HUDSON HAWK

                             MINERVA
               Alex.  How's it going?

                             ALEX
               Go, go to Hell, to Hell.

     Minerva pulls out a candy bar and rips it open.

                             MINERVA
               Where's your insulin....No?  Well,
               Bon Appetite.

     Minerva savagely slams Alex's head down and shoves the
     candy bar in his mouth.

     THE HALLWAY

     Hawk moves closer and closer to the darkness of the
     hallway when a one-eyed and bleeding George Kaplan dives
     out of the Art Treasures room and tackles him.  Hawk
     kicks him off...

                             HAWK
               Oh, come on....

     THE BALLROOM

     Alex gulps down the last of the candy bar, shivering.

                             MINERVA
               Very good, Alex, but you re
               still alive....

     She pulls out another candy bar.  Alex, with a last
     burst of strength, punches her across the face.

                             MINERVA
               That's fair.

     THE LONG HALLWAY

     Hawk and Kaplan lock onto each other's throats.

                             HAWK
               Why does this have to be so hard...

                             KAPLAN
               Tell me about it...

     Suddenly, of all things, a car is heard rumbling in the
     darkness.

     Hawk and Kaplan stop fighting and turn to see THE MAY-
     FLOWER LIMOUSINE screeching out of the darkness with
     Darwin standing out of the sunroof firing a gun.

     Bullets fly around them.  From his back pocket, Hawk
     slaps the nice picture of him and Little Eddie into
     Kaplan's hands.

                             HAWK
               Take this to Hell with you...

     Hawk jumps up and grabs a hanging lamp.

     Deranged with confusion, Kaplan turns from the picture
     to the charging limousine.

                             KAPLAN
               My pension.....

     The driving Alfred smiles through the windshield.

     Kaplan's body slams into a vivid somersaulting crash
     into the windshield.

     Hawk's hands burn and sizzle on the hanging lamp.

     Passing beneath, Darwin raises up his gun.

     Hawk lets go of the lamp and drops down on Darwin,
     locking his legs around his neck and crushing him
     down into....

     THE BACKSEAT OF THE LIMOUSINE

     Hawk and Darwin grapple on the floor of the limo.  The
     Da Vinci helicopter model bobs on the backseat.  Darwin's
     gun goes off..

     right through Alfred's throat.  He slumps over, pressing
     down on the accelerator.

     THE LIMOUSINE

     blasts down the hallway, sparking off the wall, and
     bashing off paintings and mirrors.

     THE BACKSEAT

     Darwin flicks on his paper shredder and shoves the side
     of Hawk's hand into its teeth.

     OUTSIDE THE LIMOUSINE

     A mist of blood coughs out of the shredder vent and makes
     a weird bloody line across the wall.

     INT. BACKSEAT

     Hawk yanks his hand from the shredder and grabs the meg-
     lomaniac by the hair and shoves his head down on the
     arm rest.  Hawk turns on the piercing siren and Darwin's
     eyes try to escape his head with a high pitched scream.
     Darwin's entire body bucks wildly.

     Darwin back-elbows Hawk and moves down for his gun.
     Hawk pulls him back by his hair, grabs him by the balls,
     and pushes him upward through the sunroof.

                             DARWIN
               God-damnit, I only wanted to
               destroy the world in my own image.
               I'm a regular Joe...

     Darwin pounds his fists on Hawk's head as Hawk hits the
     sunroof switch sliding it shut on Darwin, pinning
     his arms below the roof, but leaving his torso twisting
     in the wind.

     The mural of a happy Lenin with his arms outstretched
     looms ahead waiting to greet Darwin.

     Putting two and two together, Darwin loses it....

                             DARWIN
               Not Lenin, anybody but Lenin.  God,
               let's talk abut this.

     The limousine charges through the double doors and Darwin's
     body connects with the mural.

     INSIDE THE LIMO

     Hearing the crunch, Hawk flips into the front seat and
     brakes the vehicle.  Alfred's head bounces against the
     steering wheel.  Hawk reaches over with a grin and picks
     up the Da Vinci model.  He looks to Alfred, Kaplan
     crunched in the windshield, and Darwin's dangling legs.

                             HAWK
               Wow, this is really gonna hurt the
               resale value...

     THE BALLROOM

     Hawk runs up to a woozy Anna and helps her up.  She has
     a cross-shaped blood stain on her forehead.

                             HAWK
               Oh, honey....

     Hawk looks to Alex, sitting on the stairs, the same way
     he left him.  Hawk rushes to him.

                             HAWK
               We did it man, we...

     Hawk grabs Alex's shoulder.  Alex falls back.  Written
     over his face in red lipstick is REALLY DEAD.

     Engaging a slow motion sequence, Minerva saunters behind
     Anna, putting on red lipstick.  Minerva slams her back
     to the ground.

     Hawk howls then turns to see stiff-upper-lip Alfred,
     bleeding from the neck.  Hawk tries to throw a punch,
     but Alfred blocks it and crunches him across the face.

     The Da Vinci helicopter model bounces down the stairs
     in slow motion and cracks open, revealing the intricate
     mirror of the opening scene.

     INT. DARK ROOM ATOP MAYFLOWER MUSEUM--DAY

     A damaged Hawk awakens in a dungeonish room and stumbles
     to some shutters.  "O Solo Mio" returns on the sound-
     track as the shutters open to a postcard view of Vinci.

     Hawk closes the shutters and cuts off the music.  A
     slightly more composed Anna touches his shoulder causing
     him to jump slightly.  They melt into a kiss.

                             ANNA
               Oh Hudson...

                             HAWK
               I told you not to call me Hudson.
               The only people who called me that
               were the nuns at...

                             ANNA
               Oh Hudson, I'm a sister of the
               Catholic church as well as an
               agent.

                             HAWK
                       (cut-off laugh)
               This is too bad to be false.

     Alfred enters the room in his favorite outfit with a
     bandage around his neck.  His voice is strange, but still
     polite.

                             ALFRED
               Welcome back to Vinci.

                             HAWK
               Last rites, sister?

                             ANNA
               Please, no nun jokes...They're a
               bad habit to get into....get it?

     Hawk and Anna unconvincingly laugh then sadly pause.

                              HAWK
               She killed Alex.

     Alfred gives them a push.