NATURAL BORN KILLERS
MCCLUSKY
That'll never happen.
MICKEY
It is happening.
The Caravan marches forth. Wayne and Duncan keep shouting their
mantras. Nobody dare to move on them.
Wayne stops his speech to take a breath.
MALLORY
Don't stop!
Wayne starts up again.
The Deputies are completely frustrated. Mickey and McClusky are
nose to nose.
MCCLUSKY (to Mickey)
I will personally hunt you down, blow the head
off your fucking-whore-wife, and plant your
sick ass in the ground all by myself.
MICKEY (cool)
Another day perhaps, but not today, Warden.
Mickey leaves FRAME.
McClusky looks like he's going to pop his cerebral cortex. He
begins a heart attack.
Mickey and all exit the building.
The Warden, bucking with pain, looks up the Corridor where Mickey
and Mallory have just come from. What he sees is his worst
nightmare.
Coming right at him are a HUNDRED ANGRY PRISONERS, shotguns,
sticks, numbchuks, razors, broken chairs waving, climbing over
the corpses of their fallen comrades, withstanding the hail of
fire from the Guards -- reaching for Dwight McClusky who is
lifted over their heads, having his heart attack, moved from hand
to hand like at a rock concert, then all we see are the tops of
his shoes as he is held upside down and torn to pieces.
CUT TO:
EXT. WOODS - DAY
A fogged moment of light strikes film and settles into an ECU of
WAYNE -- gasping a little too dramatically from his wounds.
Mallory's pointing the camera at him; she's laughing at what he
says.
The Scene that follows intercuts a normal format with cinema
verite style shot through the video camera. Sometimes the lip
sync is off.
WAYNE
This is Wayne Gale -- unfortunately no longer
"live." I'm wounded and all my crew is dead.
MALLORY
Look up, look at me. That is so good.
WAYNE
Mickey Knox's plan worked. We walked out the
front door, into a news van, and made our get-
away. When we were followed by patrol cars,
Mallory Knox killed Deputy Sheriff Duncan
Homolka and tossed his body out the back.
The wind is blowing through the pine trees above. Insects buzz.
A vee of wild geese fly overhead honking, heading north for the
summer.
WAYNE
Mickey told authorities over my police band
that I would surely be next if they didn't give
up the pursuit. Why helicopters weren't
employed, I don't know. My only thought is
that it all happened too fast for arrangements
to be made. We've just pulled off to the side
of the road to do this interview. Tensions run
high --
Mickey screams O.S.
MICKEY (O.S.)
We ain't got all fuckin' dayl
WAYNE
Without any further ado, Mickey and Mallory...
Wayne takes the CAMERA from MALLORY, while MICKEY, his wounds
like Mallory's taped, paces in and out of FRAME; in the BG,
gradually leaving frame, is OWEN.
WAYNE (O.S.)
Mallory, what did you think of Mickey's plan?
Did you think it would work?
MALLORY
Well, it wasn't 'till we got to that ground
floor that I totally realized they weren't
gonna shoot 'less we shot first. When we got
out of the stairwell, I remember thinkin: 'Oh
my God. This just might work.' But Mickey knew
it would work all along. There wasn't any
doubt in his mind.
WAYNE (O.S.)
What did you think then?
MALLORY
I wondered how long it would be before we'd get
to be alone together. And I wondered if I
could wait that long.
WAYNE (O.S.)
Did you have anything to do with the riot?
MALLORY
We had nothing to do with that riot. That riot
was just -- whatchamacallit --
Mickey can be heard faintly in the BG.
MICKEY
Fate.
MALLORY
What he said. We just didn't know jack shit
about any riot. How are we supposed to organize
a riot when we've been in fuckin' isolation for
the past year, Wayne? Just bleep out the fucks
and jack shits. Fuck, fuck, shit shit.
(laughs) I mean it's not like we care...If
they wanna say we masterminded the whole thing,
let 'em. It won't exactly keep us up at night,
Wayne. But the truth is...it was fate.
WAYNE
...and Fate it was!...and this is "American
Maniacs."
Mickey's snapping his fingers in the B.G.
MICKEY
C'mon, c'mon, let's hurry this up.
WAYNE (O.S.)
So, what's next?
MALLORY (holding Mickey's hand)
Well, now me and Mickey are gonna take it easy.
Just enjoy each other's company...
MICKEY
Gotta go...
WAYNE (O.S.)
Wait! But how do you intend to disappear? You're
probably the most famous couple in America.
MALLORY
Well, back in slave times they had a thing
called the underground railroad. And we got a
whole fan club out there just waitin' to be
conductors (to the camera) So, you kids out
there, keep the faith. Cause Mickey and
Mallory will be comin' to your town real soon.
WAYNE
So...
MICKEY
Okay, end of interview.
Mickey approaches Wayne. CAMERA goes a little haywire as Wayne
lowers it.
WAYNE
Okay, just let me swing around and film myself
asking the questions. And then I'll do my
little wrap up and we're off.
Mickey takes the CAMERA from Wayne, and while he speaks, he
balances it on a fence post.
MICKEY
Oh, we're gonna do a little wrap up, all right
Wayne. But it won't be you starin' in the camera,
lookin' dumb, and actin' stupid. Instead, you're
gonna be starin' down the barrels of our shotguns
and we're gonna be pullin' the triggers.
Wayne forces a chuckle. Mickey steps away from the CAMERA and
into a THREESHOT. Actually a FOUR SHOT with Owen there at first,
but again he slides out. The NEWS VAN is parked in the EG.
WAYNE
That's a joke right?
Mickey pumps the slide on his shotgun. Mallory grabs her shot gun
from off the ground.
WAYNE
Just wait one fucking minute.
MICKEY
I said I'd give you an interview. Now unless
I'm mistaken, we just did an interview
(to Mallory)
We did an interview, didn't we?
MALLORY
Looked like an interview to me.
WAYNE (sincere)
Wait! I don't know, but I kinda felt during
this ...this whole escape that a kind of bond --
(Wayne is shaking)
...developed between the three of us. We're
kinda in this together, don't ya think?
MICKEY
No. Not really. You're scum Wayne. You did it
for ratings. You poured gasoline on the fire.
You didn't give a shit about us or about
anything Wayne except yourself. That's why
nobody really gives a shit about you Wayne.
That's why they didn't deploy helicoptors!
WAYNE
Mickey! What about the Indian?
MICKEY
What about him?


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