HUDSON HAWK
Hawk looks up from the card. Kit Kat is gone, but
Butterfinger scampers in his place.
BUTTERFINGER
Hey, Mr. Hawk, I got those 72
stamps!
Sighing, Hawk takes the huge sheath of stamps.
EXT. INDOOR TRAIN TRACK
One of the small Vatican mail trains bullets across an
indoor track. The viewer's viewpoint whooshes to catch
up, focusing on a very large package, addressed to the
Pope, that has Hawk's sheath of stamps slapped onto it.
The train zips into a tunnel.
INT. THE VATICAN UNDERGROUND SUBWAY
The train rumbles into the Vatican mini-station. TWO
HARRIED WORKERS heave up the strange cargo onto a sorting
table.
A bell rings as a clock hits 10. The workers do a sigh
of relief. Shucking off their uniforms, they head out.
A hand rips out of the huge package.
INT. OUTSIDE THE CODEX ROOM--NIGHT
Hawk pops out of the secret passageway door and moves to
the mouth of the doorless Codex room. He pauses to
hand-comb his hair in the two large, framed mirrors at
the sides.
THE CODEX ROOM
Carrying the now frameless mirrors in each hand, Hawk
hustles to the top of the steps and suddenly stops.
HAWK
"Beware the Odd Steps."
Hawk crouches down and notices the step below him has a
clear magnetic tape running across it to a dime sized
alarm button.
HAWK
Why Kit Kat, aren't you a
gentleman...
Hawk bounds down every other one of the steps down to
where the Codex is bathed in a holy light.
He hefts up the two now frameless mirrors and puts them
each in a groove of a collapsible yardstick running
across the top. The parallel mirrors now face out from
each other. Hawk sprays a blast of Clairol to reveal the
light sensor beams, and then with a deep breath, he
thrusts the mirrors into the beams.
The light bounces harmlessly off the mirrors and Hawk
exhales. He balances the connected mirrors then crawls
through his tent-like passageway.
Hawk squirts acid from a biker's bottle on the cracks of
the rectangular glass case that holds the Codex. The
acid sizzles.
INT. VATICAN LIBRARY HALLWAY--NIGHT
A BURLY GUARD thoughtfully stares at a painting, fingers
propping his chin like an critic then continues ambling
on.
THE CODEX ROOM
Rubbing his head, Hawk gives an excited smile as the glass
cracks of the rectangular case loosen. Hawk pulls out a
pocket fisherman....
The viewer's viewpoint moves upward to reveal, through
the mouth of the room, the Burly Guard is coming down
the hall.
OUTSIDE THE CODEX ROOM
Burly Guard approaches the outskirts of the Codex room.
He combs his hair into the piece of wall in the now
empty mirror-frame then REALIZES.
Muttering Italian into his walkie-talkie, Burly Guard
rushes into the room and looks down to the sensor
deflecting mirrors.
He passes a statue, behind which, Hawk is revealed to
be standing.
Burly Guard approaches the Codex and sees the dripping
acid. He also notices a fishing hook attached to the
binding of the Codex. The fishing wire leads out of
the glass case. The Guard reaches to touch it when
suddenly the wire is pulled tightly upward by a
moving-out-from-behind-the-statue Hawk.
The Codex FLIES off its perch, setting off the ALARM and
sending the bizarre cage/lamp CRASHING DOWN and AROUND
the hapless Burly Guard. The green gas commences its
noxious billowing as the Codex swooshes into Hawk's
hands. He then hurls a softball, smashing a window
on the other side of the room.
The familiar Vatican Guard and a Guard Three barrel
down into the mouth of the codex room. Only one
Gas Mask drops from the doorway. The Vatican Guard
pulls it on and gives a "That's Life" shrug of
shoulders to the fainting Guard three.
Hawk puts on the missing gas mask and launches a grapple
around the ceiling cord of the dropped Ornate Lighting
Fixture. Hawk then Tarzans from one staircase to
another. He then ungrapples and heads toward the
shattered window.
The Vatican Guard waits a stunned moment before giving
chase.
EXT. THE ROOF
Hawk flings off his gas mask and begins a classical
skipping-across-the-rooftop jaunt. Suddenly a brick
on the slightly slanted roof gives way and Hawk FALLS.
His canvas bag goes skipping down across the roof,
landing against the antennae.
INT. THE POPE'S BEDROOM
A T.V. showing Mr. Ed. speaking to Wilbur in Italian
goes fuzzy. THE POPE, wearing his famous hat and a Notre
Dame bathrobe angrily bangs on it.
EXT. THE ROOF
Hawk harvests his grapple on the level part of the roof
and slides down toward the dangling-off-the-antennae bag.
The Vatican Guard pops out of the window and fires a
warning shot.
Hawk stretches to the bag. His fingers touch as the
Guard continues to bound forward.
HAWK
Please God, Please God.......let
the guard shoot me.
Hawk pulls up the bag and turns himself to see Vatican
Guard hovering over him on the roof.
VATICAN GUARD
The worm's on the other foot,
yankee noodle candy.
Hawk sees the Vatican Guard's foot move toward the
grapple. Hawk ferociously tugs, ripping the Guard
off-balance and knocking down a side of the roof.
