RELIC
ON MARGO... she starts, then remembers Pendergast.
MARGO
Mr. Pendergast! I found it.
No answer. She turns, tries again, louder.
MARGO
Pendergast! Over here --
Her voice catches as she stops and sniffs the air. A STENCH rolls over
her. She covers her face, backs up, holding her breath.
MARGO
What the...
She steps directly into a nasty statue of the Tibetan lord of the
Dead. Margo starts, steadies the statue. The room is silent once more.
But then, unmistakably... she hears it. An odd rustling sound. Slow.
Deliberate. Maddeningly soft on the thick carpet. And another wave of
THE SMELL. Margo looks in the direction she came, down the long dark
hall. Her voice comes out a bit frightened as she calls...
MARGO
Pendergast?
(no answer)
Who's there?
But now she freezes. At last she's truly scared. A shadow, black
against black, is gliding stealthily towards her, moving over the
display cases and grinning artifacts!
Margo stands stock still, her eyes on the shadow. She lets out a small
gasp of shock. She can't believe her eyes. It defies reason. Slowly,
she backs up. She slips quietly through the exhibit and out the other
side. In the next room she pauses again, listens... now hearing a
distinctly animal, SNUFFLING SOUND!
Something large is TRACKING HER! There's no doubt.
Overcome by a blind panic, Margo turns and runs. She passes through a
display on mythical creatures, disappears down another winding dark
hall.
Behind her comes...
THE POUNDING OF SOMETHING IN A HEAVY, LOPING RUN! Whatever it is, it's
charging after her! She turns another corner. And another, tearing as
fast as she can! But now the walls up ahead are narrowing, leading to
... a DEAD END!
Margo slams up against a locked door with a window of glass. The hall
features displays of terrifying totem poles. All around the ghoulish
carved faces seem to leap out! She pounds on the door but it's
useless. She's trapped. And the thing is coming behind her! It's just
around the last bend when it stops! Silence again envelops her. She's
afraid to turn. She can hear HEAVY BREATHING, and something like a low
growl! Reflected in the glass of the door in front of her is the long
dark hall. Margo starts as a face appears IN THE REFLECTION...
The image is wavering and unclear. It's a large, hulking form behind
her! TWO GLOWING SLIT GREEN EYES in the dark! Margo SCREAMS as the
thing leaps forward, hitting one of the totem poles. Margo sinks to
the ground, unconscious. At last we hear Pendergast calling as
darkness falls.
PENDERGAST
Dr. Green! Dr. Green!
DISSOLVE TO:
INT. SUPERSTITION EXHIBIT - NIGHT
ON MARGO... lying on the carpet. There's a large, nasty bump on her
forehead. The totem pole is on the floor beside her. Leaning over her
is PENDERGAST. Margo starts to sit up. Pendergast gently restrains
her.
PENDERGAST
What happened?
MARGO
I don't know.
PENDERGAST
I heard you calling and I ran after
you, but you kept disappearing and I
couldn't keep up.
MARGO
(she touches her forehead)
You were behind me? Running after
me?
Pendergast nods. As Margo rises he tries to help her but she waves him
off, collecting her thoughts.
MARGO
It's okay, I'm all right. I remember
now... It was an animal. Something
large! I could smell it. It was
hunting me. I saw two green eyes in
the dark.
PENDERGAST
Where did you see it?
MARGO
Behind me. Over there.
Margo turns and points behind her to...
A large NORTHWEST COAST INDIAN MASK. It's carved out of wood in a
horrible grimace, inset with two glowing green eyes. Pendergast sees
it too, says nothing.
MARGO
That's not what I saw.
PENDERGAST
All right. If you're positive.
She leans against the wall, touches her forehead, panic overcoming her
again.
MARGO (CON'T)
I can't think straight at the
moment. I know how crazy this seems.
Please, Mr. Pendergast, I need some
fresh air. Could you get me out of
here?
EXT. ROTUNDA FRONT ENTRY - EXHIBIT - NIGHT
THREE COPS including MCNITT, RODRIGUEZ and ROGERS prepare to enter the
exhibit. All are armed. Margo watches as Pendergast gives them
instruction. She appears rattled and confused.
PENDERGAST
Stay in formation together. Take it
room by room. Check for footprints,
any signs of disturbance. If you see
or hear anything the least bit
suspicious, I want to know.
He points to DOYLE, an older red-haired cop who takes up a post
outside the exhibit. Pendergast hands Doyle his walkie talkie.
PENDERGAST
Bailey's going to be in the guard
house outside. Officer Van Dorn is
right down that hall. When McNitt's
done, he'll relieve you.
Doyle nods. Pendergast and Margo walk out.
EXT. MUSEUM - NIGHT
Margo and Pendergast exit. The cold air is like a slap in the face.
PENDERGAST
Dr. Green...
MARGO
I didn't imagine it. I know what I
saw. Are you sure there are enough
men in there?
PENDERGAST
They're all heavily armed.
MARGO
(stops)
All right. This is hard for me. I'm
a scientist. I like order and logic.
Sometimes too much. There's got to
be an explanation. There can't be an
animal in there. But I saw
something.
PENDERGAST
What was it?
