Requiem for a Dream
HARRY
I don't know why I do those things.
I don't really want to do them. It
just sort've happens, I guess. I
don't know. It's all kinda goofy
somehow, but I really do love ya,
Ma, and I want you to be happy so I
got ya a brand new TV set. It's
gonna be delivered in a couple a
days. From Macy's.
Sara squeals, but Harry wards her off with his hands. She
sits down, grins and grinds her teeth.
SARA
Oh, Harry, you're such a good boy.
Your father would be so happy to
see what you're doing for your
poor, lonely mother.
Harry leans over and gives her an honest, open and perfectly
beautiful kiss.
SARA
You see that, Seymour? You see how
good your son is? He knows how
lonely his mother is living all
alone, no one to make her a visit...
Harry feels pretty good as he listens to his mother until
something puzzles him. He stops hearing his mother and now
he suddenly hears some other, strange sound. What is it?
He looks around until he looks at his mother. Suddenly he
is filled with surprise, disbelief and confusion.
The noise he hears is his mother's teeth grinding.
TIGHT ON Sara's mouth. Harry leans across the table.
HARRY
Hey, Ma, you droppin' uppers?
SARA
What?
HARRY
You on uppers?
(getting angry)
You're on diet pills, ain't ya?
48.
Sara is suddenly stunned. She's completely bewildered.
SARA
On? On? What is on?
HARRY
How come ya lost so much weight?
SARA
I told you, I'm going to a
specialist.
HARRY
A specialist. What kinda specialist?
SARA
What kind? A specialist. For weight.
HARRY
Yeah, that's what I thought.
You're makin' a croaker for speed,
ain't ya?
SARA
Harry, you alright?
(shrugs)
I'm just going to a doctor. I
don't know from croaker, making --
HARRY
What does he give ya, Ma? Eh?
Does he give ya pills?
SARA
Of course he gives me pills. He's
a doctor. Doctors give pills.
HARRY
What kind of pills?
SARA
What kind. A purple one, red one,
orange and --
HARRY
No, no, I mean what kind?
SARA
They're round...and flat.
HARRY
(rolls eyes)
I mean, like what's in them?
49.
SARA
Harry, I'm Sara Goldfarb, not
Albert Einstein. How should I know
what's in them?
HARRY
Look, Ma, does that stuff make you
feel good sort of and give you lots
of pep?
SARA
(nods)
Well, I guess maybe a little.
HARRY
A little? Jesus, I can hear ya
grinding ya teeth from here.
SARA
But that goes away at night.
HARRY
At night?
SARA
When I take the green one. In
thirty minutes I'm asleep. Poof,
just like that.
Harry shakes his head and rolls his eyes.
HARRY
Hey, Ma, ya gotta cut that stuff
loose. It's no good.
SARA
Who said it's no good? Twenty-five
pounds I lost.
HARRY
Big deal. Do ya wanna be a dope
fiend fa krist's sake?
SARA
What's this dope fiend? Am I
foaming at the mouth? He's a nice
doctor.
HARRY
Ma, I'm telling ya this croaker's
no good.
50.
SARA
How come you know so much? How
come you know more about medicine
than a doctor?
HARRY
(deep sigh)
I know, Ma, believe me, I know.
You'll get strung out fa krist's
sake.
SARA
C'mon. I almost fit in my red
dress, the one I wore at your high
school graduation. The one your
father liked so much. I remember
how he looked at me in the red
dress. It's not long after that he
got sick and died and you're
without a father, my poor baby, but
thank God he saw you happy for a
little and --
HARRY
What's with the red dress? What
does that --
SARA
I'm going to wear the red dress
on...Oh, you don't know. I'm going
to be on television. I got a call
and an application and --
HARRY
C'mon, Ma, who's pullin' ya leg?
SARA
I'm telling you I'm being a
contestant on television. They
haven't told me when, but you'll
see, you'll be proud when you see
your mother in her red dress and
golden shoes on television.
HARRY
What's the big deal about being on
television? Those pills'll kill ya
before ya ever get on, fa krist's
sake.
51.
SARA
Big deal? You drove up in a cab.
You see who had the sun seat? You
notice your mother in the special
spot getting the sun? You know who
everybody talks to? You know who's
somebody now? Who's no longer just
a widow in a little apartment who
lives alone? I'm somebody now,
Harry. Everyone likes me. Soon
millions of people will see me and
like me. I'll tell them about you
and your father. I'll tell them
how your father liked the red dress
and how good he was to us. Remember?