EXT. TOP OF A NEARBY WALL
Hawk dashes atop a nearby wall and hurls his grapple
across a road around a tree branch. Hawk ties the end of
grapple line, tosses on a friction belt, takes a breath
and JUMPS OFF THE WALL. The viewer follows him on his
breathtaking ride.
The brused Vatican Guard flops back atop the roof. He
gets off a wild shot before crumpling back down.
HAWK
is alnost to the other side when the Guard's bullet hits
the friction belt. Hawk drops with a wild scream...
and lands with a painful straddle atop a street lamppost.
His eyes bug out with the thought of a life without
children. He slowly spins off the lamppost and sails
down upon...
EXT. A BUS
and the comfortable luggage housed on top of it. Hawk
tries to maintain his balance upon the wobbling
baggage, but the bus makes a quick turn and Hawk goes
flying off...
EXT. RIGHT INTO A CAFE CHAIR--NIGHT
Panting and discombobulated, Hawk looks across the table
to the female hands holding open a menu. The menu comes
down. It is Anna. Hawk unpretzels and laps his canvas
bag.
ANNA
Oh Hudson, I was worried you
weren't going to drop by....
HAWK
I never break a date. Scout's
honor.
Hawk does the honor sign with his black gloved hand
then quickly rips it off as a WAITER comes to the
table.
HAWK
Fettucini con Funghi Porcini.
WAITER
Bellissimo, signor.
HAWK
Oh, and could I have some ketchup
with that.
Anna hits her forehead with the palm of her hand while
the waiter's entire body sinks in disappointment. Other
TABLE OCCUPANTS sadly shake their heads.
EXT. ANOTHER TABLE--NIGHT
At a comfortable distance curled behind a heat lamp,
Snickers is being an Uglier American to an UNCOMPREHENDING
WAITER, while Almond Joy chuckles and Butterfinger spreads
butter over an entire baguette.
SNICKERS
Come on, Pierre, Steak-bur-ger,
Fren-n-ch Fries. This is France,
you gotta have French.....
ALMOND JOY
Actually we're in Italy, Snickers,
she said as if it made a difference.
The Waiter sneaks off. Butterfinger devours his bread.
SNICKERS
Italy, France, Moscow. They all
just wanna be Nebraska. Old Man
Kaplan thinks since Communism is
dead, we got nothing to do. Man,
Democracy isn't free elections.
We gotta teach the world that
Democracy is Big Tits, College
Football on Saturdays, Eddie
Murphy saying the word "Fuck"
and Kids putting their hands down
garbage disposals on "America's
Funniest Home Videos."
ALMOND JOY
Damn baby, when's the last time
you had a vacation...Jesus, I
gotta get out of this job. If
my Mom knew her daughter
assassinated the leader of the
anti-Apartheid movement....
SNICKERS
Quit bitching, you got the
employee of the month plaque for
that shit...Ah to be in Pari-is
and in love.
They look off to....
HAWK AND ANNA'S TABLE
Physically sarcastic, the Waiter brings a tall wine
basket with a bottle of ketchup in it. Hawk nabs it.
HAWK
This is bueno. They had the worst
ketchup in prison.....uh...
ANNA
Prison?
HAWK
I was the Warden?
ANNA
How long were you in?
HAWK
Let's just say, I never saw E.T.
ANNA
Wow, you were "in the joint."
"Doing hard time." It's funny,
but that excites me. I seem to
have a thing for sinners.
HAWK
I seem to have a thing for sinning.
sinning. Check please....
WAITER
Ah, anything for dessert?
ANNA
(she shoots)
Yes. Something to go.
HAWK
(she scores)
I'll bring the ketchup.
INT. ANNA'S HOUSE--NIGHT
The viewer's viewpoint pulls back, past the black canvas
bag on a table, to reveal a barefoot Anna is straddling
a bare-backed Hawk, demurely and tentatively studying his
bruises.
ANNA
What have you been doing?
HAWK
Uh....old badminton injury.
Anna giggles and bends to kiss a bruise. She stops
herself and opts for tickling.
HAWK
tickles, ticKleS, TICKLES.
ANNA
(not stopping)
Oh, I'm so sorry...
Roaring with laughter, they capsize onto the floor.
Hawk slithers around to devour her toes. Anna closes
her eyes and arches her back.....
She opens her eyes and sees a large crucifix staring
right at her. With a gasp, she rolls away from Hawk
and stands up, trying to brush off her sins.
ANNA
I'm sorry. I can't. I....
HAWK
(softly approaching)
Hey now, outside of a very
friendly dog this morning, it's
been a slow decade. I don't make
love every ten years, I get a
little cranky.
ANNA
It's also been a long time for
me. I--
Their heads fuse for a semi-classic screen kiss until
THE CRUCIFIX LIGHTS UP AND BEGINS SHOUTING IN ITALIAN.
HAWK
Catholic girls are scary...
ANNA
Somebody robbed the Vatican.
HAWK
Oh. No.
Anna slides on her shoes and makes a hasty retreat.
She bumps into the canvas bag. The Codex slides out.
They both catch it in mid-air. Anna's eyes pop. She
wrenches the Codex away and kicks. Hawk pulls her into
a compassionate back-against-his-stomach hug. The Codex
falls to the floor unharmed.


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