MARGO
I don't know.
(she has a thought)
Mr. Pendergast. Do me a favor. Get
me a DNA readout on that claw.
DISSOLVE TO:
EXT. MUSEUM - NIGHT
All is quiet.
INT. MUSEUM FRONT - EXHIBIT FRONT DOOR - NIGHT
The doors to the exhibit are closed. Doyle looks at his watch,
impatient. It's almost eleven now. He pulls out his walkie talkie.
DOYLE
Bailey? Doyle here. I'm still
waiting outside the exhibit. Where
the hell is McNitt?
BAILEY
Should be there any minute. They
came out a side door a while ago.
Said the exhibit's clear. McNitt's
headed back to spell you.
DOYLE
I'm on double over-time, man.
BAILEY
I know. You can go home if you want
to. I'll come relieve you myself.
Doyle shuts off his walkie talkie, frowns. He fidgets, looks at his
watch once more.
DOYLE
What the hell.
He turns, takes off the walkie talkie and leaves it, but then he hears
something, stops. It's a low SCUFFLING from inside the exhibit, coming
from behind the closed doors. Doyle freezes, turns.
DOYLE
McNitt?
No answer. Doyle pauses. His hand goes to his gun for reassurance as
he hears a footstep and a muffled thump. He moves to the door of the
exhibit, opens it and takes a step inside.
DOYLE
McNitt? Cut the crap. I know it's
you. You're not scaring me. Come on.
Silence meets him. The shadows of the exhibit loom. Doyle takes one
more step inside, scanning the darkness with his gun. Does he hear
BREATHING? He freezes. Yes, he does. The hair on his neck rises and he
loses the spit in his mouth. He takes a step backwards, but he's half
a second too late. The door SLAMS BEHIND HIM and a HUGE DARK FORM
LEAPS OUT!
INT. EXHIBIT ENTRANCE - NIGHT
Officer MCNITT enters from a side corridor, zipping up his fly. The
hall is still. McNitt checks his watch, sees Doyle's walkie talkie and
turns it on.
MCNITT
McNitt here. I'm outside the
exhibit. All's quiet. But I don't
see Doyle.
BAILEY (OS)
He called a minute ago looking for
you. He starts vacation tomorrow and
he wanted out. I said you were on
the way. He could split.
MCNITT
Well he's gone.
BAILEY (OS)
Any sign of a green-eyed monster?
MCNITT
(chuckles)
Nope.
McNitt shuts off the walkie talkie, settles at his post.
INT. SUPERSTITION EXHIBIT - NIGHT
In the blackness a large shape is MOVING QUIETLY, dragging it's prey
across the floor. We move in on the lifeless form of DOYLE. His face
is rigid with terror, his eyes frozen, open wide. The last thing we
hear as the hulking form heads back into the darkness, is the SNAPPING
of Doyle's skull.
DISSOLVE TO:
EXT. MUSEUM - DAY
Signs announce that the Superstition Exhibit opens tonight. The museum
is back in business, but not many people are going in. A crowd lingers
at the margins, pointing at the building. Several hold a copy of the
POST with a graphic photo of the bloody floor by the circular stair.
INT. CUTHBERT'S OFFICE - DAY
Cuthbert stands by the window of his palatial office, looking out at
the scene below. His face is pinched with worry. Slumped in a chair is
Lieutenant D'Agosta. Pendergast surveys some paintings on the wall.
PENDERGAST
I had no idea the Museum had a
complete collection of Piranesi's
Forum sketches.
CUTHBERT
If you like them, they're for sale.
Another day like yesterday and half
the collection will be on the block.
PENDERGAST
I've read about the Museum's
financial troubles.
CUTHBERT
We've been operating in the red for
years. That was the whole idea
behind the Superstition Exhibit. It
was designed to pull people in.
We've spent every penny we have on
advance publicity, betting
everything on the opening's success.
If we postpone at the last minute...
No. I don't want to think about
that.
D'AGOSTA
(chews on his toothpick, mild)
We all love the museum. I come here
myself with my kids. We're trying to
work with you.
CUTHBERT
I appreciate that.
PENDERGAST
If the party goes forward, and
that's a big if... I've arranged for
a large police presence.
CUTHBERT
Do they have to wear uniforms?
PENDERGAST
Yes.
CUTHBERT
I don't want to scare people.
PENDERGAST
I understand. But Mr. Cuthbert,
we've got bigger problems. Depending
on what we find today, we may have
to shut you down.
Cuthbert looks grim.
INT. PHYSICAL ANTHROPOLOGY LAB - DAY
D'Agosta examines the huge centrifuges, autoclaves, electrophoresis
apparati, monitors, computers etc. as Margo and Greg Kawakita look at
the claw.
KAWAKITA
What do you make of it, Margo?
MARGO
It's not mammalian, that's for sure.
I think it's reptilian.
PENDERGAST
That would jive with what we got
from the preliminary DNA read-out.
Here, have a look.
He hands them a computer read-out. Margo checks it quickly as Kawakita
looks on.
MARGO
According to this, twenty-five
percent of the claw DNA is
unidentifiable, about a third is
homo sapien, and the rest is
Hemidactylus Turcicus.


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