RONIN
LARRY (V.O.)
What is this?
INT. A BACK APARTMENT - SAME TIME
A SYRINGE is plunged into Larry's arm. Sam is tending to
Larry's wound. Sam seems to know what he's doing, as Larry
is also hooked up to a bottle of plasma hanging on a make-
shift stand.
SAM
(answering Larry's question)
It's a cocktail. Mostly demerol, cut
with a little crank because we might need
you awake in the real near future.
LARRY
Fine with fucking me, we got work to do.
I don't care what it takes, we are
getting our property back and putting it
into the hands of the people who are
gonna pay us a great deal of money when
we do. I don't know about the rest of you
guys, but I'm not the kind of guy
to just sit back and take it in the ass.
(a quick beat)
I don't mean that in, like, a literal
way...
DEIRDRE
Of course.
VINCENT
Finding this package is a thing easier
said than done. We don't even know what
it is.
(he looks at Deirdre, and
suddenly he's deadly earnest)
What did we steal?
DEIRDRE
(suddenly defensive)
I don't know.
VINCENT
When this whole thing started you made it
clear: you're running the show. And I
don't believe you'd be running this show
if you didn't know what was going on.
DEIRDRE
Well I don't!
VINCENT
And I don't believe you...
Vincent's gun is out in the blink of an eye, at Deirdre's
head, but she's as fast as he is and her gun is drawn as
well, jammed into his stomach.
DEIRDRE
(suddenly feral)
You go shoot me if you want, Vincent, but
you'll be dead before I hit the ground.
VINCENT
(matching her intensity)
I don't want you dead, woman, I want the
the truth!
SAM (O.S.)
(with a dead cool in his voice)
Both of you...
ANOTHER ANGLE - Sam has the two of them covered with his gun -
an interesting moment, because he can shoot either Deirdre or
Vincent, but not both at the same time. The question is:
whose side is he on?
SAM
(continuing without missing a
beat)
...put your guns down and chill out.
A BEAT. And then Vincent and Deirdre lower their weapons,
followed by Sam.
SAM
Like it or now, we're on the same side:
we're here and the package isn't.
(looks at Deirdre)
You're not the boss any more, you're our
partner. So tell us what you know, so we
can figure a way out of this mess.
Sam's look isn't romantic, but it implies a level of trust
based upon their physical intimacy.
SAM
Now, what did we steal?
DEIRDRE
(she hates to admit this)
I don't know...
(defensively, off Vincent's
look)
Well I don't! It's a goddamned mystery
to me just like it is to you.
(quick beat, then reluctantly
continuing)
But I do know who we're working for. My
people, and the Russian mob.
LARRY
Your people? Who the fuck is your
people?
VINCENT
Who do you think, Larry? The IRA.
DEIRDRE
And you believed me?
(passionately)
But it wasn't my people who did it.
LARRY
How do we know that?
SAM
Because if they had she'd be gone along
with the package, instead of sitting here
with us.
DEIRDRE
Exactly. Gregor, he was the Russian's
man. It was my people came up with the
idea for this run, but the Russians who
had the capital to finance it. Gregor,
he was their insurance, and I was ours.
Everybody else was supposed to be
neutral. Gregor must've got to Swede...
LARRY
I never did trust that blonde fuck...
DEIRDRE
That's why you were riding with him.
VINCENT
The question still remains: what do we do
now?
SAM
(he figures something out)
Gregor's cell phone...
LARRY
(to himself)
What are you gonna do, call him up and
ask him to give us back our shit?
SAM
(ignoring Larry, to Deirdre)
Did he bring that with him?
DEIRDRE
I bought it for him -- all the stuff he
was using, it was in his contract. Cost
a nice penny, too, especially that
goddamned phone: Gregor had expensive
tastes.
SAM
Check this out.
(he's thinking on his feet)
Gregor's a spook, or he was one until
recently. When he was a spy he lived the
life -- you know, a prince in some
Eastern Bloc country where nobody had
shit and Gregor had everything. Then the
wall goes down. No more Cold War. And
Gregor is out of a job. No apartment, no
special stores with Western food and
video tapes. I would bet dollars against
shit that Gregor liked that phone and he
doesn't want to give it up. And I
wouldn't be surprised if he's arrogant
enough to think...
DEIRDRE
(finishing his sentence)
That we're too stupid to trace his calls.
Deirdre and Sam share the slightest of conspiratorial smiles
as they realize they're both thinking the same thought: they
might still win this one.
EXT. AIX EN PROVENCE - TWILIGHT
We're on perhaps the MOST BEAUTIFUL STREET in all of France:
the Cours Mirabeau in the town of Aix.
Outdoor cafes line the sides of the street, while a canopy of
interlocking trees covers everything. Now we're - MOVING,
DOWN THE STREET, towards a CAFE, where a DAPPER GENT sits,
sipping a mineral water. The Gent has a SATCHEL at his feet.
