Requiem for a Dream
SARA
The television.
WOMAN ON PHONE
(off-screen)
What television?
SARA
I don't know. I want to find out.
WOMAN ON PHONE
(off-screen)
Hold on a second.
64.
Then, a loud shudder! The fridge is vibrating. Sara
doesn't know what to do.
ANOTHER WOMAN ON PHONE
(off-screen)
Can I help you?
SARA
I want to speak to Lyle Russel.
ANOTHER WOMAN ON PHONE
(off-screen)
Who's that?
SARA
He called me and said I was going
to be on a show and --
ANOTHER WOMAN ON PHONE
(off-screen)
Just a minute. I'll connect you
with the programs department.
Sara waits as the phone rings and rings and the fridge
continues to vibrate unnaturally.
THIRD WOMAN ON PHONE
(off-screen)
Can I help you?
SARA
I want Lyle Russel.
THIRD WOMAN ON PHONE
(off-screen)
Lyle Russel? Are you sure you have
the right number?
SARA
He's putting me on a show.
THIRD WOMAN ON PHONE
(off-screen)
A show? What show?
Still on the phone, Sara slowly walks over to the fridge.
THIRD WOMAN ON PHONE
(off-screen)
I'm afraid I don't understand. If
you can't tell me --
65.
SARA
He called me and said I'm going to
be on TV and he sent me papers. I
sent them back a long time already
and I still don't know when --
THIRD WOMAN ON PHONE
(off-screen)
Oh, I understand. Just a moment.
Some more clicks. Sara can barely stand. As she gets to
the fridge, it slowly stops vibrating. Sweat is building.
FOURTH WOMAN ON PHONE
(off-screen)
Can I help you?
Carefully, Sara examines the fridge. She's having a hard
time talking.
FOURTH WOMAN ON PHONE
(off-screen)
Hello?
SARA
Lyle Russel.
FOURTH WOMAN ON PHONE
(off-screen)
Who?
SARA
Lyle Russel?
FOURTH WOMAN ON PHONE
(off-screen)
Are you sure you have the right
department?
And then, suddenly, the entire fridge quakes violently!
Sara drops the phone and runs to her bedroom. On the phone:
FOURTH WOMAN ON PHONE
(off-screen)
Hello? Hello?
CUT TO:
INT. MARION'S APARTMENT - LATE MORNING
Marion expectantly watches Harry on the phone. Harry hangs
up.
66.
MARION
Well?
HARRY
Tyrone hasn't found anything.
MARION
Nothing?
HARRY
Nothing.
MARION
What are we going to do?
HARRY
I don't know.
MARION
Well, you have to do something.
It's your fault we don't have
something for the morning.
HARRY
What are you talking about?
MARION
You were all hot in the biscuit to
get off last night.
HARRY
That's all bullshit.
MARION
You didn't have to and we could
have had something now.
HARRY
Whatta am I gonna do? Just sit and
watch you push off and not go myself?
MARION
Then, just don't put all the weight
on me, that's all. And leave me
alone.
Pissed beat.
HARRY
I'm gonna go meet Ty.
CUT TO:
67.
INT. TYRONE'S CLOSET
Harry and Tyrone open the shoe box. They grab the last cash
in it.
HARRY
Don't worry. We'll fill it up
again, man. Things'll get better
soon, then we'll be puttin' the
bread back in the box.
CUT TO:
EXT. CITY STREETS - NIGHT
Harry and Tyrone wait by a payphone on an abandoned street
corner.
HARRY
I gotta call my mom. I just don't
know what to do with her.
TYRONE
Ahm glad ah doan't have no one
laying that kind of heavy motha
shit on me, Jim. You honkies are
too much with that guilt shit.
HARRY
Krist, you ain't kiddin', man. I
sometimes think we'd be better
without moms.
TYRONE
Ah doan' know, man. Mah mom died
when ah was eight, but I remember
she was one groovy woman. She have
seven kids, Jim, an she was all big
like an' all the time singin' and
smilin'. She have a big chest like
this and she used to cuddle me,
Jim, an' ah remember how good it
felt in there an' how sweet she
smell. You know, she sing an' it
make you feel good all ovuh, jus'
like dope.
Small laugh in the freezing cold. Then, a Snot-faced Dealer
rounds the corner and nods to Tyrone.
INT. SARA'S APARTMENT
The phone rings! Sara sticks her head out of the bedroom.
68.
She looks at the fridge. It's quiet and still. She sneaks
to the lazy chair and flips on the TV.
Then she answers the phone.
HARRY
(off-screen)
Hey, Ma. How ya doing?
SARA
(scared)
Oh, Harry.
HARRY
(off-screen)
I wanted to say hello, and that
I'll visit soon.
Suddenly, the fridge hops, making a smashing noise. Sara
sinks into her chair. Sara lets out a small scream.
HARRY
(off-screen)
Ma? You --
SARA
Can you come now? For a little
while?
HARRY
(off-screen)
Ma, I'm tied up. I got a lot of
irons in the fire and I have ta be
around to take care of'em.
The fridge hops again.
SARA
(at fridge)
Stop it!
(to Harry)
Not even a little visit? Please,
Harry. Come over.
HARRY
(off-screen)
Hey, Ma, will you lighten up and
stop playin' those guilt games with
my head?
The fridge shakes and quivers like it's laughing.
69.
SARA
Please, Harry...
CUT TO:
INT. CITY STREETS - SAME
Harry takes a deep breath into the phone. Tyrone rounds the
corner, smiling.
HARRY
(into phone)
Look, Ma, I don't want to hassle
you, okay? I loveya and I'll see
you soon. Take care.
SARA
(off-screen)
Harry, it's all confusing and --
Harry hangs up and the two of them rush off.
CUT TO:
EXT. UNDER THE BOARDWALK - NIGHT
Flick, sizzle, snap, suck, slap, rush, sigh...
TYRONE
So you want to hear the news?
HARRY
What news?
TYRONE
The good news and the bad news.
HARRY
Shoot.
TYRONE
The good news is that in a couple
of days they'll be prime on the
streets.
HARRY
(psyched)
Really!
(suspicious)
Who told you?
70.
TYRONE
Angel says Sal the Geep has sent
word to let go a couple a keys for
the Christmas season, he being a
good Christian an' not wantin'
anybody to be wantin' during this
glorious season.
HARRY
You believe it?
TYRONE
I didn't until I heard the bad news.
HARRY
Yeah...
TYRONE
The price is doubled and you have
to cop for weight, at least half a
piece.
HARRY
How much?
TYRONE
Two.
HARRY
Fuckin' insane!
TYRONE
What you gonna do? The man ain't
goin' to lay no nickel bag on you,
thas foe damn sure.
HARRY
Where we gonna get two?
CUT TO:
INT. MARION'S APARTMENT
Marion can't believe what Harry just suggested.
MARION
You mean Arnold?


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