Quentin Tarantino's
Well, whoever she was, Elois
looked like her. So one night I
walk into the club, and no Elois.
Now the bartender was a wetback,
he was a friend of mine, his name
was Carlos.
So I asked him "Hey, Carlos,
where's Lady E tonight?" Well
apparently Lady E was married to
this real piece of dog shit. I
mean a real animal. And
apparently he would so things to
her.
FREDDY
Do things? What would he do? You
mean like beat her up?
EDDIE
Nobody knows for sure what he did.
We just know he did something.
Anyway, Elois plays it real cool.
And waits for the next time this
bag of shit gets drunk. So one
night the guy gets drunk and
passes out on the couch. So while
the guy's
inebriated, she strips him naked.
Then she takes some crazy glue and
glues his dick to his belly.
The car reacts to how horrible that would be.
EDDIE
I'm dead fuckin serious. She put
some on his dick and some on his
belly, then stuck 'em together.
The paramedics had to come and cut
it loose.
The car reacts badly.
MR. WHITE
Jesus Christ!
FREDDY
You can do some crazy things with
it.
EDDIE
I don't know what he did to her,
but she got even.
MR. WHITE
Was he all pissed off?
MR. PINK
How would you feel if you had to
do a handstand every time you took
a piss.
The car laughs.
42 EXT. WAREHOUSE - DAY
Nice Guy Eddie pulls up outside the warehouse.
The four men climb out of the car and follow Eddie inside.
43 INT. WAREHOUSE - DAY
The four men enter the building.
At the other end of the warehouse, sitting in chairs, are
Mr. Blonde, Mr. Brown, Mr. Blue and Joe Cabot.
We shoot this from OVERHEAD, looking down on the men.
JOE
(to everybody)
...So they're talkin about how
they get their wives off, and the
French guys says:
(in a bad French
accent)
"All I gotta do is take my pinky
and tickle my Fifi's little oo la
la and she rises a foot off the
bed."
Back to Joe.
So the dago says:
CU ON JOE
JOE
(in a good Brooklyn
accent)
"That's nothin. When I take the
tip of my tongue and wiggle it
against my Mary Louise's little
fun pimple, she rises two feet off
da bed." Then our friend from
Poland says:
(in dumb voice)
"You guys ain't no cocksmen. When
I get through fuckin my Sophie, I
wipe my dick on the curtains and
you know what? She hits the
roof!"
Joe laughs like a crazy man.
JOE
Ha, ha, ha, ha, ha, ha!
We hear a lot of laughing OFF SCREEN.
JOE
Ain't that a masterpiece? Stupid
fuckin Polack, wipes his dick on
the drapes.
Joe's eyes greet the new arrivals.
JOE
You're here, great!
Joe EXITS C.U.
We now have everybody from the Uncle Bob's Pancake House
scene together again. Some sit on folding chairs, some
stand. Joe sits in front of them on the edge of a table.
A blackboard with a layout of the jewelry store is off to
the right.
We do a 360 around the men.
EDDIE
We woulda gotten here sooner, but
we got backed up around La Brea
and Pico.
JOE
No hurry.
(to the boys)
All right, let's get to know one
another. With the exception of
Eddie and myself, who you already
know, you'll be using aliases.
Under no circumstances are you to
tell one another your real name or
anything else about yourself.
That includes where you're from,
your wife's name, where you
might've done time, about a bank
in St. Petersburg you might've
robbed. You guys don't say shit
about who you are, where you been
or what you've done. Only thing
you guys can talk about is what
you're going to do. This way the
only ones who know who the members
of the team are are Eddie and
myself. And that's the way I like
it. Because in the unlikely event
of one of you getting apprehended
by the cops, not that I expect
that to happen - it most
definitely should not happen - it
hasn't happened, you don't have
anything to deal with. You don't
know any names. You know my name,
you know Eddie's name. That I
don't care about. You gotta prove
it. I ain't worried. Besides,
this way you gotta trust me. I
like that. I set this up and
picked the men I wanted for it.
None of you came to me, I
approached all of you. I know
you. I know your work, I know
your reputation. I know you as
men. Except for this guy.
Joe points a finger at Freddy.
Freddy shits a brick.
JOE
But he's OK. If he wasn't OK, he
wouldn't be here. Okay, let me
introduce everybody to everybody.
But once again, at the risk of
being redundant, if I even think I
hear somebody telling or referring
to somebody by their Christian
name...
(Joe searches for the
right words)
...you won't want to be you.
Okay, quickly.
(pointing at the men
as he gives them a
name)
Mr. Brown, Mr. White, Mr. Blonde,
Mr. Blue, Mr. Orange, and Mr.
Pink.
MR. PINK
Why am I Mr. Pink?
JOE
Cause you're a faggot.
Everybody laughs.
MR. PINK
Why can't we pick out our own
colors?
JOE
I tried that once, it don't work.
You get four guys fighting over
who's gonna be Mr. Black. Since
nobody knows anybody else, nobody
wants to back down. So forget it,
I pick. Be thankful you're not
Mr. Yellow.
MR. BROWN
Yeah, but Mr. Brown? That's too
close to Mr. Shit.
Everybody laughs.
MR. PINK
Yeah, Mr. Pink sounds like Mr.
Pussy. Tell you what, let me be
Mr. Purple. That sounds good to
me, I'm Mr. Purple.
JOE
You're not Mr. Purple, somebody
from another job's Mr. Purple.
You're Mr. Pink.
MR. WHITE
Who cares what your name is? Who
cares if you're Mr. Pink, Mr.
Purple, Mr. Pussy, Mr. Piss...
MR. PINK
Oh that's really easy for you to
say, you're Mr. White. You gotta
cool-sounding name. So tell me,
Mr. White, if you think "Mr. Pink"
is no big deal, you wanna trade?
JOE
Nobody's trading with anybody!
Look, this ain't a goddamn fuckin
city counsel meeting! Listen up
Mr. Pink. We got two ways here,
my way or the highway. And you
can go down either of 'em. So
what's it gonna be, Mr. Pink?
MR. PINK
Jesus Christ, Joe. Fuckin forget
it. This is beneath me. I'm Mr.
Pink, let's move on.
CAMERA leaves the team and goes to the blackboard
with the layout of the jewelry store on it.
JOE (OS)
Okay fellas, let's get into this.
CUT TO:
44 EXT. BLEACHERS - DAY
Freddy and Holdaway sit on some bleachers in an empty
little league baseball field.
HOLDAWAY
Okay, we're gonna station men
across the street from Karina's
Fine Jewelry. But their orders
will be not to move in unless the
robbery gets out of control. You
gotta make sure they don't have to
move in. You're inside to make
sure that everything goes
according to Hoyle. We have men
set up a block away from the
warehouse rendezvous. They got
complete visibility of the
exterior. So as soon as Joe Cabot
shows up, we'll see it.
FREDDY
What's your visibility of the
interior?
HOLDAWAY
We can't see shit on the inside.
And we can't risk gettin any
closer for fear they'll spot us.
FREDDY
This is bullshit, Jim. I get all
the fuckin danger of having you
guys in my back pocket but none of
the safety.


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