RONIN
INT. THE PEUGEOT
Where Sam sits in the passenger seat as Vincent slides behind
the wheel. Vincent tosses Sam a piece of paper.
SAM
The Irish representative?
VINCENT
Yes.
Vincent gives Sam another piece of paper.
SAM
What's this?
VINCENT
The address of the Russian production
company. Just in case we need to find
them.
SAM
Thorough man.
Vincent starts the car and we -
CUT TO:
EXT. A PARIS STREET - LATER - AFTERNOON
The Peugeot sits, parked at a cub, a discreet distance from -
AN APARTMENT HOUSE: 35 Rue de Glacon. We PUSH IN on the -
INT. THE PEUGEOT - LATE AFTERNOON
A PIECE OF PAPER scarwled with the same address: 35 de
Glacon. We PULL BACK TO REVEAL -
Sam, holding this paper and looking out at the apartment
complex.
SAM
You sure your friend got the right place?
VINCENT
If Tony says this is it, then it's it.
BEAT. Vincent wants to know something important.
VINCENT
Tell me, Sam: why do you do this?
SAM
Do what?
VINCENT
Continue when it would be so much easier
to give it up.
SAM
It's my job.
VINCENT
Then quit.
(beat)
You don't work for Interpol, Sam.
SAM
Sure I do. You heard him, you heard the
guy -- that's what he said, what Edvard
said.
VINCENT
It's a cover, then. A cover within a
cover, a feint within a feint.
(quick beat)
You work for the CIA, it's the only
possible answer.
LONG BEAT. Sam considers what to say, and then decides he
owes Vincent the truth.
SAM
I'm a field agent -- last of an already
extinct breed. I do dark ops.
VINCENT
Dark ops?
SAM
Dark operations. Wet work. Kidnaping.
Assassination.
VINCENT
Very ugly.
SAM
It is at that.
VINCENT
Not very zen of you, huh? Not so much
the modern Samurai after all.
SAM
I never made that claim.
VINCENT
I know. Jean-Pierre did.
SAM
You were behind the door?
VINCENT
I was waiting to see what would happen.
I didn't want to kill him if I didn't
have to.
SAM
You would have done that?
VINCENT
I would have tried not to. But yes, if
it would have kept him from shooting you,
I would have.
SAM
(almost to himself)
How could you have done that?
VINCENT
Because I owe you.
(he sees something)
Look at that...
THEIR POV: Through the Windsheild - Deirdre exits the
apartment building.
SAM (O.S.)
(quietly exultant)
All things come to those who wait.
Now Deirdre is followed by Seamus and Gregor.
VINCENT (O.S.)
(really surprised by this)
He's not dead.
BACK ON Sam and Vincent.
SAM
(figuring it out)
They don't have the package.
VINCENT
You think?
SAM
You said it yourself: Gregor's not dead.
If they had the package, they'd have
killed him.
Vincent and Sam exchange a look -- now they both figure it
out.
VINCENT & SAM
(simultaneously)
They're going to get it.
CUT TO:
INT. THE POST OFFICE - LATE AFTERNOON
A HAND signs a receipt, and we PULL BACK TO REVEAL Gregor at
a counter, signing for his package, which slides across the
counter. It's the Briefcase, although it's been wrapped in
BROWN PAPER for its journey through the French Postal System.
Now we see that - Seamus is still right beside Gregor; is, in
face, almost on top of him, with a hand in his coat pocket
which lets us know where his gun is. Now - The two men start
to move towards the exit as we -
CUT TO:
EXT. THE STREET OUTSIDE - A MINUTE LATER/LATE AFTERNOON
The Black Compact Car idles at a nearby curb, with Deirdre
behind the wheel. She's staring so intently at the front of
the post office, that she's surprised when a SHADOW falls
across her. She looks up to see - Sam, standing next to the
car. Deirdre starts to reach for her weapon, but Sam cuts
her off with a word.
SAM
Don't do it...
Something in his voice conveys enough of a threat that she
backs off. Now she and Sam exchange a long look.
