House on Haunted Hill
EDDIE
-- of this place, goddamnit, Pritchett!
PRITCHETT
Yes.
Pritchett drains the last drops of his tumbler of Scotch.
PRITCHETT
Alcoholic coma, if you hurry.
He starts to pour another --
-- Eddie swats both glass and bottle out of his hand; they
SHATTER on the floor. In this tension-packed room, the sound
is magnified a hundred-fold. Blackburn all but jumps out of
his skin.
BLACKBURN
Jesus H. Christ!
PRITCHETT
Oh dear.
BLACKBURN
(to Eddie)
If you don't calm the hell down I'm
gonna strap you in for electro-shock!
EDDIE
(waving his pistol)
How you gonna manage that with a new
blow-hole in your dome?
SARA
Hey, if everybody's gonna kill each
other, could you do it in another room?
I'm trying to get something accomplished
here.
We see that Sara's sitting at a desk in the room, fiddling
with the innards of Melissa Marr's camcorder.
EDDIE
What the hell good is fixing that
gonna get us?
SARA
An answer, I hope: exactly what -- or
who -- Melissa was taping.
EDDIE
And then where are we?
BLACKBURN
Put it this way: if it's your face on
that tape, Mr. Moses, we're one gunshot
away from solving all our problems --
EDDIE
-- fuck you!
SARA
I got it! Something, anyway...
The room goes silent -- on the PLAYBACK SCREEN on the side of
the CAMCORDER, an erratic, wildly rolling IMAGE can be seen.
Everyone present, Pritchett included, starts gravitating
towards Sara and the desk. She hits the STOP button on the
Camcorder.
SARA
The motor's working, but the tape's
pretty much D.O.A. -- I could only
rewind it back a couple of feet. Don't
blink, this is probably the first and
only showing.
She punches PLAY. And we see on the
CAMCORDER'S PLAYBACK
soundless: a vision of free flight -- the lens capturing
what it saw as it dropped to the ground: a wild, herky-
jerky, ass-over-teakettle melange of --
WALL/CEILING/MARY'S HAIR -- and, finally: FLOOR as the
lens smacks TILE, fractures into a starburst of cracks,
topples onto its side. And through this veil of JAGGED,
SPIDERY LINES, we see:
MARY'S HAND drop into frame -- lie still for a moment --
and then start VIOLENTLY SPASMING, as a BLOODSTORM starts
spattering it from O.S. Until the color of her flesh can
no longer be seen --
A METAL CRUNCH is heard from inside the CAMCORDER, and the
image on the screen goes to BLACK.
INT. MAIN SALON - CONTINUOUS
No one moves -- they're all frozen there, staring at the dead
screen. Beat. And then: the sound of light APPLAUSE is heard.
Heads turn towards its source, and we see:
EVELYN STOCKARD-PRICE leaning against one of the walls, her
hands slowly, almost angrily CLAPPING. She doesn't speak,
she seethes:
EVELYN
Game, set and match, Steven. You've
outdone yourself. And I know it's not
good manners to ask the magician how he
did it, but inquiring minds are
desperate to know: just what did really
happen to Ms. Marr?
PRICE
Asking the wrong person again.
EVELYN
I mean, did she stage it all for you and
then go hide -- or did you just flat out
kill the little bitch --
PRICE
-- I pose you the same question --
EVELYN
-- and who's next on your list?
PRICE
If I had one, Evelyn, I think you know
who'd be first and last --
EVELYN
-- oh, for chrissake, that's a given;
we all know that knocking me off is the
bottom line here --
PRICE
-- that wasn't my original plan, but it
is starting to look more attractive --
EVELYN
-- thank you! All the cards finally
on the goddamn table!
She produces one of the Glocks and points it at him.
EVELYN
Just know I'm not gonna make it
easy for you. We still don't know the
answer to the Million Dollar Question --
-- Evelyn fires the gun into the wall just to the left of
Price's head. It smashes a hole there the size of a fist.
PRICE
Jesus!
EVELYN
Question answered.
PRICE
They weren't loaded when I put
them in there!
EVELYN
Funky little house, ain't it?
