INNERSPACE
AL (VO)
If they wanted us out,
they must be up to something.
INSIDE - EXT. THE POD - LATER
AL TRAVELS TO JOE'S EYE.
EXT. NIGHT - KYOTO - JOE'S POV
A DARKLY WOODED TRAIL OUTSIDE RIUJI'S HOUSE leads to back alleys
and shrines. Stone gargoyles appear out of the mist. SOUNDS ARE
ENHANCED...PART OF THE TRAIL SEEMS TO GLOW DIMLY...TO THE LEFT.
AL (VO)
...To the left. To the left.
INSIDE - INT. THE POD
Al studies the MONITOR.
INSERT - MONITOR
The same wooded scene seen as an infrared scan...Warmer areas
show in lighter colors.HE SCANS THE INFRARED SPECTRUM through the
clear lens of Joe's eye.
AL
They passed this way,
the trail is warmer...Quietly now.
Joe and Al follow the residual heat trail to:
A SMALL CABIN
A workshop and Communications shack. Inside, RIUJI, GRUNER and
other suspicious men.
AL (VO)
Now, be careful.
The window he's leaning on swings in. Off balance, Joe topples
after it. He lands with a crash at the feet of the men. He takes
the table lamp with him, plunging the room into darkness.
SHOUTS and CURSES as everyone CRASHES into EVERYTHING.
JOE - on the floor, crawing.
AL (VO)
To the left, to the left.
Joe crashes into the wall.
JOE
Ow!
AL (VO)
A hard left. A hard left.
INSIDE - INT. THE POD
Al tries to guide him by infrared.
AL
Door to the right. Get up and run.
JOE (VO)
I can't see a thing.
AL
Neither can they.
OUTSIDE
Joe gets up and runs, blind.
INSIDE - INT. THE POD
Al sees the dim door grow closer. A figure enters and blocks it.
AL
Shit ! Look out!
OUTSIDE
At full speed, Joe tucks and hits a giant thug right in the
chest. They both go down. The lights go on...RIUJI and The others
stand over him.
FISTS IN THE GUT - JOE is slugged around. Strangely, it doesn't
seem to bother him.
JOE
What are you doing?
The giant thug, an "animal" looks down, smiles.
THUG
I'm beating the shit out of you.
INSIDE - INT. THE POD - AL
AL
Blocking pain impulses with
Endo-Morphins. You'll be alright.
OUTSIDE - JOE
doubles up under another blow.
JOE
I won't look so good.
Another thug takes up the conversation.
THUG 1
Hell, when we get through,
you'll look like him.
He indicates the "Animal". They all laugh...as RIUJI enters. Joe
leaps up and nails the Animal with a haymaker. He goes down hard.
The others start to close, but Ryuji stops them. He pulls a gun
out, holds it on Joe.
RIUJI
No. Never mind him, Where
is GRUNER?
THUG 1
No sign of him.
RYUJI
Keep looking.
The thugs depart. RIUJI's mood changes. He crouches close.
INSIDE - INT. THE POD
Al works on RIUJI's identity.
OUTSIDE - RIUJI -
RIUJI
Now, who do you work for?
JOE
What can I say?
AL (VO)
I'm working on it.
INSIDE - INT. THE POD
Al finds info in a NSA data bank.
AL
Here it is..(Japanese phrases).
OUTSIDE - JOE
RYUJI
Who are you? What do you want?
AL (VO)
(Japanese phrase)
JOE
What?
AL (VO)
Never mind, just say it.
JOE
(Japanese phrase)
RYUJI is taken aback.
RYUJI
How do you know that? CIA?
INSIDE - INT. THE POD - AL
AL
I think he deals in...
OUTSIDE - JOE
JOE
...you deal in stolen technology.
...from...Glomsui.
RYUJI
(Shows him ID)
I am GLOMSUI! Corporate Security.
AL (VO)
(denying it)
He was with Gruner!
JOE
You were with GRUNER!
RIUJI
(exasperated)
And now he's gone! What do you
think you're doing, stumbling
through this case. I almost had
the goods in my hand!
JOE
You know what he's got?
RIUJI
Whatever it is, he's
still got it.
JOE
You going after him?
RYUJI
I can't. He didn't do anything.
Thanks to you.
JOE
Why are you on to him?
RYUJI
We've had thefts of our new stuff
...GRUNER deals in this...
A big deal is going down now. I went
to see if GRUNER had anything to sell.