DEIRDRE
Well, if it isn't Mr. Interpol himself.
(she really sounds betrayed)
I can't believe I misjudged you like I
did.
SAM
Oh please..you're on some sort of holy
mission?
DEIRDRE
I'm a patriate.
SAM
Don't even think that I'm buying that.
DEIRDRE
Where do you get off saying word one?
All the time pretending to be one of us,
it's the same thing we were doing, Seamus
and myself. And here you are so high and
mighty, like you're so different from the
rest of us.
SAM
I didn't say I was.
DEIRDRE
(she sees something)
Bloody fucking hell...
CUT AWAY TO: Gregor and Seamus are leaving the post office.
By now, Seamus has taken the package away from Gregor.
Unseen by these two men - Vincent is approaching from the
side, on an intercept course, his hand inside a bag which he
carries with him. Now - Deirdre turns and shoots Sam a look.
He's still watching her keenly, and we can see that she's
aching to reach for her piece, but she can't because Sam is
still on her like a hawk.
SAM
Don't even think it.
He pulls back the folds of his suit jacket, revealing his
gun, putting his hand comfortably on the pistol grip.
SAM
I'd kill you before you had it halfway
out.
Vincent is closing on Gregor and Seamus, another ten seconds
and he'll have them.
Now - Deirdre looks back at Sam, then back at the situation
developing in front of her, and then suddenly - She slams the
car into gear and drives off, tires squealing while - Sam
pulls his piece, sighting down the barrel and - He can't do
it, can't shoot Deirdre. Now - The sound of the car alerts
Seamus, who turns in time to see - Vincent, who is raising
the bag wrapped around his hand as - The car flies directly
at - Vincent, who if forced to jump out of the way even as he
pulls the trigger of the gun hidden within the bag. The end
of the bag explodes in a burst of fire, but the shots are off
the mark - Missing Seamus and Gregor as - Vincent rolls out
of the way, just in time, while - Deirdre brakes the car to a
screaming halt, as Seamus pushes Gregor in ahead of him and
then gets in. Seconds later, the car pulls out, even as -
Sam drives up in the Peugeot to Vincent, who picks himself up
off the ground and leaps into the car. The last thing we
hear is the sound of Sam's Voice as the Peugeot drives off.
SAM (V.O.)
Put your seatbelt on.
CUT TO:
INT./EXT. - CAR CHASE MONTAGE
During this SEQUENCE, we'll JUMP CUT BETWEEN the two cars and
the streets they travel through. Now - The Black Compact Car
flies down a small street, followed closely by - The Peugeot,
where Sam is driving as Vincent tries to steady his gun to
get a clear shot at the other Car.
INSIDE THE PEUGEOT -
VINCENT
What the fuck happened?
SAM
I don't know...
VINCENT
You don't know? Bullshit, you had her,
there was no way out.
IN THE COMPACT CAR -
Where Deirdre is driving for dear life, while Seamus is
freaking out.
SEAMUS
What in bloody hell is going on?
DEIRDRE
They're part of the team. One of them's
the guy I told you about.
SEAMUS
From Interpol?
DEIRDRE
That's him.
IN THE PEUGEOT -
VINCENT
Why didn't you kill her?
IN THE COMPACT -
SEAMUS
Why didn't you kill him?
OUT IN THE STREET -
The two cars SLAM through the traffic, heading for a HIGHWAY
RAMP which appears now perhaps two blocks away.
IN THE PEUGEOT -
VINCENT
(figuring it out)
You slept with her!
IN THE COMPACT -
SEAMUS
How is it these fellahs managed to get
the drop on us?
DEIRDRE
I told you: they're good...
OUT IN THE STREET -
THE TWO CARS have reached the highway ramp, and as first one,
and then the other pulls onto the highway, we PULL BACK AND
UP TO REVEAL:
THE PERIFERIQUE -
The massive and confusing highway system which encircles the
city of Paris. Right away we notice that this entrance ramp
leads to a traffic circle, filled with various off ramps
which lead to no less than four different sections of the
Periferique.


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