NATURAL BORN KILLERS
MCCLUSKY
What the hell happened?
SCAGNETTI
I was born and spent the first part of my life in Texas.
MCCLUSKY
You don't have an accent?
SCAGNETTI
I don't wanna talk like those assholes.
MCCLUSKY
My mammy was from Texas.
SCAGNETTI
I meant y'know, the assholes I grew up with who
beat the shit outta me...Anyway, one day when I
was five, my mother took me out to play in the
park. Well, that just so happened to be the
same day that Charles Whitman climbed up to the
top of University of Texas tower and started
shooting strangers.
MCCLUSKY
You was with her?
SCAGNETTI
Sure was. You see, the thing is I didn't hear
the shots. I didn't hear any of 'em. One
minute I'm walking with my mother and then all
of a sudden her chest explodes. She hits the
ground, right? I'm just lookin' at her. Her
forearm flies off. Then her hip explodes.
Now, I'm not hearing any of these shots. All I
know is my mother is falling apart in front of
my eyes...
MCCLUSKY
What about you, son?
SCAGNETTI
Some hero grabbed me and threw me behind a
bush. It took them all goddamn day to get
Charlie. So, that meant I spent all Goddamn
day lyin' flat on the grass, being eaten alive
by fuckin' ants and thinkin' "What the fuck
happened to my mom?" Ever since I've had a
strong opinion about the psychopathic fringe
that thrives today in America's fast food
culture. I tend not to exhibit self-discipline
becoming of a peace officer.
MCCLUSKY
You got a right Jack. Say, you don't mind,
d'you, if I call you Jack--?
SCAGNETTI (ignores the question)
Not at all. But I tell you what it is. These
fucks think they're special -- Daddy yanked
their dicks, Momma never game 'em a hug -- so
they have carte blanche to take innocent life.
(McClusky nods intensely)
They think they're invincible. I never caught
a killer yet who ever dreamed he might get
caught. And they all look the same when I
catch 'em -- like little kids with their hands
in the cookie jar.
MCCLUSKY
That's my observation as well. We have an army
of shrinks who talk about mania and
schizophrenia and multiphrenia and obsessions.
But it's all bullshit. It's Pride! Arrogance!
Somewhere, somehow they get the idea they're
better than everyone else -- it makes me sick.
And Mickey and Mallory Knox are the sickest
I've ever seen.
INT. DINING AREA - DAY
They walk through the spotless dining area. The PRISONERS eat
silently, each one more uptight than the one before him.
The Guards on the catwalks above sense something in the air,
nervous, nodding to the Warden who makes AD LIB INQUIRIES as he
moves.
MCCLUSKY (to prisoner)
Y'all right.
WURLITZER (nervous)
Don't go down that corridor, chief.
McClusky changes direction.
KAVANAUGH (whispers)
Not there either, boss.
MCCLUSKY waits.
SCAGNETTI (shrewd)
So why me, Dwight? What's this really about?
MCCLUSKY
You feel the silence, Jack! The silence in the
air?
SCAGNETTI
...yeah?
MCCLUSKY
The one thing you don't want in prison, Jack,
is silence.
Camera coming to rest on a huge BLACK INMATE. He's not eating.
He's not chewing. He's not blinking. The inmates on either side
of him look like they might shit their pants.
The MAN he's looking at is nervous, jacked up on speed.
NERVOUS MAN
Don't focuking you look at me, motherfucker!
The Black Guy goes for him --lunging across the table with a fork
aimed at the jacked up guy's throat.
But McClusky beats him to the punch -- twisting a personalized
medieval instrument of torture -- a thumb cracker or something,
over the inmates' fingers -- breaking them backwards.
The Black Inmate's face shows the agony he is feeling. As he
finally releases the fork.
GUARDS now surround the TWO PRISONERS and cart them away.
As McClusky renews his walk with Scagnetti, reinvigorated by the
incident.
MCCLUSKY (to Guards)
Put him in F Block for the month. Then bring
him to me.
SCAGNETTI (impressed)
Jesus Dwight! You should be on "American
Gladiators."
MCCLUSKY
...30 minutes every day, just shake and roll it.
(shaking his body tai-chi style)
...doesn't take much...someone goes for you,
you go right for the throat Jack!
(feints for Scagnetti's throat with a flat palm)
...a chop that paralyzes...you know I got an
office I'm gonna show ya Jack, it's so good I
don't wanna go home at night. I got a
secretary 23 fuckin' years old.
WURLITZER
Yolanda Bingham.
MCCLUSKY
Got an ass on her like...
KAVANAUGH
...two perfectly round scoops of vanilla ice
cream.
MCCLUSKY
My coffee cup...
WURLITZER
...which says The Boss on it,
MCCLUSKY
...might as well be a bottomless pit.
KAVANAUGH
She puts the fuckin' waitresses at Sambo's
shame.
WURLITZER
And we ain't talkin' lukewarm water poured over
old grounds.
MCCLUSKY
So, tell me why would I want to leave paradise
to come down here and breathe this air and
smell the smell of a bunch of losers?
(pauses, holds Scagnetti's eye)
Cause of you, Jack...
(indicates the prisoners)
Mickey and Mallory did this to 'em. Got my
whole prison worked up.
WURLITZER
Like sharks to chum bait.
MCCLUSKY
Smell of blood drives 'em nuts.
WURLITZER
80 percent of these assholes are violent offenders...
KAVANAUGH
We're over 200 percent capacity.
MCCLUSKY
This ain't a prison anymore Jack -- it's a timebomb.
