YOU'VE GOT MAIL
JOE (V.O.)
Dear friend: I cannot tell you what
happened to me last night, but I beg you
from the bottom of my heart to forgive me
for not being there.
He deletes "for not being there."
Then types again, after "to forgive me".
JOE (V.O.)
-- for what happened. I feel terrible
that you found yourself in a situation
that caused you additional pain. But I'm
absolutely sure that whatever you said
last night was provoked, even deserved.
And everyone says things they regret when
they're worried or stressed. You were
expecting to see someone you trusted and
met the enemy instead. The fault is
mine.
(continued)
EXT. NEW YORK STREET - DAY
As Kathleen and Christina walk down the street together.
JOE (V.O., cont'd)
Someday I'll explain everything.
Meanwhile, I'm still here. Talk to me.
CHRISTINA
Did he say anything about meeting again?
KATHLEEN
Not really. It doesn't matter. We'll
just be like George Bernard Shaw and Mrs.
Patrick Campbell and write letters our
whole lives --
They go into an apartment building.
INT. BIRDIE'S APARTMENT - DAY
A large rent-controlled West Side apartment. Birdie is
pouring tea. There's a plate of cookies.
Christina is looking at the picture of Birdie as a young
woman, dressed in a sort of Carmen Miranda getup.
CHRISTINA
Where was this taken, Birdie?
BIRDIE
Seville.
KATHLEEN
When you had the thunderbolt?
BIRDIE
Yes. What did you decide, dearie?
KATHLEEN
Close. We're going to close.
CHRISTINA
Close.
KATHLEEN
Although it feels like such a failure.
It feels like I'm quitting. It feels
like... Mom...
She closes her eyes.
Birdie sits down on the loveseat next to Kathleen, puts her
arms around her. Hold on them.
BIRDIE
Keeping the store open doesn't keep your
mother alive, although sometimes I think
we all think it does.
Christina looks over at the picture of Birdie.
CHRISTINA
Who was it, Birdie? That you had the
thunderbolt over?
Birdie shakes her head. She's not going to tell them.
CHRISTINA (cont'd)
It's so romantic.
BIRDIE
But it wasn't meant to be.
CHRISTINA
Why not?
BIRDIE
He ran Spain.
CHRISTINA
Spain?
BIRDIE
The country. He ran it. That was his
job. And then he died. Just as well.
INT. SONY LINCOLN SQUARE THEATRE - NIGHT
As Frank and Kathleen go up the escalator, on their way to a
movie.
FRANK
She fell in love with Generalissimo
Franco?
KATHLEEN
Don't say that. We don't know that for
sure.
FRANK
Who else could it have been? It was
probably around 1960 --
KATHLEEN
I mean, it's not like he was something
normal, like a socialist or an anarchist
or something --
FRANK
It happened in Spain. People do really
stupid things in foreign countries.
KATHLEEN
Absolutely. They buy leather jackets,
they go see Flamenco, they ride in
gondolas, they eat in restaurants where
guitarists sing Malaguena sola Rosa, but
they don't fall in love with fascist
dictators.
They enters one of the theatres.
INT. THEATER - CONTINUOUS
As they find seats and sit down. A trailer is playing.
KATHLEEN
Birdie is a very kind person, she's
practically my surrogate mother.
FRANK
Well she's out of her mind.
KATHLEEN
She is not.
FRANK
I could never ever be with anyone who
doesn't take politics as seriously as I
do.
The person in front of them turns around.
PERSON IN FRONT OF THEM
Do you mind?
FRANK
A hot dog is singing. You need quiet
while a hot dog is singing?
The two of them sit there.
KATHLEEN
I have something to tell you. I didn't
vote.
FRANK
What?
KATHLEEN
In the last mayoral election, when Rudy
Giuliani was running against Ruth
Messinger, I went to get a manicure and
forgot to vote.
FRANK
Since when do you get manicures?
KATHLEEN
Oh, I suppose you could never be with a
woman who gets manicures.
FRANK
Forget it. It's okay. I forgive you.
PERSON IN FRONT OF THEM
Shhhhhh.
KATHLEEN
You forgive me.
Hold on them a beat.
Kathleen stands and walks out of the theatre.
INT. SONY LINCOLN SQUARE THEATRE ESCALATOR - NIGHT
Kathleen on the down escalator. Frank scrambling to catch up
with her.
FRANK
What's going on?
Kathleen's upset.
FRANK (cont'd)
Hey. What is it?
EXT. COLUMBUS AVENUE - NIGHT
As they walk uptown.
FRANK
Look, this has been a big week, you're
closing the store --
KATHLEEN
It's not that, Frank, really it's not.
It's just... Frank...
FRANK
I know, that was terrible of me.
KATHLEEN
What was?
FRANK
To jump all over you when I'm the one
who's really... Oh, God, I don't know
how to say this --
KATHLEEN
What is it?
EXT. COLUMBUS AVENUE - NIGHT
As we see Kathleen and Frank being served drinks in a glassed-
in extension of a restaurant.
INT. COLUMBUS AVENUE RESTAURANT - NIGHT
As Kathleen looks at Frank, waiting for him to begin.
FRANK
You're a wonderful person, Kathleen.
KATHLEEN
So are you.
FRANK
And I'm honored that you want to be with
me because you would never be with anyone
who wasn't truly worthy --
KATHLEEN
I feel exactly the same way about you.
FRANK
Oh, God, don't say that, please, that
just makes it worse.
KATHLEEN
What?
(he shakes his head)
You don't love me?
Frank shakes his head no.
KATHLEEN
Me either.
FRANK
You don't love me?
Kathleen shakes her head no.
FRANK
But we're so right for each other.
KATHLEEN
I know.
A long beat.
KATHLEEN
That woman on television, right?
Sidney-Ann.
Frank nods.
FRANK
I mean, nothing's happened or anything.
KATHLEEN
I think she's a Republican.
FRANK
I can't help myself.
Kathleen pats him.


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