Young Frankenstein
He walks up to the MAITRE'D and taps his back.
MAITRE'D
Yes, sir, name, please?
MONSTER
Food!
MAITRE'D
Do you have a reservation?
MONSTER
Food!!
MAITRE'D
I'm sorry, sir. We only seat by reservation.
MONSTER
Drink!
MAITRE'D
Oh, no sir-ee. If yo don't have a reservation you can skip to ma-loo.
The Monster grabs the Maitre D' by the lapels.
MONSTER
Foooooood!
MAITRE'D
Now just one moment. There's no need for roughhousing. Have you ever tried a tip?
MONSTER
GRRRHMMNNNJKJMMMNN!
MAITRE'D
Franz! Help! Lunatic!
NEW ANGLE
As the monster picks up the maitre D' and throws him into a crowd.
The Monster attacks the restaurant. LADIES, GENTLEMEN AND WAITERS scream.
PANDEMONIUM.
DISSOLVE TO:
INT. ELIZABETH'S BEDROOM – NIGHT
Elizabeth – in a long, satin robe – stands over Freddy, who sits staring into a fire.
FREDDY
Poor Delbruck! There must be some way to reach him – to control that body.
ELIZABETH
Darling, you mustn't worry so.
FREDDY
But there's a genius inside that body – crying out for love and understanding and normal human relationships. I just have to find some way to re-establish his communications system.
ELIZABETH
But you can't do that at night. And even if you could – it would cost a fortune. Come to bed, darling.
FREDDY
Oh, Delbruck, Delbruck. Was will dien tachlas von Dir?
ELIZABETH
You've done everything that's humanly possible, Frederick. Oh, darling, I'm so worried about you – you need rest.
FREDDY
I suppose you're right.
ELIZABETH
Of course I am. Now come along like a good boy.
He gets up.
FREDDY
What would I do without you?
They kiss.
ELIZABETH
Is your room just down the hall? In case I get frightened during the night?
FREDDY
Yes, but... I thought, perhaps tonight, under the circumstances, I might... stay here with you.
ELIZABETH
Oh, darling! Don't let's spoil everything.
FREDDY
I don't want to spoil anything – I just want to top it all off.
ELIZABETH
Would you want me, now, like this, so soon before our wedding? So near we can almost touch it? Or wait a little while longer, when I can give myself without hesitation? When I can be totally and unashamedly yours??
FREDDY
That's a tough choice.
ELIZABETH
Is it worth taking a chance?
FREDDY
I suppose you're right.
ELIZABETH
Of course I am. Now give me a kiss and say good night like my good boy.
They kiss.
FREDDY
Good night.
ELIZABETH
That's my good boy.
Freddy steps out into the:
INT. HALLWAY
Elizabeth blows him a kiss and slowly closes her door.
Freddy stands for a moment, then walks to the door next to Elizabeth's room and knocks.
ANGLE ON INGA
She is wearing a flimsy nightgown, opens the door.
INGA
Why, Doctor... is anything the matter?
FREDDY
Just passing through the night.
INGA
What's wrong, Doctor? You seem... lonely.
FREDDY
Oh, a little. But it's not just physical loneliness. It's the pangs that come from missing someone intellectually... as I have you.
INGA
I've missed you intellectually, too, Doctor.
He stares at her almost "see-through" nightgown.
FREDDY
It's terrible – the price society demands in the name of fidelity... ultimately?
INGA
Not fooling around.
FREDDY
I know, but I mean – not fooling around physically? Or not fooling around intellectually?
INGA
I see what you mean.
FREDDY
There can never... ever... be anything physical between us. You know that, dear.
INGA
I know Frederick.
He is staring at her breasts.
FREDDY
It wouldn't be fair to Elizabeth.
INGA
Of course not.
FREDDY
For that matter, it wouldn't be fair to you, or to me.
On the word "you", he touches Inga's breast to emphasize his point. On the word "me", he touches his own chest.
Pause.
INGA
What?
FREDDY
I say, it wouldn't be fair to you... or to me.
INGA
Nor to Elizabeth.
FREDDY
No. Nor to Elizabeth.
INGA
We all have our feelings. I know that I have mine. And... I wouldn't want to hurt yours.
On the word "mine", she touches her chest for emphasis. On the word "yours", she places her hand on Freddy's chest and rubs it a little.
FREDDY
Yes, I do have my feelings. And, of course, you have yours.
He rubs her chest.
INGA
And Elizabeth has hers.
FREDDY
Yes, Elizabeth has hers.
INGA
But, after all, you have yours.
She unbuttons a button of his pajama top so that she can touch his chest better.
FREDDY
Yes, I have mine.
INGA
And I have mine.
FREDDY
Yes... yes, you have yours.
INGA
Why don't we talk inside?
FREDDY
(keeping one hand on her chest)
Well...
(he looks at his watch)
... perhaps for a few minutes.
They go into Inga's room.
DISSOLVE TO:
EXT. BÜRGERMEISTER'S HOUSE – NIGHT
VILLAGERS, with torches and DOGS, stand on the street, in front of the Bürgermeister's steps.
FIRST VILLAGER
Bürgermeister Krempen.
SECOND VILLAGER
Bürgermeister Krempen!
THIRD VILLAGER
(pounding on the door)
Bürgermeister Krempen!
FOURTH VILLAGER
Mayor Krempen!
BÜRGERMEISTER
(opening the door)
What is it? What's going on?
FIRST VILLAGER
The monster, sir. The Monster is loose.
BÜRGERMEISTER
Do you realize it's after eight o'clock???
SECOND VILLAGER
Yes, sir, but the monster. He's escaped!
THIRD VILLAGER
He's running through the countryside, terrorizing the villagers. No one is safe.
BÜRGERMEISTER
What do you mean 'the' monster – as if this happened every Sunday. You mean 'a' monster.
FOURTH VILLAGER
No, sir, it's 'the' monster. The Frankenstein monster.
BÜRGERMEISTER
Oh, Tommy Rot!
ASSORTED VILLAGERS
Yes! Frankenstein! The Frankenstein monster!
BÜRGERMEISTER
Now wait a minute! Just wait a minute!
They quiet down.
BÜRGERMEISTER
Now see here! There'll be no more wild accusations bandied about while I'm still Bürgermeister of this village. If there is mischief afoot, the way to find out is to confront the man with the charges brought against him. It's the only decent thing to do. And as long as I'm Bürgermeister of your village – a man's name is still his honor.
FIRST VILLAGER
But it's true, sir. Young Master Freddy – he's come from America and read all of his grandfather's secret notes. They've started the whole business all over again, sir.


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