SCAGNETTI
So ship 'em out.
KAVANAUGH
Nobody wants 'em
WURLITZER
No state!
MCCLUSKY
I'm even talkin' hellholes where the warden's
hard as a bar of iron. No one wants these
assholes behind their walls, dealing with 'em
WURLITZER
Day in
MCCLUSKY
Day out.
SCAGNETTI
So fry 'em.
MCCLUSKY
Fuck we tried! And each fuckin' time they kill
somebody new we got to start the whole legal
process all over again.
WURLITZER
It eats up two to three years.
KAVANAUGH
Mickey is fuckin' diabolical.
MCCLUSKY
He knows...
INT. WOMAN'S CELL BLOCK - DAY
MCCLUSKY
What's his name?
KAVANAUGH
Pete.
MCCLUSKY
Pete, open it up. We got a visitor for the song
bird.
A BUZZER sounds. A door clanks open. Soon as it does we hear a
FEMALE VOICE singing "Walking after Midnight" by the Cowboy
Junkies.
SCAGNETTI
So, sounds like a hemorrhoid you can't get rid
of, Dwight.
MCCLUSKY (smiles)
Even hemorrhoids can be cut out Jack. That's
why we're shipping 'em for testing to Nystrom
with you.
SCAGNETTI
Nystrom? Lobotomy Bay?
MCCLUSKY
Vegetable land. Home of the criminally insane.
SCAGNETTI
That hasn't been done in years.
MCCLUSKY
We got a first stage ruling. It won't stick
with all these asshole do-good shrinks around,
but it gets them under your control for a few
hours.
SCAGNETTI
Yeah? And then...?
MCCLUSKY
The public loves you Jack...youre a celebrated
lawman. You busted "M&M." Twenty six years on
the force, a bestseller out in paperback.
WURLITZER
A modern day Pat Garret with a deadly axe to
grind with maniacs...
(Scagnetti puffing up)
MCCLUSKY
You're a livin' breathing icon of justice and
that's why you were chosen to deliver Mr. and
Mrs. Knox. We -- the Prison Board -- we know
that once you get 'em on the road...if anything
should happen...
WURLITZER
an accident
MCCLUSKY
a fire
KAVANAUGH
an escape attempt
ALL
...anything...
MCCLUSKY
Jack "Supercop" Scagnetti would be there to
look out for his public's best interests.
SCAGNETTI
I'm getting the picture here.
MCCLUSKY
...and of course nobody in their right mind
would cry for those two pigfuckers if they
happened to take some lead. A lotta lead.
(Scagnetti thinking)
You write the script, Jack, call it "Showdown
in Mojave: The Extermination of Mickey and
Mallory," I don't give a shit ... I'll give you
my two best men (indicating) Kavanaugh and
Wurlitzer. (corrects their names and faces).
WURLITZER
We got a special dislikin' for these punkolas.
MCCLUSKY
Have we found our man?
Hold on Scagnetti as he walks up to Mallory's glassed cell --
very white, very medical. Inside we hear singing. An old
friend. Still fascinating to Jack.
MCCLUSKY
...So here she is...you know her, you love
her, you can't live without her...Mallory Knox.
INT. MALLORY KNOX CELL - DAY
MALLORY (a year older) sings.
MALLORY
"I go out walkin' after midnight
in the moonlight just like we used to do."
MCCLUSKY
Hey Knox! Somebody out here wants to meet you.
MALLORY
"I'm always walkin' after midnight
searchin' for you..."
Mallory just keeps on truckin.
MALLORY'S POV: We stare at MCCLUSKY and SCAGNETTI for a second.
Then, like a bull, we charge/DOLLY straight at them. Mallory
screams O.S. We SMASH headfirst into the bars. Mallory's POV
flings up, looking at the ceiling, then falls backward.
MEDIUM TIGHT SHOT of floor, Mallory falls into FRAME, out cold.
CU on Scagnetti through the cell bars.
SCAGNETTI
Jesus Christ!
CAMERA PANS to McClusky smiling.
MCCLUSKY
Don't worry about it. She does it all the time.
BACK TO: Mallory on the floor, still unconscious with blood
trickling out her scalp.
MCCLUSKY (O.S.)
Follow me.
SCAGNETTI
So, uh...where do you keep the other half, Warden?
McClusky walking through ANOTHER DOOR.
MCCLUSKY
We got his stinkin' ass in the deepest, darkest
cell in the whole dungeon. But it just so
happens we can't see him right now. Cause he's
got a special visitor.
SCAGNETTI
Who's that?
MCCLUSKY
Wayne Gale.
SCAGNETTI (surprised)
Wayne Gale! That TV scumbag.
MCCLUSKY
We call 'em "Media," Jack. Why, you don't like
the media?
SCAGNETTI
A worm in my blood stool's got more attraction
to me. This guy lives to fuck cops over.
MCCLUSKY
Can't say no to the media. You want the job
Jack? Then come say hello.
INT. JAIL -- SPECIAL VISITING ROOM - DAY
WAYNE GALE, the young, energetic commando journalist is testing
a small tape recorder, accompanied by a FEMALE ASSISTANT, JULIE,
and TWO GUARDS. His Australian accent on, he manages to include
everyone in his monologue. Including his face -- which he likes
to bounce off every reflecting surface he sees, continually
checking himself. A natural-born narcissist. A BLACK INMATE is
working in the room.
WAYNE (sympathetic)
How ya doin' brother? Doin' some hard time?
What you in for?
INMATE
Murder.


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