House on Haunted Hill
And then, simultaneously, we hear the same beep-beep-beep
from the three cellular phones and see the same flashing
message on their LED screens: "No Service - No Service - No
Service."
PRICE
Must be those plates -- interfering
with the signal somehow.
PRITCHETT
Not the plates: the House. Why is no one
listening to me?? It's alive! And once
it's made up its mind, it won't let
anything out.
EDDIE
So, what? You're saying we're stuck
here the rest of our lives?
PRITCHETT
A cleaning crew's supposed to arrive
at 9:30 tomorrow morning -- I think
the power of the house fades at dawn.
EDDIE
-- well, let's hear it for small
miracles --
PRITCHETT
-- but I imagine we'll all be mutilated
beyond recognition by then.
MELISSA
Goodbye, bad times -- hello, Prime Time!
She starts shooting tape again -- everything and everybody.
SARA
There is something seriously screwed-up
going on here, and I don't believe it's
about ghosts --
WOMAN'S VOICE (O.S.)
-- oh, it sure ain't, sweetheart.
Heads turn: walking slow, smug and regal down the great
staircase into the foyer is EVELYN STOCKARD-PRICE, her coat
discarded, her neckline loosened -- she realizes she's here
for the night.
EVELYN
Take a bow, Steven, you've outdone
yourself tonight -- scared holy hell
out of even me.
BLACKBURN
If that's the fact, Price, okay, you've
had your fun -- now open the goddamn --
PRICE
-- asking the wrong guy -- wasn't me
who closed it.
EVELYN
Sure it wasn't. Hey, anybody else here
make their living with thrills'n'chills
for the kiddies? Don't raise your hands
all at once.
PRICE
Huh. And here I had a completely
different theory.
EVELYN
Really? Well, let it rip.
PRICE
Oh, no-no-no -- much more bang for
everyone's buck to nail the bitch --
EVELYN
-- the sadistic prick --
PRICE
-- in the act.
SARA
Uh, excuse me? Don't think I'm not
having the time of my life watching
this train wreck that's your marriage --
but this isn't what I had in mind... I
want to know that we can get out of here
if we need to.
PRITCHETT
Believe me, we need to.
SARA
Pritchett, this "lockdown" thing --
it's gotta have like a master control
-- you know machinery, gears, whatever --
somewhere in this place?
PRITCHETT
The basement -- but, believe me,
you don't want to go down there.
SARA
No, you don't want to go down there. I
am going down there. And I'm going to
find reverse on this thing and floor it.
PRITCHETT
You'll never find it, it's a maze down
there.
SARA
Well, that leaves you with two options
then, doesn't it: either show me where
and maybe we get out of here -- or it's
spend-the-night-sleep-tight.
Pritchett leaps to his feet.
PRITCHETT
It's actually very easy when you
know the way.
EVELYN
A word of advice, honey? God knows what
kind of freak-outs Steven's got set to
spring in this place. If I were you, I'd
bring something to protect yourself
with. Baby, don't you think now's the
time to I break out your "party favors?"
Price suddenly looks uneasy.
PRICE
What are you talking about?
EVELYN
Must be getting old, Stevie -- you're
repeating yourself -- this is the exact
same set-up you used for the Son-Of-Sam
Hunt back in '94.
(to Sara)
Girlie, open up that casket there
and see what you find.
Sara glares at her, but does as she's told: goes to the large
ebony casket that supports Evelyn's BIRTHDAY CAKE. Sara looks
back at Evelyn suspiciously... then sets the cake aside and
lifts the lid.
Inside that, seemingly free floating in space, are SIX MINI-
COFFINS -- no more than eight inches long, their doors
likewise propped open, revealing inside each a gleaming new
GLOCK 9mm AUTOMATIC. Each pistol black gunmetal in color, of
course.
EVELYN
Ooooh, nice: firearms this time.
MELISSA
The warped factor here just gets
bigger and bigger.
EVELYN
Steven's sense of humor just makes you
want to bust a gut, don't it?
SARA
I'm in stitches.
Sara takes one of the guns and attempts to eject the
magazine. Nothing happens. She looks:
SARA
The clip's been welded shut.
EVELYN
On all of them, probably.
Evelyn takes one of the pistols and points it at her husband.
EVELYN
So how's a girl to know if these
things are loaded, baby?
PRICE
Only one way I can think of, Sweetheart.
Tense beat, ala Eastwood and Hackman staring each other down
at the end of "Unforgiven." Then Evelyn lowers the gun.
EVELYN
No. I think we'll let the young
lady have first crack.
SARA
I don't want a gun, I just want
out. Let's go, for God's sake.
PRICE
I'll meet you down there.
EDDIE
(to Sara)
Take the gun.
Sara takes the pistol from Evelyn, and Pritchett
unenthusiastically beckons Eddie and Sara towards a hallway
leading to the basement. Price trots towards another door off
the Salon.
EVELYN
And where are we off to, Mr. Price?
Check the wiring on the animatronic
Mummies?
PRICE
A simple leak, if it's okay with you.
And he disappears down the hall. Melissa Marr jams a
cigarette in her mouth.
MELISSA
Wow...
She flicks her lighter, sparking a flame to life --
SMASH TO:
INT. BASEMENT STAIRWAY - JUST AFTER
-- a flurry of crackling SPARKS showers Watson Pritchett as
he twists the '20's vintage knob light switch. He leaps back
with a frightened yelp.
We see a brief BURST OF LIGHT from the ancient sconces on the
walls, revealing a series of moldy, cobwebbed and rubble-
strewn basement gallery, and a series of five glass cases
filled with the mummified remains of human bodies... One very
odd human figure rides upon a mummified horse.
INT. BASEMENT GALLERY
An odd multi-walled gallery from which five corridors lead
out, extending like the spokes of a wagon wheel --
-- and then every LIGHT down there SHORTS OUT with one loud
SIZZLING POP! Total darkness. Beat.
PRITCHETT'S VOICE
Y'know, this'd actually be funny -- if I
didn't know for a fact I'd be pleading
for a quick, painless death in the next
few seconds.
SARA'S VOICE
Could somebody please just gag him
or something?
Sara reaches into her bag and pulls out the flashlight
Pritchett gave her earlier.
EDDIE
You're a handy little thing to have
around.
Suddenly, a terrible cracking sound is heard above Sara's
head. She aims her light at the large beam overhead. Just
then, the beam gives way. Eddie pulls her away just in
time.
SARA
And you're not really as large and
useless as you seem.
EDDIE
I'm better than that.
SARA
Don't push it.
She thrusts the flashlight into Pritchett's hand.
SARA
Now take us where this damn thing's at.
INT. SMALL GRIMY ROOM - SIMULTANEOUS
Price bursts through a hinged panel and whisper-shouts to
Schechter behind the computer/video console.
PRICE
-- hey! Next time give me a couple
seconds notice before you wing a gag
like that!
SCHECTER
The lockdown thing.
PRICE
I mean, not that it didn't give Evelyn
the kind of coronary I had in mind,
just...
SCHECTER
-- it wasn't me.
PRICE
Rewind that.
SCHECTER
I was just sitting here -- it happened.
I had nothing to do with it.
PRICE
Then who did??
SCHECTER
No idea. I didn't even know the damn
thing still worked!


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