House on Haunted Hill
EXT. ROLLER COASTER - MOVING - DAY
Kirsten and Benny in the rear car, wild with delight --
-- until they see the front car derail, snap free from
theirs, and go hurtling into mid-air. Screams of panic heard
from the People in that car as they plummet to their deaths.
Kirsten screams with horror, Benny retches, as their car
continues to zip along the track and out of our sight.
EXT. AMUSEMENT PARK - DEPARTURE DOCK - DAY
PRICE
Problem where? Looked good to me.
SCHECTER
"Dummy 6" keeps losing his arm.
PRICE
So disengage his Flail Arm Mechanism
and just make him a screamer.
VOICE ON PHONE (EVELYN)
Steven!!
PRICE
(back into phone)
Here, dear -- with a suggestion --
INT. ROLLS ROYCE LIMOUSINE - TRAVELING - SIMULTANEOUS
Evelyn is livid, as she listens to Price on the phone:
PRICE (V.O.)
-- forget it. Last birthday the Manson
Family Ranch, the year before that:
Jonestown.
EVELYN
Oh. You think this is a request. Well,
think again. I'm telling you: "Haunted
Hill" is exactly where we're having my
party this year. You'll find the guest
list on your desk by the time you get
back --
INT. PRICE'S OFFICE - NIGHT
CLOSE ON a two-page document with the title "Guest List."
It's being turned into spaghettini by a large document
shredder.
PAN OVER TO - Steven Price typing mile-a-minute on a
computer, talking to himself as he inputs his own Guest
List.
PRICE
You want it, Precious, you got
it: the party of your very short
goddamn life.
A tentative DOOR-KNOCK heard O.S. behind him:
WOMAN'S VOICE (O.S.)
Uh, Mr. Price? The Dreamworks people
are getting a little...antsy.
PRICE
Tell 'em I'm right there.
He mouses his cursor up to a box marked "SEND", the list
disappears, his hard drive starts chugging, and he gets up
from his chair and exits. CAMERA remains on the working
screen.
Beat. And then a SHADOW flashes across the screen for a
moment.
Another beat. And the sound of clicking computer keys is
heard. A "message box" appears on screen:
ARE YOU SURE YOU WANT TO DELETE guestlist.doc?
The Cursor clicks on YES. ZAP! A blank screen. And then the
keys start clicking again, and we see a new Guest List being
typed in.
Starting with the name:
Ms. Jennifer Jenzen
Executive Vice-President of Marketing
Paragon Pictures
MATCH CUT TO:
EXT. FILM SET - DAY (WE NEED TO RE-WORK THIS SCENE FOR
LOCATION)
The name "Ms. Jennifer Jenzen" etched in gold-leaf cursive on
the top of a small CHROME AND ONYX-INLAID CUBE.
WOMAN'S VOICE (O.S.)
Gorgeous.
PULL BACK - and we see MS. JENZEN -- a rodent-eyed, thin
lipped 30-something Exec who only needs "Screaming Bitch"
stamped on her forehead to complete the picture. She's
sitting staring at the Cube, the elegant paper it came in
torn to shreds on her desk.
JENZEN
So what the fuck is it?
She's addressing her "assistant," a lovely, but harried-
looking young Woman of 19, SARA WOLFE.
SARA
I don't know, Ms. Jenzen.
JENZEN
Well, who's the damn thing from?
SARA
(shrugs)
Messenger just dropped it off.
No return address.
JENZEN
You didn't think to ask?
SARA
I was in the middle of --
JENZEN
-- being utterly fucking useless,
what else is new.
Sara's face flushes with anger, but she keeps her cool.
SARA
There's something there on the side --
She's pointing to a small, SILVER CRANK jutting out of one of
the Cube's sides. A legend is etched beneath it:
Rotate Once To Operate
JENZEN
I'm aware of that.
Well, she is now, anyway. She twists the crank and a tinkling
music box-like TUNE begins to play: Lennon/ McCartney's
"Birthday," but in 3/4 time, like some schizoid Viennese
waltz.
JENZEN
It's not my goddamn birth --
-- and she stops herself in mid-word as, suddenly: the top
of the Cube pops open like a jack-in-the-box! And, slowly,
like it's on some mini-hydraulic lift, ANOTHER CUBE,
identical to this one, starts to inch up into view --
-- which has its own tiny SILVER CRANK in its side. But
etched beneath this one is a warning:
Do Not Rotate Under Any Circumstances!
Without a nanosecond's hesitation, Jenzen reaches out her
hand --
SARA
-- I wouldn't --
-- and turns the smaller crank. Beat. Nothing happens.
JENZEN
-- no kidding: that's why you're
making ten bucks an hour and I'm --
-- and BANG! A SKELETAL ARM comes FLASHING OUT from the
smaller cube and SLASHES HER FINGER with a RAZOR!
JENZEN
Jesus!!
-- it's no more than a paper cut, but it's bleeding and it
hurts -- and then they both see written on the tiny razor:
Learn To Follow Instructions!
Sara can't help herself -- lets loose a little snort of
laughter. Jenzen goes ballistic, smashes the lid shut on the
Cube.
JENZEN
You think this is fucking funny??
SARA
No, no, it's just --
JENZEN
-- well, here's a better one: you're
fired.
SARA
What?
JENZEN
And here's your goddamn severance!
She slams the Cube hard into Sara's hands.
CUT TO:
INT. SARA'S CUBICLE - JUST AFTER (WE NEED TO RE-WORK THIS
SCENE FOR LOCATION)
The Cube sits in a wastebasket next to the desk that Sara's
angrily cleaning out. She's SLAMS her entire blotter into the
trash -- which hits the Cube's crank and starts the music
playing again. Sara, startled, looks over -- and sees:
AN ORNATE IVORY-COLORED CARD - begin to ascend from the
Cube. It starts with the words:
Now Try And Follow These:
And then all we see are Sara's wide, growing-wider, eyes as
she reads the rest.
SARA
...wow....WOW! Hey, Ms. Jenzen -- ?
JENZEN (O.S.)
Are you still fucking here??
Sara starts to flush with anger again -- and then stops, a
small smile coming to her lips as she continues to stare at
the card.
SARA
On my way out. Thanks for the
valuable parting gift.
She snatches the ivory card and stuffs it in her purse.
SMASH TO:
INT. HEARSE #1 - MOVING - NIGHT


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