Harry nods. Defeated, he stares at the floor.
SARA
And who knows what I might win? A
new refrigerator. A Rolls-Royce,
maybe. Robert Redford.
HARRY
Robert Redford?
SARA
So what's wrong with Robert Redford?
Harry blinks and shakes his head. Bewildered, he surrenders
to her flow.
Sara looks at her entire family and a softness overtakes her.
SARA
It's not the prizes, Harry. It
doesn't make any difference if I
win or lose. It's like a reason to
get up in the morning. It's a
reason to lose weight so I can be
healthy. It's a reason to fit in
the red dress. It's a reason to
smile, already. It makes tomorrow
alright.
(close to Harry now)
What have I got, Harry? Why should
I even make the bed or wash the
dishes? I do them, but why should
I? I'm alone. Seymour's gone,
you're gone, I have no one to take
care of. Anybody. Everybody.
What do I have? I'm lonely, Harry.
I'm old.
52.
Harry fidgets, his eyes blink, he tries:
HARRY
You got friends, Ma. What --
SARA
It's not the same. You need
someone to make for. No, Harry, I
like how I feel this way. I like
thinking about the red dress and
the television...and your father
and you. Now when I get the sun I
smile.
HARRY
I'll come visit, Ma. Now that I'm
straight, my business is going
good, I'll come. Me and Marion.
Honest, Ma. I swear. We'll come
for dinner. Soon.
Sara shakes her head and smiles at Harry, trying hard to
believe.
SARA
Good, you bring her and I'll make
your soup and a roast.
HARRY
That sounds great, Ma. I'll give
you a call ahead a time, OK?
SARA
(nods)
Good. I'm glad. I'm glad you got
a nice girl and a good business.
I'm glad.
Sara gets up and hugs Harry, tears welling in her eyes.
SARA
Your father and I were always
wanting only the very best for you.
I'm glad, Harry, that you have
someone to be with. You should be
healthy and happy. And have lots
of babies. Don't have only one.
It's no good. Have lots of babies.
They'll make you happy.
Harry does his best to hug his mother. He fights his
desperation to get away and holds onto her.
Eventually, Sara backs away and looks into his face, smiling.
53.
SARA
Look, I'm crying already. I'm so
happy I'm crying.
HARRY
(forces smiles)
I'm glad you're happy, Ma. I
really love ya. An' I'm sorry --
Sara waves his apology away -- tosh, tosh.
HARRY
I really am. But I'm goin' ta make
it up now. You should just be happy.
SARA
Don't worry about me. I'm used to
being alone.
A long silent beat as child and parent smile at each other.
Harry looks at his watch.
HARRY
I got to go, Ma. I have an
appointment in Manhattan in a
little bit. But I'll be back.
SARA
Good. I'll make for you. You
still have your key?
HARRY
(shows her)
Yeah, I got it, Ma. I'd better
hurry. I'm late now.
SARA
Goodbye, Son.
One more kiss and hug and Harry is gone. Sara stares at the
door for many long moments.
Then she takes her orange pill -- pop, hit, glup, snap --
and washes it down with a fresh cup of coffee.
CUT TO:
INT. MOVING CAB
Harry sits in the back seat filled with worry and concern.
Tears well up into his eyes until he can't hold it any
longer. He sobs hard, real hard.
54.
A moment later he collects himself and gets high: flick,
sizzle, snap, suck, slap, rush, sigh...
Harry wipes away his tears.
CUT TO:
INT. SARA'S BEDROOM
Sara zips up the red dress. It closes.
She swings around gloriously and her locked jaw smiles at
herself in the mirror. Eyes glow.
And she begins to waltz by herself. Humming...
HARD CUT TO:
BLACK
ON THE SCREEN IN WHITE LETTERS: 'FALL'
CUT TO:
INT. BRODY'S LIMO
Tyrone steps into a white limo with leopardskin upholstery.
He exchanges fives with, Brody (late twenties, bespectacled,
highly intelligent looking) and his two Henchmen.
Brody doesn't speak. He signs to Henchman #1
HENCHMAN
Brody say you coming up quick, kid.
TYRONE


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