U-Turn
U-Turn
(Stray Dogs)
Screenplay by
John Ridley
and
Richard Rutowski & Oliver Stone
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
EXT. SOMEWHERE IN THE DESERT SOUTHWEST - DAY
BEGIN TITLES OVER:
It is early morning and already hot. INSECTS drone, crackle,
and scurry for shade. PRAIRIE DOGS burrow to escape the sun.
We can see the heat shimmering off the surface of the Earth.
On a dusty highway, a pair of VULTURES dine on a dead coyote.
One of them snags an intestine and tugs a few feet of it out of
the carcass.
In the distance, where a long, dusty road meets the horizon, a
small shape appears -- a Sixty-four-and-a-half Mustang
convertible, its top down. Its candy-apple red burns like a
brilliant fireball under the sun. As the car drifts closer, we
see steam escaping from under the hood. Sammi Smith's "Please
Help Me Get Through The Night" plays on the car's radio.
INT. BOBBY COOPER'S MUSTANG - DAY
At the wheel, ignoring impending disaster, BOBBY COOPER, young,
good-looking, fiddles with the RADIO dial, annoyed only to find
country stations. He's been driving since noon yesterday and it
shows -- along with a heavily-bandaged left hand resting on the
steering wheel. He finds something by Pearl Jam or Smashing
Pumpkins and he cranks it. He pops a Percodan with his good hand
as, in the shimmering distance ahead, he sees black shapes in
the road and lays on the horn.
BOBBY
Get off the goddamn road!
EXT. DESERT ROAD - DAY
As the MUSTANG powers by, the VULTURES move off the shoulder,
silently watching.
INT. MUSTANG - DAY
The RADIO blares as BOBBY fights to stay awake. His attention is
caught by blue and red lights flashing in the oncoming lane. He
sits up as the POLICE CAR (SHERIFF POTTER inside) closes
quickly. The SIREN starts faintly, then SCREAMS as the cruiser
roars past at speed.
BOBBY
Fuck you!
There is a loud pop from the front of the Mustang and a thick
cloud of steam now pours from the hood. The temperature gauge
now starts rising.
BOBBY
No!...Not now!...Shit!
A couple of SEMIS roar past in the opposite direction,
buffetting the Mustang with their air waves.
EXT. FORK IN THE ROAD - DAY
The car rolls into a fork in the road, limping with the droop of
an animal that won't make another hundred yards.
One sign on the larger road says "GLOBE" is 29 miles away. The
other sign, on the lesser road, tells us "SUPERIOR" is only 2
miles. A third sign confirms his destiny with "Gas, Food, 1
Mile."
BOBBY seems to have no choice. He aims the car down the lesser
road towards "Superior, Arizona."
EXT. OUTSKIRTS SUPERIOR - DAY
The car rattles on its last legs, as BOBBY mutters incantations,
noticing a old, ghostlike MINING COMPANY at the base of the
mountains overlooking the TOWN. It's deserted now, no one
visible, the gates shut, but in its vast, dark bulk, we sense
the ancient richness and power of this town. Bobby moves on.
EXT. HARLIN'S GARAGE - DAY
Down the road from the MINING COMPANY, BOBBY'S CAR pulls into a
small GAS STATION, made of weather-beaten wood, its windows long
since dusted over. The pumps themselves look to have been
manufactured in the early fifties. Above the station is a sign
so faded it's barely readable: HARLIN'S.
Bobby gets out of the car and with great care, favoring his
bandaged left hand which seems to give him a great deal of pain,
he opens the hood. A plume of steam hits him in the face.
BOBBY
Oh shit!
Bobby looks around for someone, anyone. After a few moments he
reaches into the car and blows the horn. He waits, then blows
it again. From out of the station walks DARRELL - a
slow-looking man in coveralls caked with grease and dirty. He
looks the part of a yokel.
BOBBY
You Harlin?
DARRELL
Nope. Darrell.
BOBBY
Harlin around?