Now - A JEEP pulls up to a nearby corner and idles in
neutral. The Dapper Gent throws some bills on the table and
gets up, crossing to - The Jeep. A door opens, and the
Dapper Gent, carrying his satchel, gets into the jeep, which
drives off as we -
CUT TO:
INT. JEEP - SAME TIME
Gregor and the Dapper Gent drive in silence for minute, down
the length of the Cours Mirabeau.
GREGOR
(breaking the silence)
It's a beautiful street, no?
The Dapper Gent also has an accent, a much thicker one than
Gregor's; it's an accent that places the Gent as a resident
of what used to be called the Soviet Union.
DAPPER GENT
(he can't wait any longer)
Do you have it?
GREGOR
Always in a rush, you are. All these
years I've known you, you could never
wait for anything.
DAPPER GENT
This is important.
GREGOR
Do you really think so?
DAPPER GENT
You know it is.
Gregor, still driving, takes out a SILENCED PISTOL, and the
Dapper Gent reaches for his own piece.
GREGOR
Relax!
The Dapper Gent loweres his hand, leaving his gun in his coat.
Gregor pulls the van to a curb.
GREGOR
Look over there.
GREGOR & THE GENT'S POV: THROUGH THE WINDSHIELD - A GROUP OF
CHILDREN are playing.
GREGOR (O.S.)
Do you see that one? The girl in the
light blue dress?
We find one particular LITTLE GIRL, around eight, holding the
end of a jump rope, wearing a light blue dress. She's
breathtakingly beautiful, and now - Gregor raises his
silenced pistol, as if to shoot her.
DAPPER GENT
What are you doing, have you lost your
mind?!?
Gregor pulls the trigger, as he does so the Dapper Gent jogs
his arm, and we hear the soft thwpfft of the silenced shot
just as the shot goes off - Missing its mark, harmlessly
shooting into a tree, causing a SINGLE LEAF to float to the
ground behind the playing children. Nobody notices a thing.
BEAT. The Dapper Gent is visibly shaken, because there is no
doubt that Gregor would have killed the Girl if the Gent
hadn't ruined his aim.
DAPPER GENT
Why did you do that?
GREGOR
To make a point. I don't know her, and I
was ready to splatter her brains all over
the sidewalk.
(giving the Gent a look)
I don't particularly like you, so imagine
what I'll do if you try anything...
Gregor leaves his gun dangling in the air a moment longer than
necessary and then starts the jeep as we -
CUT TO:
EXT. A COUNTRY ROAD OUTSIDE OF AIX - NIGHT
A FULL MOON casts a silver light over a field of wild grass.
A soft wind blows, and the grass moves gently from side to
side. Now - Gregor's JEEP glides down this road as we MOVE
THROUGH TO -
INT. THE JEEP - SAME TIME
DAPPER GENT
(squirming)
Enough! We've been driving for an hour,
where is my package?
Gregor smiles -- he's been waiting for this. He pulls the
jeep over and looks at the Dapper Gent.
GREGOR
It's under your seat.
DAPPER GENT
(incredulous)
What?
GREGOR
As my American friend Larry would say:
are you fucking deaf? It's under your
seat.
The Dapper Gent looks down, and sure enough, the edge of the
Briefcase sticks out beneath the seat.
DAPPER GENT
I can't believe you'd do that, Gregor. I
thought I trained you better than that.
With a laugh the Dapper Gent hands his satchel to Gregor,
whose eyes literally dance with the prospect of his reward.
He can't help himself, he opens the satchel and there it is -
COLD HARD CASH in large bills, enough for Gregor to live like
a prince for quite some time. Gregor sucks in an involuntary
breath and then looks back up to see - The Dapper Gent hasn't
reached for the Briefcase. Instead he's taken out his gun,
and it's only inches from Gregor's head.
DAPPER GENT
I've never particularly liked you either,
Gregor.
The Dapper Gent yanks out the Briefcase, and as he does -
THE SEVERED HAND comes whipping out along with it, still
attached by the handcuff chain. The Hand flies up in the
Dapper Gent's face, and we notice that the Hand is starting
to rot -- it's bloated and swelling and horrific and it
scares the shit out of the Dapper Gent, who drops his gun and
fumbles with the Briefcase as - THWPFFT...we hear the sound
of another silenced shot as we -
SMASH CUT TO:
EXT. OUTSIDE THE JEEP - SAME TIME
A DARK STAIN splashes against the passenger side window of
the jeep. Seconds later - The door swings open, and the
Dapper Gent's body plunks out onto the ground. A moment
later, something wet and viscous plops down on the face of
the Gent as the jeep drives off. Now - We HOLD FOR A BEAT on
the Dapper Gent's dead body, which lies in the silver
moonlight, blood running out from beneath him, while the
Severed Hand palms the Gent's face, fingers splayed out
around his head. Now - We HEAR the sound of PHONE TONES.
And not just any phone...
INT. THE JEEP - SAME TIME
Gregor finishes punching a number into his CELL PHONE. We
hear a single ring on the other end of the phone before it is
picked up.
PHONE VOICE (V.O.)
(in Russian, English subtitles)
Is it done?
GREGOR
(in English)
It's done.


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