But he didn't make any moves...And
when you arrived, he backed off.
JOE
Why'd you invite me here?
RYUJI
Someone is selling. You followed us.
If it's not him, it must be you. If
it's not you, it must be him...
You scared him off.
JOE
What about the others.
RYUJI
I don't know.
Ryuji puts the gun away, Joe turns to go.
JOE
Would you have bought it from him?
RYUJI (inscrutable)
We don't need to steal anything...
EXT. HOUSE -NIGHT
RENE appears. There is a disarming dizziness about her.
RENE
You're leaving.
JOE
Food doesn't agree with me.
RENE
I'm leaving too.
JOE
Why?
RENE
This business is over.
JOE
I'm sorry. What will you do?
RENE
Go back to Tokyo. Try to get another
tour....You're following GRUNER?
JOE
I'm just on vacation.
RENE
Now, so am I...What's so
interesting about him?
JOE (blurts it out)
Why don't you come and find out?
INSIDE - INT. THE POD - AL
AL
No!
OUTSIDE -
RENE
Oh, I can't.
AL (VO)
Good.
JOE
I need a guide and you
need a client...and $1000.
INSIDE - INT. THE POD - AL
AL
No. You can't trust her.
OUTSIDE - Joe counts out fistfull of money.
JOE
You know where he went?
RENE
What's he done?
JOE
He stole something. From
a friend of mine.
RENE
He must be a good friend.
JOE
We're very close.
RENE
What'd he steal?
JOE
A chip. Goes in a computer.
RENE
One chip?
JOE
The most important one.
Can you help me find him?
RENE
(looks at money)
How do you know you can trust me?
JOE
Got to trust someone.
AL (VO)
Who says so?
RENE is skeptical, but fascinated.
RENE
I don't know. He mentioned a city.
JOE
What is it?
RENE
Hiroshima.
JOE
Get your things.
She runs into the house.
INSIDE - INT. THE POD - AL
AL
Hiroshima! She's going, with us?
Are you out of your mind.
JOE (VO)
Probably.
AL
I don't trust her.
JOE
Then why let her out of our sight?
Besides, she's all we've got...
OUTSIDE
She reappears, throws her bag in the car, hops in. Joe
gets in after her. She laughs at him...As they pull away.
JOE
You don't believe me.
RENE
Oh sure.
JOE
Then why are you smiling like that?
RENE
Lots of my clients are rich guys...
They like danger..like playing
with drugs and things...running
around, acting mysterious.
JOE
You think I'm like that?
She shruggs.
JOE
What's Gruner like?
RENE
They'd never talk in front of me.
They'd walk away up the beach.
Nervous about something.
JOE
Who was?
RENE
Ryuji and Gruner.
JOE
And Dieter.
RENE
Friend of Gruner. Just went
along for the party.
JOE
And you?
RENE
It was a good job. Not many ways
for a foreigner to make money here.
Ryuji hires me to organize business
meetings...take care of things.
Up Ahead - a dark Mercedes. A lone figure drives, Gruner. She
turns off her headlight, pulls in close behind the moving car.
HIROSHIMA - A PORT ON THE INLAND SEA - LATER THAT NIGHT -
Gruner's car pulls into a dockside warehouse. A figure emerges
and crosses to a gangway. The FIGURE boards a SHIP. Joe(Al) and
RENE watch from a distance.
RENE
I can't even see in this light.
How do you know it's him?
INSIDE - INT. THE POD - AL works the infrared monitor.
AL (VO)
It's him.
OUTSIDE
JOE
Come on.
RENE
Where we going?
JOE
Beats me.
INLAND SEA - THE BOAT IS A PLEASURE CRUISER
Crowded with tourists taking pictures of everything in sight.
TOPSIDE
GRUNER sits in the sun, listening to his Walkman as the islands
move by. Nearby, wearing a hat and dark glasses, Joe/Al tries to
stay close without being recognized. RENE slips into the seat
beside them.
RENE
This boat doesn't go anywhere.
Just toots around the Inland Sea.
JOE
Must be a pick-up, a rendezvous.
RENE
Then where's the chip.
AL (VO)
If you were going to smuggle a
chip, where would you put it.
She looks over to GRUNER, he has stripped to his shorts and
digital watch. He applies oil. JOE focuses on the Walkman.
AL (VO)
Plenty of circuits in a
Walkman...
INSIDE - INT. THE POD - AL
AL
I've got an idea.


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