HUDSON HAWK
A malevolently snobbish British Butler, ALFRED, enters in
distaste. He makes a stressful glance to three VANITY
FAIRS on a coffeetable that has a photo of a MAGNETIC
HUSBAND-WIFE-DOG COMBO with the caption: MAYFLOWER POWER.
Hawk notices this.
GATES
Oh, sorry Jeeves. Gates-arita?
ALFRED
I'll pass. May I?
Alfred takes the equestrian model and with a jeweler's
loupe, studies it carefully.
ALFRED
Ah, such craftsmanship. Leonardo
Da Vinci's last commission for the
Duke of Milan. Irreplaceable.
GATES
Hey, Mr. French, I'm delirious
for you. Now where's my cut?
With dignity, Alfred SMASHES the ancient horse over
Gates's head. Alfred rummages through the debris
REVEALING a perversely labyrinthine CRYSTAL PIECE.
(recognizable from Da Vinci's workshop).
GATES
You son-of-a......I don't believe
this! You come into my house!
Alfred pockets the goodies, but not before Hawk can give
them a confused peruse.
GATES
I ought to take Big Ben and shove
it up your limey blimey bunghole!
A blade slides down Alfred's arm. Half-yawning, he...
ALFRED'S 180 DEGREE POV
spins before Gates and the bystanders behind him.
THE BLADE goes back up Alfred's arm.
The room's only sound is the stereo's inappropriate
music. Gates shrugs but his voice is off.
GATES
Like I said. Where's my cu-u-...
Suddenly a line across Gates's neck turns red and blood
begins to gush like a tourist attraction. Gates crashes
down upon the table holding the punch bowl and the stereo,
sending it to the ground, cutting off the music. The Dog
Poker picture falls atop the carnage like a lid.
Blown away, Hawk tries to wiggle his way out of the
recliner. Alfred pats some stain remover on the blood
on his shirt.
ALFRED
So much for his "cut."
(post-chortle)
Excuse my dry British humor.
CESAR
(rising)
Lovely work, Alfred, taking the
Concorde back?
ALFRED
Indeed I am, Mr. Mario. I'm
really racking up those frequent
flyer points...
HAWK
I hate to interrrupt you two
lovebirds...
ANTONY
You know, I think Gates promised
Hawk a cut, too....
The Mario brothers cackle out. Hawk tries to flail out
of his chair. Alfred turns to him and flicks up his arm.
Hawk sees his life pass before his eyes until he realizes
Alfred is merely pulling him up off the chair.
ALFRED
Ta ta, Hudson Hawk.
HAWK
(breathless)
Too-do-loo, babe.
INT. ALEX'S RESTAURANT--DAWN
Hawk bursts into the bar. Alex sits on a stool, reading
the paper.
ALEX
Did I miss anything?
HAWK
Oh, not much. Gates just had his
tonsils taken out. The hard way.
ALEX
Geez, Gates was killed. Who do we
send the thank you note to?
Hawk does a combat jump over the bar and begins to fiddle
with the cappuccino machine.
HAWK
The Butler did it. Guy was a cross
between Alistair Cook and a Cuisinart.
Dude took Mr. Ed and humptied
dumptied it over Gates's head. He
said it was made by, get this,
Leonardo..
ALEX
(professorial)
Ah yes, a rare Renaissance piece.
Da Vinci's "Sforza," an equestrian
model of a never executed statue.
I consider it to be the prize of
tonight's auction of objets
d'equestrian. Horse things.
The cappuccino machine sparks. A perplexed Hawk takes
a couple extra seconds to back off.
HAWK
Okay, you got me, Mr. PBS.
ALEX
(holding up newspaper)
Morning edition. Seems two thieves
"attempted" to steal it last night,
but thanks to three "courageous"
guards, it will be ready for tonight.
HAWK
"Attempted." At-tempt-ted! I'm
not happy about having to steal
that horse, but I do have my
pride. Face it, when it comes to
burglary, and sex, I....
Hawk takes the newspaper. There is a picture of the
Three Security Guards in a cheery pose behind the
"Sforza." Hawk squints to see that Security Guards One
and Two are still wearing the thumbcuffs.
HAWK
Boing. Uh, this I don t understand...
ALEX
Why try?
HAWK
(hurdling the bar)
Because I'm tired of not
understanding things. Cops,
Mafia, and butlers forcing me to
bust my ass to steal something,
which it turns out I really didn't
steal--it's fucked up.
ALEX
(pulling back newspaper)
You re not thinking of going to...
HAWK
Alex, my man, it's time to play a
little offense. Where's your tux?
INT. RUTHERFORD'S AUCTION HOUSE--NIGHT
Dressed in a not-quite-fitting but suave tuxedo, Hawk
enters the now well-lit auction house auditorium (chairs
all set out). Bored WORKMEN in coveralls lug equestrian
items on to a podium from the familiar freight elevator.
ECCENTRIC BALD AUCTIONEER
...fan-taas-tic example of
Florentine marble... Who will start
at 160,000...160,000......180,000.