DARRELL
He's up at the Look Out.
Darrell points a scraggly finger at a plateau in the distance.
BOBBY
Will he be back soon?
DARRELL
Doubt it. He's dead. The Look Out's a
cemetery.
BOBBY
You own this place?
DARRELL
Yep.
BOBBY
Then why do you call it Harlin's?
DARRELL
'Cause Harlin used to own it.
BOBBY
But he's dead.
DARRELL
So?
Bobby is confused, but chooses to drop the matter.
BOBBY
You want to take a look at my car? I think
the radiator hose is--
DARRELL
Damn. Gonna be another hot one today.
Sometimes I don't even want to get out of
bed. Course don't want to get out for the
cold one's neither. Then of course the
clouds come in...
Darrell mops his brow with a greasy rag. It doesn't so much
wipe the sweat as it does streak his forehead with dirt.
BOBBY
Look, Harlin, I've got places to be.
DARRELL
Darrell--
BOBBY
OK. Darrell... Could you just take a look
at my radiator hose. It's busted.
Darrell is clearly upset at being cut off. He leans into the
car and looks at the engine.
BOBBY
So?
DARRELL
It's your radiator hose. It's busted.
BOBBY
I know it's busted. What did I just tell
you?
DARRELL
Well, you know so much why don't you just
fix it yourself?
BOBBY
If I could do you think I'd be standing
here wasting my time. Can you fix it, or
do I have to go somewhere else?
DARRELL
Somewhere else? Mister, somewhere else is
fifty miles from here. Only other gas
station down in town closed 3 years ago
when the mine got shut...
BOBBY
Okay, I'm stuck. You happy? Now can you
fix it, or not?
DARRELL
Yeah, I can fix it.
BOBBY
Great!
DARRELL
Gotta run over to the yard and see if I can
find a hose like this one, or close enough.
Gonna take time.
BOBBY
How much time?
DARRELL
Time.
BOBBY (rewinds his watch)
What time is it now?
DARRELL
Twenty-after-ten.
BOBBY
Jesus. Twenty-after-ten and it must be
ninety already.
DARRELL
Ninety-two. Course half hour from now
might be seventy-two. These clouds move
around a lot.
Bobby wipes the bandaged hand across his forehead.
DARRELL
What happened to your hand?
Self-consciously Bobby quickly drops his hand to his side.
BOBBY
Accident.
DARRELL
You got to be more careful. Hands is
important. Let me show you something. When
I was a kid, now I don't know if you can
still see it, but I gashed my fingers in a
lawnmower.
BOBBY
I'm very interested in this but is there
someplace...
DARRELL
Diner up a piece. Not much, but us simple
folk like it.
BOBBY
I'll be back in a couple of hours. And be
careful with her, will you?
Darrell slams down the hood.
DARRELL
Just a car.
Bobby reaches into the car, pulls out a small ugly gym bag which
he slings onto his shoulder and moves to the trunk, pops it open.
BOBBY
It's not just a car. It's a sixty-four and
half Mustang convertible. That's the
difference between you and me, and why you
live here and I'm just passing through.
The trunk lid rises in the air, partially blocking Bobby from
Darrell, acting as a partition between them.
BOBBY
Now do you mind? I got to get some stuff
out of the trunk.
He throws the car key to Darrell who takes the hint, spits
grotesquely into the dirt, scratches his nuts, and walks back
to the shack.
Concealed by the trunk lid, Bobby pulls out a GUN (a .9mm black
Baretta), wrapped in a t-shirt, from the top of the bag. Perhaps
we see a flash of green money, lots of it. Sports pages and
betting sheets are piled inside. With a look around, Bobby takes
the gun and stashes it underneath the rubber mat in the trunk.
Briefly we notice a towing ROPE under the mat. There is a small
travel bag, from which he peels a fresh bottle of Percodan,
quickly taking two, as well as the sports page.
