRIEKS from their
touch. And Gina jumps out of bed.
She leaps to the other side of the room, bumping against her
dresser drawers. Turns to her bed.
SWOOP. The multiple hands disappear down into the mattress.
There is a quiet beat as she catches her shivering breath.
Then a half-dozen ARMS AND HANDS pop out from the drawers
next to her. Latching indiscriminately. Some grabbing her
legs and arms. Some grabbing more intimate parts.
Gina SCREAMS. Pulls away from the dresser. Yanks a few
drawers out as the hands vanish and she spins over to another
wall.
Where the wall ERUPTS with outreaching arms all around her.
Two grab her hair. Three on each arm. Her legs are pinned.
Gina shrieks and yells and flays her arms. Beating the hands
with her fists as two grabs her breasts viciously. She
starts kicking as one particularly perverse hand BURNT AND
SCARRED, pops out between her legs. Aiming right for her
crotch and in an incredible show of strength, the girl pulls
away from the horde.


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