Someone raises their paddle as Hawk passes beneath the
hanging horses and finds an aisle seat near the stage.
Hawk scans everyone in the room before coming to the one
seated next to him, AN ENCHANTINGLY BEAUTIFUL WOMAN.
HAWK
All these years of attending auctions,
I still get goosebumps. The paintings,
the sculptures....the things that
aren't really paintings or sculptures...
THE WOMAN
.... the pretentious vultures who
don't even look up from their
calculators to see what they're
buying. Now that gives me
goosebumps. Auctions are
disgusting.
HAWK
I couldn't agree more. Savages.
The Woman laughs at his gear switch then catches herself.
ECCENTRIC BALD AUCTIONEER
Lot Fifteen, an equestrian sconce
attributed to the Cellini school..
AUCTION ENTRANCE
Big Stan, the hefty guard from the heist, enters the area
wearing a blue ribbon.
AUCTION AREA
Big Stan is walking in back of the seated bidders: An
oblivious Hawk in the foreground starts to scan VARIED
BIDDER-TYPES, raising their paddles to babble out dollar
figures; a GAUDY ROCK STAR and his GLOOMY-CHIC ENTOURAGE,
A KING FAROUK-TYPE with a BORED TEENAGE AMERICAN HOOKER,
and a scary NORDIC PRINCESS in a monocle and a tiara.
THREE STANDING ASSISTANTS frantically man a table of
phones set up down before the stage. One raises his
arm.
ECCENTRIC BALD AUCTIONEER
Sold! To the caller from
Newfoundland.
A STYLISH FEMALE ASSISTANT takes out an impressive replica
of the "Sforza" from the safe behind the podium and brings
it to the Auctioneer. The crowd a-a-hs... Hawk laughs
and shakes his head.
ECCENTRIC BALD AUTIONEER
And finally, Lot number 17,
thought to be lost in the war,
and again last night, the Da
Vinci "Sforza," the jewel of the
sale. Fan-taas-tic...
HAWK
(re: Auctioneer)
Is looking like a constipated
warthog a prerequisite to getting
a job in the art world?
ECCENTRIC BALD AUCTIONEER
There have naturally been questions
of its authenticity, so to verify
we have Doctor Anna Baragli of the
Vatican. Doc?
ANNA
(rising, to Hawk)
Some of us warthogs are more
constipated than others.
Hawk uneasily laughs as Anna makes her way up the stage
and pulls out a large magnifying glass. A look of
distress passes over her face. Hawk closes his eyes in
anticipation.
HAWK
Oh, the shit is going to hit the
fa--
ANNA
(suddenly serene)
Fantastic. Perfection. The
Vatican extends its jealousy to
the lucky bidder.
ECCENTRIC BALD AUCTIONEER
We'll begin the bidding at 82.5
million dollars. To you, sir.
Eighty-three, Ninety--your bid,
madame--Ninety point five.....
Hawk opens his eyes in confusion. He scans Anna coming
off the stage, gliding toward the phone table. Hawk
floats into the aisle, curling toward her as she picks
up a phone and murmurs into it.
DARWIN MAYFLOWER
lOO million clams, Francesco!
The crowd orgasms as Vanity Fair cover boy, DARWIN
MAYFLOWER works the aisle, playfully mussing up the
appreciative, tiaraed Princess's hair, giddily high-
fiving the Rock Star, and sloppily frenching the Hooker.
ECCENTRIC BALD AUCTIONEER
100 million dollars to Mr. Darwin
Mayflower.
Hawk turns to gaze at the enigmatically familiar figure.
Anna looks up from the phone to do the same. She
swerves her attention to the back-turned Hawk.
Darwin moves to one of two reserved empty seats as his
wife, Minerva, makes her entrance par excellahnce. She is
outrageously dressed with a mammoth Tiffany watch that
extends from her wrist down to, acting as a leash,
her obnoxious little dog, BUNNY.
MINERVA
Francesco, 100 million and one.
Darwin, to the crowd's delight, holds his struck heart.
DARWIN
Outbid by my own wench, quelle
bummere.
MINERVA
Poor baby..... Here, Bunny.
ECCENTRIC BALD AUCTIONEER
Fan-taas-tic, the bid is at 100
million and one dollars.
Commencing a slow motion sequence, Big Stan comes out
of the nearby office, zipping up his fly. He immedi-
ately scopes Hawk in the space before the stage.
The Mayflowers lower themselves into their seats with
devoured canary smiles.
ECCENTRIC BALD AUCTIONEER
Go-ing!
Big Stan pulls out his gun, untheatrically, as not to
cause a scene. Anna sees this and follows Big Stan's
eyeline to Hawk.
Hawk turns to re-pursue but stops dead at the sight of
the gloating Big Stan.
ECCENTRIC BALD AUCTIONEER
Go-ing!
Big Stan launches a gallop toward Hawk, who spins and
veers back round up the aisle.


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