HALLOWEEN 7

JAKE
You need help.

KERI
No shit.

JAKE
I'm sorry to upset you. I'm just trying to help.

KERI
Then pour me a drink, Jake, because you picked the wrong day for an intervention.

Keri assures Jake that she's an intelligent, informed and functional drunk and
that he need not worry.

The Shape, however, keeps appearing. Keri plays the woman who cried wolf until
Molly is attacked by the Shape in the girl's locker room.

It turns out to be Mick (and Sara)--playing a mean joke on both Molly and his
mom. In a huge fight, it is discovered that Mick had found Laurie抯 journa1 from
20 years ago. He knows of her past and is fucking with her head. He really wants
to go live with his dad and it's his way of getting what he wants.

Keri, relieved, but still a mess, carries on. As they plan for that evening抯
Halloween festival. Darkness falls.

ACT TWO - THE HALLOWEEN FESTIVAL

The school is enclosed behind tall gates. An electric gate with guardhouse sits
at the entrance.

In the guardhouse, sits an older, female GUARD. Hattie is her name. She pretty
much runs the place in matters of security. Several bus loads of boys comes riding
through. They抳e come, dressed in costume, to party with the girls.

Moments later, a car pulls up to the gate. She checks the monitor. There抯 no one
behind the wheel. She steps outside.

Through the gate, she sees the idling car just sitting in front of the school. She
doesn抰 know what to do. She opens the gate and walks through. She checks out the
car. There's no one there. The trees rustle nearby. She takes a look, spooking
herself. It is, afterall, Halloween. She doesn't see Michael Myers pass through
the open gate.

She returns to the guardhouse. It has an entrance on either side. She phones the
local authorities when Michael appears in the open door behind her. She turns just
as he disappears. There is a huge cat and mouse, involving the two doors and Hattie
and The Shape as they follow each other around until Hattie meets her end, stabbed
through the heart.

Keri, pissed at her son, punishes him, making him stay in his room for the rest of
the day and night. Sara sneaks in and they have sex.

The new and improved Molly (the result of her make-over) charms a few guys at the
dance. One, in particular, puts the moves on her. He抯 a studly guy with one
thing on his mind. He talks her into going for a walk.

Meanwhile, Sara is done with the sex thing and now she wants to go to the
dance. Mick is feeling bad about what he did to his mom and doesn抰 want to disobey
her. Sara takes off ,without him.

Molly gets caught in a compromising situation with stud-boy. He puts the moves on
her. She shys away just as the Shape appears--Molly thinks it's a hoax till he kills
the guy. Molly takes of running.

Sara arrives at the dance in full swing. She starts to flirt.

Molly runs to Keri--in her office. She tells her what's going on. Keri calls the
police. All the lines are dead. They go to the gruard gate--discover the gates won't
open. They抳e been rigged closed. They're trapped. Keri and Molly return to the
dance in search of a cellular phone. (They know Sara has one--she had it earlier)

At the dance, they don抰 want to cause a panic. They get the phone and call the
police. Keri is surprised Mick isn't at the dance--she was sure he would disobey her.

Keri, with Sara's cell phone, calls the local police--they start up the mountain to
the school. It抯 a long way. Keri enlists Jake's help to help evacuate the
school. Then, Keri goes for Mick.

Jake figures out how to unlock the gates. They load kids into buses and sends
them out. Keri is attacked by the Shape. Mick arrives to save her. They run.

The police, while travelling up the mountain, discover a severe car crash in a tunnel
that blocks their path to the school. It will take hours to clear the tunnel. When
they finally do, the police discover that three people were killed in this car
crash--further inspection reveals those three victims?throats were slashed.