INT. HARLIN'S GARAGE - DAY
DARRELL watches out of the darkened office through the front
window, as BOBBY slams the trunk and starts walking down the
road, with the bag on his shoulder.
EXT. DESERT ROAD - LATER
BOBBY walks along a dusty patch of road into town past a sign
saying "SUPERIOR - HOME OF THE GOLDEN DOOR RETIREMENT
COMMUNITY." As he walks on, a pair of MOTORCYCLERS roar past on
their Harleys blanketing him in a cloud of DUST. He shouts
after them, but his words are lost under the whine of the cycle
engines.
EXT. SUPERIOR MAIN STREET - DAY
BOBBY hits town, such as it is: The Freeway left here a few
years back. There are only a few little stores: A general
store, a catalog outlet, a post office that doubles as a bus
depot. All of them built for the desert heat. The busiest spot
in town seems to be the truckstop/diner with a few 18 wheelers
parked outside it.
At the corner of one street sits an old BLIND MAN dressed in
raggedy clothes, perhaps an Indian. His SEEING-EYE DOG lies next
to him. He's talking to TWO OLD MEN, veterans perhaps, Indian or
Spanish. They both have missing limbs and slide off with furtive
alcoholic looks as Bobby passes. The Blind Man yells out in an
American Indian accent.
BLIND MAN
Hey! You there!
BOBBY
You want something, old man?
BLIND MAN
Don't call me old man. Ain't you got
no respect, boy?
BOBBY
You want something?
BLIND MAN
Yeah I want something. I want you to run
over to that machine and get me a pop.
BOBBY
You can't do that yourself?
BLIND MAN
Hell no, I can't do that myself. I'm
blind. Can't you see that?
BOBBY
I'm sorry, I didn't--
BLIND MAN
What'd you think I was doing out here
with these glasses on? Sunnin' myself?
BOBBY
I don't know. I thought you were keeping
the sun out of your eyes.
BLIND MAN
I ain't got no eyes. You want to see?
BOBBY
Christ no!
BLIND MAN
Lost my eyes in Vyee-et-nam. Lost them
fighting the commies. Fought the war and
lost my eyes fightin' the commies just so
you can come around here and make fun of
me.
BOBBY
I said I was sorry.
BLIND MAN
Don't be sorry. Just run over there and
get me my pop before I die of thirst.
BOBBY
Yeah, sure. You got change?
BLIND MAN
Change? You want my change? I fought the
war and lost my eyes just so I could give
you my change?
BOBBY
All right, old man. Christ.
Bobby walks across the street to a very old soda machine; it has
bottles instead of cans. The blind man shouts to Bobby.
BLIND MAN
Get me a Dr. Peppa! I don't want no Colas.
Colas ain't nothing but flavored water.
Bobby puts change in the machine and pulls out a bottle of Dr.
Pepper. He starts back to the blind man.
BLIND MAN
Don't forget to open it for me. I can't be
opening my own bottle.
BOBBY
Christ!
Bobby goes back to the machine and opens the bottle, then walks
back to the old man who pours a splash on the ground.
BLIND MAN
A little for Mother Earth. I'm about fifty
percent Indian, you know. To all our
relations.
He takes a hearty swig of the soda.
BLIND MAN
Ah! Just what I needed! Want some?
The blind man holds the bottle out to Bobby. A string of saliva
runs from his lips to the bottle's neck.
BOBBY
I'll pass.
Bobby reaches down and pets the old man's dog. Flies buzz around
both the dog and the Blind Man.
BOBBY
I think you'd better give your pooch a sip.
He looks sick.
BLIND MAN
That's 'cause he's dead.
Bobby jumps back.
BOBBY
Oh, Jesus.
BLIND MAN
I hope you wasn't pettin' him none, was
you?
BOBBY
What the hell are you keeping a dead dog
around for?
BLIND MAN
He's only just dead. What was I supposed
to do with him? I can't take him away
anywhere. And nobody wants to take him for
me. Do you?


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