(turns to the Guests)
Friends, your hostess is now going to
retire for what's left of the night. If
you need me, I'll be in the bedroom
upstairs -- but try and fight that need:
the door'll be locked, I'll be trying to
sleep, and if anyone so much as breathes
in the keyhole, I'm gonna empty this
thing into their fucking head. Thank you
all for the bestest birthday a girl
could have.
She walks away and begins climbing the stairs. Price turns to
the guests to see that every eye in the room is staring at
him -- and not without fear. Price is astonished, then just
shakes his head with disgust.
PRICE
Even if I were inclined, I've had better
-- and a lot safer -- opportunities to
kill off a wife.
BLACKBURN
Three times, to be exact.
PRICE
Excuse me?
BLACKBURN
Accidents. Fatal. Each of your
prior wives, so we've been informed.
PRICE
Can't imagine by who. I don't suppose
the truth would interest you: that I've
never had another wife but Evelyn.
No response, just looks of confusion.
PRICE
Married. Once. Same woman. All these
years. She just slithered up the stairs.
EDDIE
Prove it.
PRICE
Prove it how?
Sara strides to the coffin-cabinet and withdraws one of the
Glocks.
PRICE
And what are you planning on doing
with that?
She cocks it.
SARA
I just decided a million bucks is
worthless if you ain't around to spend
it. There is a way out of this place,
and I'm gonna either find it or create
it.
(to Eddie)
Coming or staying?
Eddie looks at his options: Price, Blackburn & Pritchett --
or Sara.
EDDIE
Yeah, what the hell, I'll go.
BLACKBURN
Yeah, me too.
Blackburn takes a gun from the coffin and cocks it.
SARA
More the merrier.
BLACKBURN
No. I'm going back to try and find Ms.
Marr. If she's hurt, I'll tend to her.
Dead, then I'm coming back for him.
He glares at Price and exits in the opposite direction.
Long beat. Price stares at the befuddled Pritchett who seems
to be having a quiet conversation with himself.
PRITCHETT
I think...I may have the answer.
PRICE
What?
PRITCHETT
I remember...it was a long time ago...my
father said: when the House was finally
completed, make sure...we-christen-it-
with-this-bottle-of-dirt-cheap-champagne-
that-should-still-be-in a cupboard
somewhere!
Pritchett is out of his chair extremely fast for someone with
a near-lethal blood alcohol level. As he makes his exit, he
grabs one of the last Glocks. Turns sheepishly to Price:
PRITCHETT
Nothing personal.
He chambers a shell and exits. Beat. Price is alone in the
room.
PRICE
Evelyn, goddamnit -- !
INT. SMALL GRIMY ROOM - JUST AFTER
-- and bursts through the hinged panel into computer
central, shouting:
PRICE
-- Schecter, how is she pulling
this off!?
Schecter doesn't turn, all his attention focused on the
computer screen, his fingers stopped dead in the their tracks
upon the keys as though suddenly terrified by something.
Price looks at the computer screen. Two words typed there:
Someone Else
PRICE
What does that mean?
Schecter stays frozen. Price is beside himself:
PRICE
Schecter, what the hell does it mean??
He whips Schecter around in his swivel chair -- and comes
literally face-to-face with -- a Man who no longer has a
face! It's like someone took a giant melon-baller to
Schecter's head, scooping out everything -- just leaving the
rind that's the interior wall of his skull. Well, mostly
everything: there's still bits of bloody brain pulp hanging
from the bone. Needless to say: he's dead.
Price turns away, gagging in horror -- and his eye is
caught by a flash of motion in a --
VIDEO MONITOR -- the one trained on the Main Salon
A FIGURE (VANNACUTT) DRESSED ALL IN WHITE standing by the
sideboard, looking up into the CAMERA -- a strange
stainless-steel device in his hands that looks half-
surgical saw/half-speculum. Something dark and wet dripping
from its knife-sharp edges.
PRICE
Someone else. Not Evelyn --
Price's Eyes jump to --
VIDEO MONITOR - THE ONE TRAINED ON THE BEDROOM
-- plain as day, there's Evelyn under the covers.
Price's eyes dart back to the SALON MONITOR -- the Figure in
White is no longer there. But Price catches a flash: the door
to the corridor just swinging shut! Price jumps to his feet
and tears-ass out of the small room, screeching:


文章评论
共有 位人人英语网友发表了评论 查看完整内容